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Kerry WashingtonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In 2003, Kerry starred in the Spike Lee film She Hate Me, playing a lesbian who gets pregnant with her former fiancé’s sperm. For help with the birthing scene, she asked her mother about the night she was born.
Kerry was born on January 30, 1977. Her father was a fan of Roots, the final episode of which aired the night before her birth, and he tried to convince Valerie to name her after a character on the show. She refused. They chose Kerry because it referenced both Valerie’s pride in being a Black woman and her Irish heritage since she had learned that Kerry meant “little dark one” in Irish (180), referring to people in the southern Ireland who have darker complexions.
Grateful for her mother’s insight, Kerry felt like she better understood the emotions of a mother giving birth. Before her parents saw She Hate Me, Kerry warned them about the amount of sex in the movie.
One year, Kerry had an abortion, and she wished she had not tried to please others so much that she had advocated for safer sex. She used a fake name and was shocked when the nurse commented that she looked like Kerry Washington.
Kerry eventually decided to move out of her parents’ house and into an apartment in Hell’s Kitchen with a childhood friend. Her father refused to help her find a place because he didn’t want her to move out. Kerry loved that apartment. Eventually, however, she decided she had to move to Los Angeles.
She starred in Against the Ropes as Meg Ryan’s friend but subsequently refused roles that made her a white woman’s best friend, including a role in When Harry Met Sally. She decided to go for parts as the leading lady. Twice she played opposite actors who won Academy Awards. One of these was in her role as Della Bea Robinson, Ray Charles’s wife in Ray. Jamie Foxx played the title part, and his grace as the lead actor and number one on the call sheet later inspired Kerry’s leadership on the set of Scandal. In her role as Della Bea, she also learned to try new things during different takes on a scene instead of trying to get it right every time. She felt like this freed her from people-pleasing behavior.
Universal Studios did not release Ray until the end of 2004 so that it would be fresh in the minds of Oscar voters. Immediately, Jamie Foxx was seen as a contender for Best Actor. Kerry also overheard two producers discussing her chances at winning Best Supporting Actress, and she worried that winning would affect her ability to perform as an artist but didn’t want to lose. She also understood that Oscar contention involved campaigns for victory that backed up amazing performances. Though she didn’t receive a nomination, she appeared on the cover of Essence, which triggered some of her bad habits around food. At the same time, she learned that her mother had undergone radiation for breast cancer and was hurt that her mother had not told her earlier.
Soon after, Kerry played Kay Amin in The Last King of Scotland opposite Forest Whitaker, who was cast as Idi Amin, a military dictator. It was the first role for which Kerry did not have to audition. Filming took place in Uganda, and it was her first time in Africa. She tried to immerse herself in the Ugandan world for the role, absorbing the world around her to learn more about the “accent, movements, and rhythms of typical Ugandan women” (200). She spoke exclusively in a Ugandan accent.
Looking back, Kerry reflects that after filming several movies, she was “what some of us in the business call ‘Black Famous’” (200). Black film lovers noticed and respected her, but within Hollywood and American culture in general she remained somewhat anonymous.
On November 9, 2016, Kerry Washington woke up to Olivia Pope’s name trending on Twitter asking her to fix American politics. At this point, she had played the character for five seasons. She felt sick at the thought that Donald Trump had become president and that millions of people had not voted to stop it despite millions of people wanting a fictional character to fix it.
In the early 2000s, Kerry met several politicians. In late 2007, she met soon-to-be President Barack Obama. When she tried to introduce herself, he commented that he already knew who she was. A few weeks later, she attended a fundraising event and was asked to speak briefly. From then on, she visited 16 states as a representative of the Obama campaign, which she enjoyed because she loved listening to people and reminding them that their voices mattered.
Kerry used her characters’ habits as templates to set boundaries around eating and exercise but struggled when she wasn’t in a role. She also struggled with increased publicity. On the campaign trail, she had to go with the flow and enjoyed the whirlwind movements of campaigning. Believing that acting allowed her to see humanity more clearly and that, in turn, it helped her believe in the importance of human rights, Kerry joined the President’s Committee on the Arts and Humanities after Obama was elected.
