53 pages • 1 hour read
Roland SmithA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
More students, including Darrell, now read at lunchtime thanks to Zach. Peter watches Zach constantly, but steers clear of him. Zach begins to feel at home in Elko and knows Mary and Wanda like it there. Darrell loses his bet to Zach since Mary has not mentioned his fight with Peter. Mary mails the postcard.
Zach works for Sam, cleaning sawdust out of Sam’s rundown building while Sam and two Basque carpenters work on Mary’s bookshop downtown. Zach is unused to physical work. Sam lives next door in the Nevada Hotel and takes Zach there to clean up before dinner. Zach showers and changes into borrowed clothes while his are washed. Sam’s spartan room is tidy and empty except for a full bookcase and some magazines written in Russian and Arabic. Sam also speaks Basque. There are no photographs on the walls. Zach wonders why Sam lives there when he could afford a house, but Sam explains he is a bachelor, and the hotel provides room cleaning, laundry service, and good food. The hotel is filled with male Basque borders who work locally as sheepherders or miners.
Catalin serves food in the crowded dining room. Catalin’s grandfather, Benat Pasquale, emigrated from the “old country” in 1946 and purchased the hotel, which is now owned by Catalin’s parents. Benat lives at his sheep camp in the mountains. While Zach’s clothes dry, Catalin explains that Peter was adopted by his parents when he was four and he was nicer in grade school. Now, Peter’s parents ignore him and gamble away their money. Peter is desperate to leave Elko.
Zach likes the pay, the food, and the proximity to Catalin at his new job. Zach eagerly accepts an invitation to spend the night with Sam and Catalin at Benat’s sheep camp. There, Zach meets Benat, an old, broad-chested man with lively black eyes who wears a cowboy hat and boots. Benat means “bear” in Basque. Zach also meets Benat’s work partner, Andre Toussaint. The Ruby Mountains are cool and beautiful and covered with sheep. Although Zach is not outdoorsy—vacations with his parents always involved hotels and museums—he loves the mountains.
Benat calls Sam “Unai” meaning “shepherd,” saying Sam is at heart a shepherd, and his flock is the kids at school. Benat has no car and rarely leaves his camp. He and Sam ride horseback to inspect the sheep. Catalin wants Zach to talk about his family and his old home and friends. She wonders if he has a girlfriend. Zach gives vague, deflecting answers—although he definitively says he does not have a girlfriend. When Catalin takes his hand as they walk around camp, Zach wonders if he now has a girlfriend. Zach decides he wants to be a sheepherder. Catalin cautions that most sheep operations are run by corporations unlike her grandfather’s. Plus, Benat does not make any money: profits from the hotel and restaurant supplement his lifestyle.
Zach awakens before dawn, watches the stars until they disappear, and hikes up a hill above the camp. He considers how seven days ago he was friendless and now he is camping with a girl he likes, and Sam is a part of his family’s life. Zach cannot stop thinking about Catalin but wishes he could tell her the truth about himself. He thinks Uncle Don and Aunt Doris did not make clear the extent of the lies he would have to tell. Catalin wakes up and joins Zach. She notices him journaling and then putting his journal in his backpack. She comments that he is both a writer and a reader. Zach demurs, saying the journal is his way of “keeping track of things” (128). Catalin again asks about his family. Zach describes his mother and sister as twins and himself as a just a regular guy. Catalin thinks Zach is more complex than he is letting on. Zach awkwardly changes the subject, saying he is hungry for breakfast.
Zach thinks Catalin is “awesome.” She knew Commander IF was Zach’s and repaired the toy and slipped it into his backpack on the overnight trip so she would not embarrass him. Zach is glad to have Commander IF back. He and Catalin now walk to school together and everyone— including Wanda—knows they are boyfriend and girlfriend. Everyone except Peter is happy for them: He warns Zach to stay away from Catalin. Zach refuses, and Peter backs off. Zach thinks Peter will be trouble again but is not worried.
Sam asks Zach and Darrell if they would be stagehands for the high school production of The Opera Ghost. They would help during the play, moving props and raising and lowering backdrops. Zach worries about losing time with Catalin, but Sam offers to buy them dinner at the hotel if they work weekends, so Zach agrees. Sam shows them how the trapdoors in the stage work: Each is numbered and has a correspondingly numbered padlock. Sam has the only keys. If the padlock is removed, the door is “hot” and dangerous. It is a long drop from the stage. Sam has a hydraulic lift that he places under the active door. El Sereno painstakingly goes through June’s mail and finds the blank postcard Mary sent. He knows from the postmark that the family was in Elko. He informs Alonzo, who, with his two henchmen, head for Elko. El Sereno destroys the postcard.
