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68 pages 2 hours read

Niall Williams

This Is Happiness

Fiction | Novel | Adult | Published in 2019

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Character Analysis

Noel (Noe) Crowe

Noel Crowe is the story’s protagonist and narrator. He is a 17-year-old boy whose experiences provide the primary lens through which the story unfolds. Noe is characterized by his introspection and observant nature. He is depicted as having a thin build and delicate features. Noe always carries his fiddle with him, an act that serves as a symbolic representation of his constant connection to music and Irish tradition. Thus, his fiddle serves as a symbol of his bond with tradition and the past. Noe’s love for music also serves to underscore the transformative power of art, echoing the broader theme of transformation that runs throughout the novel.

Accordingly, Noe’s character transforms considerably as he navigates his own coming-of-age journey. He learns valuable life lessons, discovers the complexities of love, forgiveness, and death, and develops a deeper understanding of the world around him. Furthermore, Noe’s coming-of-age journey is intrinsically tied to his grappling with life’s complexities and contradictions. He begins the story as a young man riddled with guilt over his decision to leave the seminary, and as the novel progresses, he reconciles his inner conflict over his past choices, coming to terms with his mother’s death and growing into a character full of empathy and understanding. His friendship with Christy, his first experiences of love with the Troy sisters, and his shifting perceptions of his parents, grandparents, and the townspeople are all significant in shaping his character development.

It is important to highlight that Noe’s introspective nature plays a crucial role in how Williams develops the novel’s central themes. Noe’s narrative voice, full of wisdom and nostalgia, resonates throughout the novel, and in his old age, he is able to reflect upon his younger self with a sense of understanding and kindness. His musings paint a compassionate picture of the human condition, complete with its joys, sorrows, regrets, and revelations. Overall, Noe is not just the protagonist but also the heart of This Is Happiness. His journey, his contradictions, his growth, and his introspective narrative voice illuminate the novel’s themes and establish its emotional tone. His character thus embodies the essence of the story—that of change, growth, reconciliation, and The Balance Between Tradition and Progress. As both an observer and a participant, Noe oscillates between the conflicting pulls of tradition and modernity, and his internal dilemma mirrors the larger struggle and duality that the town of Faha experiences during its modernization. Also, as an apprentice, Noe is a direct participant in bringing electricity––a symbol of modernity––to the village. His character therefore serves as a bridge between the old and the new, underscoring the delicate balance between past and future.

Christy McMahon

Christy McMahon is an electrician who plays a pivotal role in the story by serving as a mentor to Noe: guiding and influencing the boy’s perspective on life. Christy is portrayed as being reflective, wise, flawed, and human, often sharing insights and stories with Noe. Throughout the narrative, Christy’s character evolves considerably as he confronts his past mistakes and seeks forgiveness from the woman he wronged. His actions and goals thus impart important life lessons to Noe, ultimately shaping the boy’s worldview and understanding of love, connection, and the power of storytelling.

Christy’s role as a symbol of change and progress is also significant in the narrative, for his presence signifies the transition that both Faha and the rest of rural Ireland are about to undergo. His task of electrifying the village becomes a metaphor for shedding light on the complexities of human emotions and relationships, similar to the ways in which he helps Noe to navigate the bumpy road of adolescence and growing maturity. His role as a mentor extends beyond the practicalities of his work, for he often weaves tales from his own life that serve as parables to illuminate the nuances of life’s challenges and the importance of forgiveness. Through his anecdotes, Christy imparts wisdom and unveils The Transformative Power of Storytelling, influencing not just Noe’s coming-of-age journey but also the thematic undercurrents in the novel.

While his task in Faha represents the impending invasion of progress, Christy himself remains deeply rooted in Irish traditions, demonstrating his personal respect for the older ways of life. This duality in his character embodies the story’s broader exploration of The Balance Between Tradition and Progress, which is ever-shifting. Christy thus symbolizes the changing times and bridges the gap between the past and the future, reflecting the novel’s key theme of seeking to achieve harmony between old patterns and new ideas.

Doady Crowe

Doady Crowe is Noe’s grandmother and is a central figure in his life. A practical and direct woman who cares for the household, she represents stability and tradition throughout the narrative. Her unwavering love for Faha and her commitment to simplicity and tradition shape the atmosphere of the family’s home. While Doady does not undergo significant personal growth and remains a fairly flat character, she nonetheless evokes a sense of the continuity and wisdom of the past. Additionally, she also serves a pragmatic purpose to the mechanics of the story itself by supplying a comprehensive knowledge of Faha’s various comings and goings. She always offers Noe unwavering support and acts as a grounding presence in his life.