While she was vetted for this role, she appeared as Susan in the Broadway play Race. Backstage one night, she met her future husband, Nnamdi Asomugha.
One day shortly after getting cast as Olivia Pope and wrapping up filming for her role as an escaped slave in Django Unchained, Kerry called Valerie Jarrett, President Obama’s most senior advisor. She wanted to warn her about the political nature of both roles, worried that it would be a conflict of interest with her role on the President’s Committee. It wasn’t a problem, and she was involved in various initiatives to promote art education across the country.
During Scandal’s second season, Kerry was interviewed by Oprah and talked about her different roles. Scandal had gained a lot of attention in the press because it was the first time in 37 years that a Black woman led a network drama. Olivia Pope had come to represent Black excellence. She was, as Kerry described her, “the answer to Broomhilda’s prayers” (214), referencing the character she played in Django Unchained. Portraying Broomhilda von Shaft involved more explicit sexual and physical violence than Kerry had done before, but she was excited to work with both Quentin Tarantino and Jamie Foxx. The film was difficult to shoot, and the cast all worked to ensure they did justice to the many enslaved people who had experienced their characters’ trials in real life. She felt grateful that a Black man could be seen as a hero and that their love story in the movie was, in some ways, like a fairytale.
Kerry remembers how, as a child, her cousin had commented that there were never any Black superheroes. Kerry’s father said that there was, inventing the “Chitterlin’ Man” and periodically calling her cousin, pretending to be the hero.
The cast of Scandal gathered to watch the pilot at Shonda Rhimes’s home. Kerry sat on the far side of the room, nervous about seeing her own performance and with her self-image. However, watching the show became a tradition within the cast, especially because they responded in real time on social media, and she grew increasingly close to the other cast members as a result.
Initially, Scandal was only granted six episodes, likely because it had a Black woman as the lead. As a result, the show could also take great risks to build intensity. The social media presence of Kerry, Shonda, and the rest of the cast helped bolster the show’s popularity, and they were eventually granted additional episodes and a second season.
The near-simultaneous release of Scandal and Django Unchained skyrocketed Kerry’s fame. She was swamped with attention and began to feel torn between her role as Olivia, her public identity, and her inner self. She grew distant from some friends because she couldn’t consistently reach out. However, she bonded with the cast and crew of Scandal because they worked together for so long, and Kerry felt her mask drop and that she could be honest with others. Her role as Olivia Pope helped her become more comfortable with intimacy between friends. Since she was first on the call sheet, the role also helped her become a leader, enabling her to “find [her] own sense of capability and power” (229).
In June 2013, she and Nnamdi married. She kept her engagement secret because she did not want public attention on the wedding. They incorporated elements of their life, ancestry, and history into the wedding, including traditional Nigerian regalia designed by Nnamdi’s younger sister. Kerry wanted to walk down the aisle by herself, but she instead separated from her dad partway through.
Kerry has always thought of her family as beginning with her mother’s life on Simpson Street in the South Bronx, inspiring her to name her production company after that street. She didn’t tell her mother about it until the premiere of the company’s first film, Confirmation, which was about the Anita Hill-Clarence Thomas hearings. Her mother had always believed Anita Hill. Kerry played Anita Hill, dedicating herself to the character’s physical and vocal aspects. Sometimes, she imagined what she would feel in a situation through a “replacement exercise.” She related to Anita’s lack of privacy, especially because her marriage certificate was found and leaked online. Five months later, news of her pregnancy also circulated. They bought a home but never moved in because the address was discovered. She and Nnamdi developed ways of keeping secrets from the public to protect their children’s privacy.
Portraying Anita Hill, Kerry knew that she would relate to her in many ways, but she also realized that she had her own history of sexual trauma. She had protected the boy, just as Anita had protected Clarence Thomas. As a result, the role provided her with some healing.
While Kerry could embody Olivia in many ways, she was challenged when she became pregnant, realizing that she was going to change physically in contrast to the physicality she tried to maintain to be Olivia Pope. She reached out to a new acting coach to learn how she could bring new elements to Olivia’s character when she could no longer bring her body in the same way. She worked to better understand herself in order to better understand Olivia. Her life as Kerry took on new meaning.
