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68 pages 2 hours read

Niall Williams

This Is Happiness

Fiction | Novel | Adult | Published in 2019

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Chapters 7-14Chapter Summaries & Analyses

Chapter 7 Summary

After the conclusion of a routine Mass, the men of Faha quickly lose interest in the church activities and gather outside, engaging in small talk and smoking. Among the congregants are Conlon, the newspaperman, who sells papers and engages in lively conversations with the locals, and Ganga and Doady, who embrace simplicity and frugality and thus prefer their plain horse and cart over a car.

After a naked swim in the river, Christy visits Ganga and Doady’s house, where they offer him a room to stay. Ganga loves a good story and sees Christy’s arrival as part of the ongoing story of life, where no end is predetermined. Doady negotiates the terms of Christy’s stay, emphasizing the simplicity of the accommodations. Surprisingly, Christy refuses to eat meat, which is uncommon in Faha, and, like his river swim, further portrays his unusual, progressive, intriguing presence. Christy accepts their offer and goes to sleep.

Chapter 8 Summary

Noe describes the progression of the plans that led to the long-awaited electrification of Faha and Christy’s arrival. Faha was one of the last areas in Ireland to receive electricity. An Area Organiser named Harry Rushe had canvassed the parish to promote the benefits of electricity and secure signatures from residents. After collecting signatures, there was a period of uncertainty during which nothing seemed to happen. However, Father Coffey eventually announces a meeting to establish a Rural Electrification Committee for Faha. The meeting takes place in a packed hall, and the decision is made that Faha will be the Rural District Headquarters instead of the town of Boola. The details of the electrification process are discussed, including the need for storage and the hiring of local workers. To complete the electrification effort, one million poles need to be erected across the country. The audacity of the project captivates the people of Faha, and many become swept up in the vision of progress and modernity that electricity represents.

Chapter 9 Summary

Continuing the story of the events that led up to Christy’s arrival, Noe recounts a negotiation occurring between Dermot Mangan, a forester representing the Irish State, and Mr. Onni Salovarra, a Finnish businessman, for the purchase of electricity poles. Mangan, sent to Finland to secure a deal, meets Salovarra in Helsinki and negotiates the price per pole. Mangan successfully bargains the price down to £2 per pole through a series of telegrams written in Irish. However, the Electricity Board then requests that Mangan inspect each pole before shipment. After detailing this story, Noe further highlights the themes of storytelling and the unreliability of memory, saying, “I drifted a bit. It’s licensed by time on the planet. The bones of it are fact” (61).

The novel shifts back to a focus on the primary narrative, just after Christy agrees to board with Doady and Ganga. Doady hopes that her husband, Ganga, will get a job related to the electricity project. Later, during a conversation about electricity, Ganga unexpectedly displays knowledge of electrical terms, impressing everyone. In a whimsical moment, Christy offers Ganga a job, but Ganga reveals that he knows someone who should be ahead of him in line—Noe. The chapter ends with Christy pointing to Noe, indicating that he should take the job, further setting the stage for developing the relationship between the two characters.

Chapter 10 Summary

Doady asks Noe to take Christy into the village. They set off on bicycles, with Christy singing a love song along the way. They arrive at Craven’s, a dim and despairing pub on the fringe of the village. In the pub, Christy unexpectedly bursts into song and captivates the patrons, evoking a raw and deeply felt emotion that touches everyone present. As Noe observes, “Now, I’m not saying Christy was a great singer, or even a good singer. [… But] the singing stopped your heart. It reached in and seized it and didn’t let go. It said Listen, here’s a human being who has suffered for love” (71). After the song, Noe and Christy sit silently, unable to fully comprehend the moment’s intensity. They continue to drink, and as the night progresses, the patrons gradually leave until the remaining customers are reminded of closing time. Despite their initial intention to leave, Noe and Christy find themselves unable to move, caught in a gentle perplexity.

Chapter 11 Summary

Noe wakes up after a night of heavy drinking with Christy. He tries to recall Christy’s stories the previous night about his adventurous life, but the memories are foggy. They go downstairs to find the house in disarray as Doady and Christy air out the mattresses and belongings in the yard to welcome springtime and Easter. The sunny day brings a sense of renewal and cleansing to the town as the people begin to acknowledge the long period of rain they had endured.

Noe and Christy walk their bicycles to Mrs. Blackall’s house. Mrs. Blackall, an older woman with a deteriorating mind, welcomes them. They enter the dilapidated house, and Mrs. Blackall prepares tea in the basement kitchen. Christy tries to jog her memory by mentioning that he knew Annie Mooney, but she still doesn’t recognize him. They leave, and Christy reveals that Annie Mooney was his “greatest mistake” (97). Without dwelling on it, he starts cycling downhill.

Chapter 12 Summary

Noe and Christy decide not to go to Craven’s again. They bring the furniture back inside at twilight, placing the mattress upside down and back-to-front on the bed frame as a means of renewal. Ganga enjoys sitting in an armchair outside, experiencing the thrill of an open-air room. They play a card game called Forty-Five in the garden until nightfall, using it to pass the time and conjure up a sense of good fortune. Doady shares news of Mrs. O’Dea’s impending passing and Gadge Gallagher’s unique strategy to secure salvation. The chapter ends with the card game concluding and Noe asking Doady about Annie Mooney. In the attic bedroom, Noe tells Christy the information he learned: that Annie Mooney is Mrs. Gaffney, the chemist’s wife, but Christy remains silent.

