50 pages • 1 hour read
Jenny Torres SanchezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Before they leave Soledad’s shelter, Pulga persuades Chico to continue their journey by reminding him, “You’re not from here. You don’t have papers. Mexico doesn’t want us any more than the United States” (210). How does the title of the novel connect to this moment on both a literal and figurative level? How does the title connect to their journey as a whole? To their origin and destination? Choose at least three different specific settings from the novel and the events at each to discuss in support of your thoughts to these questions.
How does the novel address mothers/mothering? Choose five to seven specific details from different points in the story that contribute to the novel’s exploration of motherhood.
Besides the border patrol agents depicted in the story, what secondary or incidental characters along Pulga’s and Pequeña’s journey pose a threat to their success? What differences or commonalities does Sanchez portray among these characters, and how do these characters differ from the physical obstacles along the journey?
How do the alternating viewpoints of Pulga and Pequeña in We Are Not from Here impact the way main characters are revealed and characterized? Select at least three characters and describe with evidence from the text the ways in which the dual narrative perspective contributes to their characterization.
Novels often have complex inciting incidents or even a series of events that build up and inspire the rising action. In this novel, what events besides the murder of Don Felicio serve to motivate the main characters’ departure from home? Brainstorm a list of six to eight connected events that prompt the purchase of the bus tickets.
What role do coincidences and miracles in the plot of the book? How do they align with both the thread of magical realism present in the novel and with the motif of religion? Cite at least five examples from the text to support your argument.
The book opens with a brief prologue that is filled with imagery and foreshadowing. Unlike the rest of the chapters, it is not headed with a viewpoint character. From whose viewpoint might the prologue be written? What textual evidence can you find to support your thinking?
What virtues or themes are most strongly symbolized by the character of Chico? Consider what you know about this character from backstory moments as well as the real time scenes. What might the author be suggesting in Chico’s death, and specifically where and how it occurs? Use plot details to support your thinking.
How do characters demonstrate changes in traits and identity as a result of the physical journey north? Consider secondary and incidental characters met along the way in addition to main characters. Decide on three or four characters whom you feel demonstrate the greatest transformation; what textual evidence supports your choices?
Dramatic irony occurs when the reader knows plot details and character actions and emotions that other characters do not. What examples of dramatic irony exist in We Are Not from Here? (Especially consider what you know as a result of the alternating viewpoints.) Cite at least three examples from the text.
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