44 pages • 1 hour read
Mariko TamakiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The Symbols & Motifs mention miscarriage and suicide.
Awago Beach is the setting of This One Summer and serves as a multi-layered symbol of both positive and negative memories in the lives of Rose, Windy, and their families. It is the place where Rose and Windy met and have spent all of their time together, and it becomes sacred to them for this reason. Rose recalls several memories of spending time on the beach with her family, and these memories are all happy, innocent, and from a time when her family was more unified and loving. In Rose’s last summer of childhood, the beach evolves into a symbol of The Emergence of Adolescence and Accompanying Loss of Innocence. Rose also uses the lake as a source of catharsis, often swimming alone and spending the time contemplating and reflecting.
Rose and Windy spend much of their summer days at the lake, swimming for hours. In one scene of childlike whimsy, Windy runs toward the beach, a speck amongst the wide waves and sand, yelling “AH! The sand is like lava!” (81). She and Rose often swim far out into the lake and use the privacy to discuss matters that bother them. In one such instance, Rose complains about Jenny and judges her for being pregnant. Windy quietly accuses Rose of being sexist, which upsets Rose but ultimately leads her to reflect. Although the girls often argue, Awago Beach always brings them together.
In the present, Rose feels distant from her mother, who is in the throes of grief after a miscarriage the summer before. Alice pays little attention to Rose other than to scold her, refuses to go swimming, and fights with her husband in front of Rose. Rose thinks back to a time when her mother was more emotionally present and happier, when she and her family first came to Awago Beach. A two-page splash shows a view of the sun from underwater as Alice coaxes a nervous Rose to try swimming in the lake for the first time—a joyous memory. Similarly, Rose recalls disliking the idea of visiting Awago Beach in the winter, as she doesn’t want to destroy her image of years of perfect summers; Rose reconciling the beach of then and the beach of now reflects her juggling between childhood and adolescence.
Immediately following Rose’s memory of learning to swim, a foreboding image of her pretending to be dead in the water foreshadows the night of the bonfire. The beach is a reminder of a negative experience for Alice, one that seems to have overruled all of her happy memories there. In the novel’s conclusion, Alice reveals that she experienced a miscarriage in the lake the summer before. Similarly, Jenny attempts to end her life by drowning in the lake. Alice and Jenny’s stories of being victims of The Socially Prescribed Obligations of Womanhood collide in this moment, as Alice rushes in to save Jenny’s life. This is the first time Alice has entered the water all summer, and it is a cathartic experience that helps her confront her trauma. Therefore, the beach also symbolizes The Permeative Effects of Mental Illness—and how Alice begins to overcome them by saving someone else.
Horror movies act as a symbol of Rose and Windy’s shallow perception of adulthood and The Emergence of Adolescence and Accompanying Loss of Innocence. This is especially true of Rose, who is older than Windy and more eager to demonstrate how old she is. The girls’ viewings also provide opportunities for them to discuss various events and emotions. At first, the girls watch The Texas Chain Saw Massacre, and become so terrified that they hide under a blanket. Windy is desperate to distract herself from the screen and starts asking Rose about oral sex after overhearing some teenagers talk about it. From then on, horror movies are paired with the girls’ journey toward adolescence. Rose also uses horror movies to talk to Duncan, whom she has a crush on. Windy finds both the movies and Rose’s crush off-putting, but wants to spend time with Rose and goes along with her antics anyway.
After Rose and Windy watch Jaws, the truth about Alice’s miscarriage slowly comes to light. A three-panel sequence shows a woman floating in the water, looking terrified. This scene from Jaws is also evocative of Alice’s miscarriage, as the movie features a great deal of blood in water. Rose and Windy are unaware of the themes they are subconsciously exposing themselves to, and at the end of the summer, Windy admits she can no longer watch horror movies: “My mom said I’m like screaming out weird stuff in my sleep” (303). Windy often comes off as wiser than Rose, and seems to be more aware of the fact that they are still too young for movies with adult themes. When Rose returns the DVD of A Nightmare on Elm Street, an older man is working the Brewster’s counter (instead of Duncan) and lectures her about being too young for the movie. Ironically, she overheard Duncan and his friend talking about how much they dislike A Nightmare on Elm Street earlier in the novel, as it is too gruesome. Here, Rose finally realizes that she does not have to prove herself more mature than she is; she simply needs to let growth happen naturally.
Light and darkness serve as symbols of the carefree, optimistic energy of a summer away at the beach and the darker aspects of adulthood. These more disturbing parts of growing up, such as Alice’s miscarriage (and resulting depression) and Jenny’s conflict with Duncan (her pregnancy and suicide attempt) cast shadows on the light days of summer. Rose is deeply affected by her parents’ conflict and preoccupied with Duncan and Jenny’s situation despite not knowing either of them. In particular, The Permeative Effects of Mental Illness are inescapable. Alice’s depression affects her husband and daughter, as they both feel neglected and as if they have lost the woman they once loved. This is not Alice’s fault, but Rose is young and fails to understand the nuance of the situation. Rose also watches as the relationship between Duncan and Jenny quickly collapses after Jenny finds out she is pregnant and Duncan refuses to take responsibility. This culminates in Jenny attempting to end her own life, and Rose is the one who spots Jenny in the water. Throughout her last summer before becoming 13, Rose is exposed to more than she can handle, showcasing The Emergence of Adolescence and Accompanying Loss of Innocence. Rose is now aware of the darker side of adulthood, but remains optimistic about growing up.
Light and darkness are also used to dramatic effect in the novel’s illustrations. Jillian Tamaki draws inflected lines and shadowing that create stark contrasts between positive and negative space. Several images of water are included, which are often dark blue or a wash of paint strokes presented in a semi-abstract manner. The rise and fall of the sun is also a common image, as key scenes often take place at night. Examples of this include the night Rose’s father leaves, Jenny’s near-drowning, and the moment in which Rose reveals her mother’s struggles with having another child. In one scene, Rose and her father walk under a large, white moon, with a wide panel of the milky way creating a stark contrast between light and darkness. Another example of this occurs when Windy shines her flashlight directly at the viewer, casting a perfect circle of light against darkness. On the other hand, dark moments sometimes occur in broad daylight too, as Alice cannot seem to separate herself from her trauma until it is of the utmost importance to do so.
By Mariko Tamaki
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