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56 pages 1 hour read

Kerry Washington

Thicker than Water: A Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2023

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Symbols & Motifs

Swimming

Content Warning: The source material in this section contains depictions of infertility issues and disordered eating.

Kerry Washington frames her narrative through swimming, noting the muffled nature of sounds one hears underwater and the distorted images one sees when looking up at the water’s surface as analogies for the things that one faces growing up that lack clarity and then finding one’s own clarity. The memoir emphasizes that water and swimming are important to Kerry, but her return to being underwater at the end of the memoir is a reminder that the water holds great meaning relating to her journey of discovery about herself and her family. Being under the water symbolizes a place where she can hear herself think, but looking up at the surface is an apt description of how “that muted state of reality is what life has always felt like to me” (309). She always felt that something was not clicking in her life, and learning her family’s secret allowed her to focus more on herself and her identity. In addition, she notes how her middle name, Marisa, means “of the sea” and feels the most connected to this part of her name.

Kerry notes how water represents complicated symbolism for Black Americans. She addresses this explicitly, writing that “many of us carry a complicated and painful relationship with swimming in general, and swimming in the ocean in particular” (22). Because of where her family lived, she grew up swimming, but this was not the case for her parents’ generation or the many other African Americans who did not have access to a pool.

Memories of swimming with her family often appear in Kerry’s recollections. She recalls swimming across a lake with her father, in which she felt particularly connected to him. She also recounts how Olivia Pope became a swimmer because Shonda Rhimes integrated details or skills from the various actors into their characters on Scandal. The show’s set was always a place where Kerry felt she could relax, and as a result, it was unique since she often did not feel okay with herself, choosing to focus on others or on her roles. It was “a safe route out of myself, helping me to escape my thoughts and then return to a calmer, more centered version of me” (42).

At times, Kerry employs swimming or water to set the scene or as a metaphor. At the beginning of Chapter 2, she describes how “water was still all around us,” referring to the East River (38). This example emphasizes how important water was to Kerry before she explains in the same chapter that she was a strong swimmer. In another instance, Kerry describes how “[s]wimming inside me was an ocean of complex emotions” (124) that she felt while answering her father’s lawyer’s question about how she was. She uses this language to both describe her feelings “fear and embarrassment to courage and hope” (124) and to show how she often wasn’t grounded in her relationship with her parents. Their relationship was complex, so the lawyer’s knowing many details of her life when she did not even know he existed made her uneasy.

Masks and Secrets

Valerie and Earl Washington shrouded Kerry’s life in secrets. She was aware of some of them, like their nightly arguments when she was a child. The biggest one was the secret about her parentage: that her biological father was likely an anonymous sperm donor. The secrecy took a toll on both her parents, though neither was able to fully address it until Kerry herself was an adult with children of her own. However, Kerry’s life and experience led her to find ways to let her mask drop, even if it was not the example that she was provided as a child.

Kerry makes it clear that the reason for the secrets was to protect her: They “began early in [her] family; they were secrets designed to protect [her], and to do what [her] parents thought was best for [her]. But they were secrets all the same” (50). From a young age, she realized that her parents attempted to hide their marital discontent from her. As many children do, she took responsibility for their unhappiness and sought to be a model child, hoping it would bring her the affection she wanted and help quell their squabbles. They all wore masks and “danced as if everything was fine, knowing full well that it wasn’t” (86).

Fame brought Kerry another complicated relationship with secrets. On one hand, Kerry describes how close the Scandal cast and crew were, creating a place in which she could be herself over the course of the seven-season series. On the other, she points to how her wedding certificate and her children’s birth certificates were leaked online, showing that fame came at the cost of privacy. She and her husband went out of their way to hide from paparazzi, entering venues through kitchens or other side entrances. She “often felt trapped in this life of secrecy […] getting caught in a public whirlwind left me feeling hounded, exposed, vulnerable, and overly scrutinized” (237). The privilege of her fame, she writes, also made it hard for her to not follow her parents’ path of secrecy.

When Kerry learned the truth about her conception from her parents, she felt like “[t]he secret was out; the spell had been broken” (266). By sharing the secret, Kerry’s parents validated her suspicion that something was amiss between them, and Kerry used it as an opportunity to address the difficulties of reproductive struggles. Because it is such a private affair, many are ashamed to talk about it, yet she writes, “We are as sick as our secrets, and there is healing in community” (278).

Body Image and Embodiment

Kerry had a negative relationship with her body for much of her life. She struggled with her body image as a young adult, going through periods of binge eating and binge exercising and starving herself. She details in her memoir that not only did she get help for this struggle (through a long but ultimately positive process) but also that it was rooted in her emotional and psychological disconnect from the truth of her parentage. She explains, “I had learned to survive without a true relationship to it. I didn’t know my body” (301), connecting her emotional instinct that something was missing to her physical feeling and relationship with her body.

Her struggle with her body image is an emotional and important one, since many people have similar stories. Kerry emphasizes that dealing with it was hard and that “[s]ome days were better than others” (167). Her note that she spent “hours in one-on-one and group therapy sessions as I continued to unravel the issues surrounded my relationship with food, exercise, and body image” (186) establishes the importance of professional help and the reality that it is a continuous struggle, not something that one can fix overnight. Her message is likely meant to bring attention to the shame society holds around body image and the stigma, particularly for women, about what they should look like and what their eating and exercise habits should be.

Kerry’s embodiment of roles was an important part of how she approached her career. She often kept to a healthier routine when preparing for a role, which held her accountable and kept her from engaging in bad habits. As a result, when she became pregnant while working on Scandal, she wondered, “How could I be Olivia Pope if we weren’t going to share a body?” (241). This question illustrates how important embodying a role was to her, and it challenged her as an actor to be more in touch with herself so that she could better inhabit a character’s mind and feelings, a move that ultimately allowed Kerry to get to know herself better.

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