Working at Shondaland (Shonda Rhimes’s production company), Kerry found it a family-friendly place. She, Shonda, and actor Viola Davis started a playroom where their children could be present on set.
Kerry then describes how, in Scandal, it often felt like the script reflected parts of the actors’ lives as the writers learned more about them. For instance, after Kerry shared that she was a strong swimmer, the writing made Olivia Pope a strong swimmer. She closes the chapter by describing how she and her father once swam across the lake at their lake house when she was 11, a dangerous adventure since no lifeguards or life vests were available. However, it brought her and her father closer than ever before.
Following the theme of Art as Activism, Kerry’s refusal to play a white woman’s best friend was an important part of her approach to roles. While she did it once in Against the Ropes, she understood that roles like that continued to put Black women and other women of color into specific boxes in Hollywood that limited their opportunities for lead roles. Turning down roles like the one in the well-known classic When Harry Met Sally was difficult but meant that Kerry was standing her ground and finding her voice as an activist, artist, and actor.
She built on this further by becoming an active member of the Obama campaign, using her position as someone who had achieved fame to be involved in politics and encourage people to vote. Ever the researcher, she wanted to help people recognize “that their votes mattered. That they mattered” (206). In turn, such work had a positive effect on her both because it brought her out of her usual routine (meaning that she could not overthink eating or exercising and was instead victim to the whims of the campaign trail’s schedule) and because she came to understand that her voice mattered too. She could make a difference in politics because of her life as an actor and the roles that she took on. In opening Chapter 11, Kerry’s tone is somber as she discusses the 2016 presidential election, and how, to some extent, she was tired. As she references the calls to action that Olivia Pope received, she feels frustrated that the American people did not recognize that they too could act, they too could vote. Her role as Olivia was always tied up in politics given the nature of Scandal’s premise, but she had hoped that people would differentiate from fact and fiction in regard to both Olivia Pope and Donald Trump. Her tone about that political moment echoes the view she had of voting when she helped campaign for President Obama, as she emphasizes that everyone “deserves to have our voices heard […] through the representative bodies that guide the laws and rules of our lives” (209). Like many Americans, she felt disillusioned about the political process (a process she had been so hands-on involved in through Obama’s campaign).
In addition, Kerry also discusses an important step along her journey that helps build the theme of Searching for Truth and Trust when she describes what it was like to work on Scandal. Being in this role placed her in a powerful leadership position, and Olivia Pope helped her through it. Kerry learned more about herself by inhabiting a woman whose confidence was shown on the screen, propelling her to project more confidence in the way she moved through the world. In return, Olivia also became more like her, picking up habits like swimming that Kerry mentioned to the showrunner. Additionally, Kerry also found a supportive community among the cast and crew, “build[ing] the kind of intimacy that genuine redefined what friendships looked like for me and taught me how to be in deep connection” (228). Before, Kerry could move from role to role; Scandal provided a fixture in which she “drop[ped] the mask” (228). This recurring motif of Masks and Secrets is important, as Kerry saw how tightly her parents clung to theirs. Through Scandal, she finally let herself lower her mask to someone other than her husband.
Finally, the theme of Performing as Others to Perform as Oneself comes into focus in two ways, particularly in chapters 10 and 12. First, while working on Ray, Kerry had a critical reminder of the approach she took to acting while in college. Jamie Foxx advised her during one scene shot over and over again to “let it be different every time. Don’t try to make it be what it was—just keep finding new things. Play…” (191). This advice was essential, helping Kerry remember that she could try new things to see what worked. It brought her back to her roots as an actor and as an artist and nearly put her in awards contention for her performance on the film. Second, portraying Anita Hill in Confirmation helped Kerry come to terms with the sexual assault of her youth: “I used Anita Hill’s words and her story to explain and defend my truth about what had happened to me, and why I had chosen to remain silent for so long” (239). Her role gave her an opportunity to perform as herself within performing as Anita, bringing this theme to its resolution.
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