Chapter 13 Summary

On a warm and sunny Good Friday in Faha, the locals ignore actual temperatures and rely on their bodily sensations to determine the heat. The favor of the sun on Easter is equated with the favor of the Son, and the scorching heat is embraced as a blessing. Good Friday is a universal quiet day, with closed pubs and only necessary work allowed. However, exceptions are made for activities like poaching, barbering, and shopping for Easter outfits. Noe contemplates his own restlessness and uncertain future, feeling the absence of his religious upbringing, reflecting that “[S]tillness can be a kind of suffering. And when you’re young, the unlived life in you, all that future, urgent and unreachable, can be unbearable” (104). Dealing with these feelings, he engages in an act of defiance by working and whitewashing Blackall’s outhouses on a day on which work is forbidden, seeking solace in the moment and creating a memory that will stay with him forever.

Chapter 14 Summary

Noe reflects on the preparations for Easter in the village of Faha. The village awakens with urgency as people rush to prepare for the feast day. Each family has its unique traditions and decorations associated with Easter, ranging from placemats and napkins and the colors of eggs to antique Easter ware and special serving dishes. The shops in Faha are well stocked with everything needed for the celebration.

The chapter also introduces Mrs. Moore, Doady’s occasional housekeeper. Mrs. Moore, an elderly widow with extensive knowledge of the village’s history, is a fixture in the household and provides companionship for Doady. Noe experiences a sense of loss as he watches his grandparents go to church for the Easter Vigil while he remains behind and finds solace in playing the fiddle. The music allows him to “escape the boundaries of [him]self awhile” (115) and be carried away in time and emotion. Christy tells Noe of a realization he had when he turned 60. Referencing himself in the third person, he says, “You’ve still time, Christy. You’ve still time to go back and right all the mistakes you’ve made” (117). The chapter reveals that he has come to Faha to right his biggest mistake: Annie Mooney.

Chapters 7-14 Analysis

Christy’s singing at Craven’s pub is a very human moment that transcends the ordinary realm of life in Faha. His emotional rendition speaks volumes about his inner turmoil and unexpressed feelings, suggesting his deep-rooted longing and regret. Through this scene, Williams effectively employs music as a metaphor for the universality of human experience, with its highs and lows, joys, and sorrows. Additionally, the revelation that Annie Mooney is both Christy’s biggest mistake and also Mrs. Gaffney, the wife of the chemist, deepens the novel’s intricate web of interpersonal relations and introduces a pivotal plot twist, adding layers to Christy’s character while shrouding him in mystery. This disclosure foreshadows the uncovering of a history of unrequited love and helps to propel the narrative forward.

Another significant event in these chapters is the changing weather and the first signs of spring, a classic symbol for new beginnings and renewal. This environmental change signifies a subtle shift in the atmosphere of Faha, symbolizing both the community’s and Noe’s imminent transformation. For Noe, the arrival of spring coincides with his personal growth and coming-of-age journey. As he delves deeper into the stories and wisdom of Christy, he begins to view the world around him with a more nuanced understanding. The onset of spring, with its promise of renewal, mirrors Noe’s evolving perspectives and his transition from boyhood to the precipice of adulthood. Furthermore, the ongoing construction of the electricity network serves a constant reminder of the impending societal change.

In accordance with these shifts, Christy’s arrival in Faha profoundly impacts Noe and influences his coming-of-age journey in unexpected ways. Under Christy’s influence, Noe is exposed to the intricate dance of love, regret, and redemption that can often underpin adult life. Christy’s tales and his general presence, with elements of adventure, sorrow, and longing, provide Noe with an expanded perspective on life beyond the limited boundaries of Faha, contributing to his personal growth and shaping his worldview.

The notion of constantly striving to become a better man represents the core of Noe’s coming-of-age journey, for as he interacts with Christy and delves into the man’s layered narratives and wisdom, Noe is continuously reshaping his own understanding of himself and the world around him. Acknowledging this journey as a “lifelong pursuit that once begun, will not end this side of the graveyard” and referencing “the fruits of a fruitless endeavor” (104), the elderly Noe’s contemplations of his youthful self articulate the elusive nature of personal growth. These philosophical musings thus highlight the inherent complexities and challenges of a journey characterized by constant introspection and reassessment of one’s beliefs and values. At 17, his failures were a source of self-torment, reflecting his younger self’s inability to navigate the complexities of his evolution. In retrospect, the older Noe shows a sense of acceptance and peace with this ongoing process of self-improvement and personal growth. The evolution in his perspective emphasizes the transformative power of life experiences and relationships in shaping an individual’s journey toward self-actualization.

Facilitated by the interplay between the novel’s main storyline and Noe’s contemplations as an older man, these chapters continue to develop the novel’s central themes—memory, nostalgia, and The Transformative Power of Storytelling—while amplifying the emotional stakes and interpersonal dynamics. The unfolding narrative, interspersed with unexpected plot turns, maintains a balance between the everyday and the extraordinary and emphasizes the dominant message about the transcendent nature of human experiences.

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