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61 pages 2 hours read

Karin Slaughter

Triptych

Fiction | Novel | Adult | Published in 2006

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Part 3Chapter Summaries & Analyses

Part 3, Chapter 14 Summary

Content Warning: This section of the guide includes discussion of graphic violence, death, rape, substance use, and mental illness.

The narrative shifts to the past. After his trial, John is stunned to realize that he has been sentenced to 22 years to life in prison. His mother tries to convince him that this outcome is a good thing because he has avoided the death penalty. He is shocked that so many people from his school have testified against him, including people he has not spoken to for years. Mary Alice’s parents feel vindicated by the outcome of the trial. John is then transported to Coastal, and during the bus ride to the prison, he realizes that he is much younger and smaller than everyone else.

John is sent to his cell and meets his older cell mate, Zebra. Every night, Zebra rapes John. Then, Zebra starts trading John to other prisoners. John is raped so brutally that he is hospitalized. While in the hospital, John receives the first of his father’s only two visits. Richard tells John that it is good that he is in pain; this way, John will know how Mary Alice felt.

Part 3, Chapter 15 Summary

The narrative returns to the present, and John’s perspective reveals that he now has post-traumatic stress disorder from his time in prison; he flinches whenever he hears someone approaching him from behind. John spent a month in the hospital and was then transferred to the protective ward, where the serious sex offenders were incarcerated. He was placed in Ben Carver’s cell.

Now, John calls Ben’s mother and arranges to borrow her car. He knows that he must be careful so that Martha Lam doesn’t find out what he is doing. He doesn’t know how to drive an car with an automatic transmission, so he must quickly learn this skill. He has received two pieces of mail from Ben, both of which are in code. Eventually, he translates the code and realizes that Ben has sent him the address of the person he is looking for—Woody, the man who stole his identity.

John goes to the liquor store to look for Robin, and the other sex workers tell him that Robin is at the movie theater. He tells Robin that he cannot see her anymore because he is about to get involved in something bad.

Part 3, Chapter 16 Summary

The narrative shifts to the past to describe more details of John’s incarceration. When his mother visits him, she tells him that he will survive. She brings him textbooks, encourages him to earn his GED, and insists that he go to college someday. John keeps expecting Ben to approach him sexually, but instead, he finds that Ben is oddly protective of him. Ben discourages John from using drugs. The other sex offenders in the wing make offers for John, but they are all afraid of Ben.

Aunt Lydia continues to work on John’s case. She had discouraged him from taking the plea deal, which would have sentenced him to 15 years. John keeps his head down and learns to adapt to prison life. He studies hard. His father, Richard, visits him for the second and final time when John is up for parole. Richard tells John that Emily now has late-stage breast cancer. John tells the parole board that he killed Mary Alice and says that he wants to go home to see his mother. His parole is granted, but Emily dies two days before John is released.

Part 3, Chapter 17 Summary

The narrative returns to the present. By this point, John has been following Woody for almost two months. Woody is a creature of habit; he goes to work, comes home, and watches TV. Every Sunday night, when Woody’s wife leaves, Woody leaves too. John follows Woody and watches him solicit sex workers. However, one night, Woody alters his routine and goes to a neighborhood instead. John watches him get into his car with a young girl and realizes that Woody stole his identity to hide a series of crimes.

John’s sister, Joyce, calls him and asks to meet for coffee. When they meet, he asks her if she knows what Woody is doing. Joyce tells him not to get involved with Woody because he was always going to be bad news. Joyce knows that John confessed to Mary Alice’s murder in front of the parole board; she is heartbroken that he would say this. Now, she demands to know the truth. He gives her the credit report and tells her that he has become entangled in something ominous.

John heads to Woody’s neighborhood. As he cuts across a field, he sees Woody’s backyard. He watches as Woody hops over the fence and kisses Cynthia.

Part 3, Chapter 18 Summary

The narrative shifts to June 1985. The young John is waiting for Mary Alice to arrive at Woody’s party. She wants to drink alcohol. John is very attracted to her, and she tells him that her dad moved out. Woody flirts with Mary Alice, and the two start kissing, but when he rips a button off her shirt, she stops kissing Woody and asks John to take her home. Woody gives John some cocaine.

Part 3, Chapter 19 Summary

The narrative returns to the present. While cleaning out a car at the car wash, John’s attention is caught by a newspaper headline declaring that a “Snellville girl” has been kidnapped from a “local neighborhood.” John learns that the girl was 14 years old and was found the next day, hiding in a ditch. He realizes that Woody abducted the girl. That night, John follows Woody, who picks up a sex worker. As John follows them, he hears the woman screaming.

The next day, John waits until Woody has left for work and then breaks into Woody’s house. The chain-link fence is still broken, and John finds Woody’s collection of child pornography. He also finds a large folding knife that Woody carried as a teenager. Suddenly, Cynthia enters the house and demands to know who he is. When he claims that Woody told him that Cynthia lives next door, she genuinely does not know who “Woody” is.

