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Emily DickinsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“‘Faith’ is a fine invention” by Emily Dickinson (1891)
In this four-line poem, Dickinson characterizes religious faith as an “invention,” implying that organized religion is an institution created by people rather than a higher being. Just as she does in “This World is not Conclusion,” Dickinson criticizes blind religious faith and encourages a “prudent” (Line 3) combination of faith and scientific observation to understand more clearly the mysteries of the world.
“The Only News I know” by Emily Dickinson (1929)
Dickinson declares that she only wants information about the spiritual, describing her lack of interest in this world and her fascination with the life beyond. Just as “This World is not Conclusion” affirms there must be something after death, “The Only News I know” longs for revelations about the afterlife.
“I dwell in Possibility” by Emily Dickinson (1929)
Of all Dickinson’s poems, “I dwell in Possibility” perhaps best expresses her creative vision. The poem describes the imaginative power of poetry to reconfigure the world. For Dickinson, faith and science are not individually sufficient to answer the mysteries of eternity. Her poetry instead advocates a lifestyle of questioning and wondering without the need for a straightforward answer.
“The Skies can’t keep their secret” by Emily Dickinson (1891)
Another poem focused on the mystery of God’s will and the nature of Heaven, “The Skies can’t keep their secret” argues in keeping with Romantic tradition that nature itself declares the will and “secret” (Line 13) of God, if only people would observe it closely and scientifically. However, Dickinson refuses to uncover God’s secrets, preferring to speculate and imagine the answers herself: Logic destroys the mysterious magic of the world, a theme which also appears in “This World is not Conclusion.”
“‘Sweet Skepticism of the Heart’: Science in the Poetry of Emily Dickinson” by Fred D. White (1992)
In his essay, White explores Dickinson’s complicated relationship with science and faith. White explains that, for Dickinson, scientific observation was a means to better understand the world, but she often resisted the scientific world’s reductionist and anti-spiritual tendencies. White discusses how “This World is not Conclusion” best exhibits Dickinson’s nuanced balance of her two passions: scientific observation of the physical world and spiritual speculation regarding the intangible.
“Dickinson, Calvin, and the Drama of Perception” by Thomas Gardner (2014)
In this essay, Gardner explores the influence of theologian John Calvin on the writings and poetic worldview of Emily Dickinson. Although Dickinson resisted much of the Calvinist doctrine she grew up with, she did adopt certain elements of this theology. Gardner demonstrates that both Calvin and Dickinson saw the physical world as a means to perceive the invisible God, believing that a complete understanding of divinity could only be achieved upon death. Gardner argues that Dickinson adopted Calvin’s belief in the limitations of human perception and furthered this idea by exploring the limitations of human language, a theme found in her poem “This World is not Conclusion.”
“The Riddles of Emily Dickinson” by Anthony Hecht (1978)
Hecht’s essay explores how much of Dickinson’s poetry operates like riddles: Dickinson conceals familiar concepts with abstract language, often presenting vague descriptions before finally revealing a poem’s central concept. Some of Dickinson’s riddle-like poems are on topics such as death, eternity, and hope. Reading Dickinson’s poems as riddles is helpful when considering a poem like “This World is not Conclusion,” which repeatedly offers comparisons and definitions for the concept of a “species” living in the world beyond.
By Emily Dickinson