As a symbol of the old ways, Doady is inherently resistant to change, reflecting the wider sentiment of the town regarding the impending electrification. However, she also displays adaptability as she gradually comes to terms with Faha’s transformation. This resilience exemplifies the strength of her character, demonstrating the endurance of tradition even amid the tide of modernity. Doady’s relationship with Noe provides a window into the traditional values she cherishes as she gently guides him through the upheavals of adolescence. Thus, Doady remains a constant figure in Noe’s life and symbolizes Faha’s enduring spirit and timeless charm.

Ganga Crowe

Ganga Crowe is Noe’s grandfather; he serves as a foil to Doady’s character, for while both he and Doady embody the wisdom and resilience of the older generation, Ganga’s deep connection to the land and the traditions of Faha render him much less willing than Doady to adapt to the impending modernization of the town. He, too, remains a fairly static character throughout the story, and while he does not undergo much personal growth, his stolid refusal to adapt serves to embody the elements of Faha most resistant to change.

Ganga’s daily bicycle rides also symbolize his struggle with the passing of time and the inevitability of change. By its very nature, the bicycle ride suggests movement, progress, and transition, albeit at a slower pace than the speed of the incoming modernity. These rides depict him as a man suspended between the comfort of his familiar world and the relentless march of progress, which is represented by the arrival of electricity. Ganga’s rhetorical question “[A]ren’t we happy as we are?” (361) and his refusal to accept electricity reveal both his nostalgia for a simpler time and his resistance to the tides of change. Yet even though Ganga outwardly resists the changes brought on by the arrival of electricity, his bike rides symbolize a subtle acceptance of the shifting world, for they imply his understanding that life, by its nature, will always seek forward growth and change. Although Ganga never fully accepts the advent of electricity in his town, Ganga’s bike rides are a testament to his reluctant ability to coexist with change while maintaining a strong connection with his past. The contradiction is resolved by interpreting Ganga’s character as a manifestation of the duality inherent in the human response to change. On the one hand, Ganga cherishes the simpler, happier times of his past, but on the other hand, he understands and subtly embraces the fact that change is an essential part of life. This duality in Ganga’s character reinforces a theme in the novel—that happiness can be found in simultaneously resisting change and adapting to it.

Annie Mooney

Annie’s past relationship with Christy sheds light on Christy’s character, motivations, and inner emotional journey, for through Annie’s understated presence and reluctance to engage with her former fiancé, Christy is revealed to be a man burdened by regret and unresolved guilt over how foolishly he cut short his past relationship. Annie’s connection with Christy thus serves to unveil the man’s vulnerability and quest for redemption, adding layers to his character that make him more human and relatable. Even when Annie is not literally present in any given scene, the emotional turmoil that Christy experiences because of his memories of her helps to fuel the novel’s exploration of forgiveness, redemption, and the enduring impact of past decisions on present lives.

Through the prism of Annie’s character, even after her death, Williams examines the complexities of human relationships and their imprint on our lives. Annie’s tragic death thus serves as a pivotal moment in the narrative, profoundly affecting both Noe and Christy. For Noe, Annie’s death precipitates a deepening of his emotional maturity, allowing him to grapple with grief, loss, and the harsh realities of life. This sorrowful event is a reminder of the impermanence of life and the fragility of happiness. It’s a pivotal moment that propels him further into adulthood, forever altering his perspective on love, mortality, and the often painful complexities of human existence.

The Troy Sisters

The Troy sisters—Sophie, Charlie, and Ronnie—are minor yet crucial characters in This Is Happiness, for their joint role as romantic interests for Noe offers a wealth of insights into his personal growth, understanding of love, and ultimate maturation.

Sophie is Noe’s first romantic interest. Characterized by her maturity and practicality, she is an essential part of his coming-of-age journey. She inspires his first experiences with romantic infatuation and the pangs of love, particularly given that she represents an unattainable love. By contrast, Charlie is more outgoing and adventurous than Sophie, and her flirtatious nature and charisma captivate Noe and offer him an entirely different perspective on romantic relationships. Charlie’s interactions with Noe hint at the ephemeral nature of adolescent infatuations and the tumultuous emotions that accompany them. In yet another contrast, Ronnie is depicted as being nurturing and understanding. Although she is friends with Noe, she has no romantic interest in him, but her gentle demeanor provides a contrast to Charlie’s outgoing nature and offers Noe further insights into the varied personalities and emotional dynamics that exist within different romantic relationships. Through Noe’s interactions with the Troy sisters, Williams explores the intricacies of young love, the lessons learned from heartbreak, and the emotional growth that accompanies these experiences. The sisters, each with unique personalities, serve as catalysts for Noe’s emotional maturation, helping him to navigate the waters of adolescent romance.

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