Cynthia starts running to her house, and he follows her into the yard. She turns to look at him as she climbs over the fence and then falls, slamming her head against a large rock. She dies immediately. John thinks back to when he discovered Mary Alice’s body. He reflects on the fact that Woody, who now goes by the name of Michael Ormewood, killed Mary Alice. John picks up the knife and grabs Cynthia’s tongue.

Part 3, Chapter 20 Summary

The narrative shifts to June 1985. The young John tells Mary Alice that she is too drunk to go home to her mother. Mary Alice grabs the bag of drugs that Woody gave to John. She sneaks him into her house and then asks him to show her how to snort cocaine. They kiss, and John immediately passes out. Later, he wakes up with a headache and discovers Mary Alice’s dead body. She is naked and mutilated, and her tongue has been bitten off. Her mouth is full of blood. John’s hand is covered in her blood, and he leaves a handprint on the windowsill as he climbs out of her room and runs home.

The narrative inserts a newspaper article from June 1995. It focuses on a retrospective analysis of Mary Alice’s murder, which took place 10 years prior. Authorities decided that John must have experienced an acute mental health crisis to murder Mary Alice so brutally. Classmates testified that John’s personality had changed due to his addiction. A six-inch knife from the Shelleys’ kitchen was found in John’s room, covered in blood. Mary Alice’s parents got divorced during the trial. Later, at John’s first parole hearing, he maintained his innocence.

Part 3 Analysis

This section further establishes the theme of Corruption in the American Justice System, for under the façade of protecting innocent citizens, Michael/Woody, as a corrupt police officer, exploits these citizens for his own gain. Within this context, Slaughter depicts a grim bureaucracy plagued by systemic inefficiency and moral decay—one that allows Michael to get away with coercing sex workers into providing him their services for free. He then justifies his acts of rape by dehumanizing these women and celebrating the self-aggrandizement that he believes his badge to bestow upon him. When John’s unofficial surveillance reveals Michael’s guilt in Aleesha’s murder, it is clear that Michael successfully executes this crime by taking advantage of her zip code’s disadvantaged status and lack of resources, counting on the slow response time of law enforcement to allow him to evade justice. In this same vein, he also takes advantage of the way that parolees are viewed, stealing John’s identity to further his own crimes. Thus, Michael proves himself to be a predator who relies on the neglect of marginalized communities, and his actions are designed to illustrate the ways in which systemic apathy can perpetuate cycles of violence and despair.

As Michael pursues his murderous tendences unchecked, John continues to struggle with the ramifications of institutional corruption. Notably, John’s conviction for the murder of Mary Alice is based on an insidious blend of circumstantial evidence, societal bias, and John’s own history of drug use and delinquency. The details of John’s trial therefore reveal the deep flaws in the judicial system, as the prosecution leverages the questionable testimony of classmates who barely knew John, shining a spotlight on his troubled past to secure an unjust conviction. Slaughter further emphasizes the problematic nature of this outcome by contrasting the jubilance of Mary Alice’s parents with the despair of John’s family, thereby underscoring the system’s indifference to fairness and truth. This systemic corruption also extends to John’s time in prison, as he endures intense physical, sexual, and emotional abuse and exploitation and remains at the mercy of a penal system that dehumanizes inmates rather than rehabilitating them. Thus, while the prison is supposedly meant to embody societal values such as justice, its lack of oversight and condonement of violence illustrate The Tension Between Outward Appearances and Hidden Realities, and Slaughter uses this aspect of the novel to deliver a broader commentary on the ravages of institutional corruption and neglect.

John’s time in prison compounds this injustice. Even during his parole hearing, he feels compelled to lie and admit guilt to secure a timely release, and once he has been ostensibly freed, he remains psychologically imprisoned by the societal tendency to view accused individuals as guilty until proven innocent. This dynamic becomes a driving force in John’s narrative as he continually attempts to redeem himself. His efforts to confront Woody, Mary Alice’s true murderer, reflect his desire to clear his own name and also prevent further harm. John’s unofficial investigation into Woody’s crimes becomes a way for him to reclaim agency over his life and find a sense of purpose.

In pursuit of redemption in one form or another, John finds some shreds of inner healing through his relationship with Ben Carver during his time in the protective ward, and the man’s kindness offers John a path forward. Ben’s protection of John and his advice to avoid drugs provide John with a rare sense of safety and guidance, helping him to survive the horrors of prison. These moments of human connection offer glimpses of hope amidst his overwhelming despair. The theme of redemption is further explored through John’s interactions with his family, for although his father, Richard, remains a source of pain and rejection, his mother stands as a beacon of unconditional support. Her insistence that he continue his education demonstrates her belief in his potential for redemption, even in the face of systemic injustice. Through the lens of John’s life, Slaughter offers a critique of corruption and questions the structures and assumptions that uphold such injustices.

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