Zach has used up almost all his fifth, and last, journal. He hopes Mary can find a new one. Zach reflects he is now comfortable in Elko, but he misses Neil. Zach asks Mary about Neil, and while she hopes he is doing well and glad he is safe, thinks he will have to serve prison time. Mary is noncommittal about whether Neil will rejoin the family. Zach is teary when he finishes writing. Catalin, noticing his emotion, mentions that he always changes the subject when she asks about his family. She tells Zach she likes him and wants to know him batter. Zach responds that he likes her, too, but his family has had some bad times, and he is trying to move forward and focus on the future. Together they paint the walls of Sam’s building.
Benat, visiting from the mountain camp, investigates the lights and surprises them. He wants Sam, Zach and Catalin to visit him again. Peter’s parents sleep during the day and gamble at night, and he rarely sees them. Sometimes they leave notes to meet them for dinner, but they do not always show up. Peter walks by Sam’s building to meet them, thinking that if he had a lot of money, Peter would eat at a good restaurant like the Nevada Hotel or join his older brother Ted in San Francisco. Peter wants to visit Ted, but his parents never have money for a bus ticket. Peter sees that Sam’s building is empty, lit up, and unlocked. When Peter notices Zach’s backpack, he slips inside.
Friendship and romance help Zach settle into his new life in Elko, despite his discomfort with the lies he tells. Readers learn, however, that the Grangers are not as safe as they believe as Smith amps up the suspense and threat level to the family. The theme of the importance of family is prominent in this section, and readers see the impact of Neil’s absence on his family, as well as the contrast in dynamics between Catalin’s extended, supportive family, and Peter’s negligent one.
To his surprise, Zach realizes he is comfortable with his life in Elko, something he “would not have believed…was possible” (136) when he first arrived. Thanks to Sam’s friendship and Catalin’s affection, Zach’s worldview expands. Both Sam and Catalin offer Zach new, positive life experiences. In his old life, Zach rarely worked beyond doing the occasional household chores and was not outdoorsy. Now, Zach finds working for Sam satisfying: He masters the challenging physical labor, earning a wage and Sam’s approbation. Zach values Sam’s friendship though he does find the custodian puzzling. Zach discovers that Sam speaks and reads at least three other languages, lives austerely with no personal touches in his room, and has a protective streak for the kids at school—all facts that only make Sam more enigmatic to Zach and arouse his curiosity.
Zach’s relationship with Catalin lets him feel like a part of her family. He shares meals and learns about their rich Basque cultural history including their lifestyle and contributions to Nevada. Zach’s overnight visit to the sheep camp helps Zach discover an affinity for the outdoors and the beauty of nature: He looks forward to another visit. All these inclusive activities help Zach relax into his new identity and distance him from the old Jack.
Despite his increasing comfort level, Zach knows that his family is fundamentally altered. He keenly misses his father. His mom will not assure Zach that they will reunite, if and when Neil is released from prison, showing she is having her own doubts about the future of their relationship. The absence of his father is a wound for Zach that grows deeper as the novel progresses.
Catalin’s family is tight-knit and loving. Benat, the family patriarch, passes his social and emotional legacy to his children and Catalin. Catalin’s parents follow in Benat’s footsteps, taking over and running what was once his hotel. Catalin also helps with the family business. She respects and loves her grandfather, as evidenced in her affection towards him. Catalin’s family exemplifies positive family relationships.
Conversely, Peter’s parents are neglectful. Catalin feels sorry for Peter, knowing he was adopted at age four by parents who “never seemed very interested in him” (118). He is an afterthought while parents who gamble all night. Peter’s family is unhealthy, and consequently, Peter is isolated and frustrated. The things he wants most—Catalin and the money to leave Elko—are out of his reach. Both will become motives for Peter to expose Zach. Although Zach recognizes that Peter might make trouble for him with Catalin, he naively dismisses the potential threat.
Smith ends Chapter 16 on an ominous note: Peter enters Sam’s empty building to search Zach’s backpack, where Zach keeps his cover-story-compromising journal. Smith accelerates the suspense by revealing that Aznar and his minions have discovered the Grangers’ location. The approaching production of Sam’s opera also adds to the sense of foreboding, with the introduction of the stage’s hazardous trapdoors foreshadowing a violent climax.
By Roland Smith