43 pages • 1 hour read
Tarryn FisherA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains discussion and depictions of mental illness, substance use disorders, sexual misconduct, suicide, houselessness, and kidnapping.
Juno tiptoes around a broken casserole dish and other evidence of a fight between Nigel and Winnie Crouch. She sneaks some rice out of the refrigerator and then reads her book. She hurries to her room before Nigel gets home and then cleans up the mess. Juno is 67 years old, falls often, and is sick, but her relationship to the Crouch family is unclear.
Winnie arrives home from work and is annoyed by the ugly car parked across the street from her house. She has reapplied her makeup and is excited to celebrate her 15-year wedding anniversary, but Nigel doesn’t remember the occasion and roots around looking for food until he finds powdered eggs—part of a disaster survival kit they received for their wedding. Winnie is disappointed that he doesn’t remember. She was hoping to try one more time for a baby, someone who would love her unconditionally. Winnie reflects that her marriage has seen a lot of “trouble” due to both her actions and Nigel’s.
Winnie reminisces about meeting Nigel after being set up on a blind date. She did not think Nigel was her type, but she fell for his smile. Nigel was raised by a single mother and wanted a modern, downtown home, but Winnie fell in love with a larger, older house on Turlin Street near Greenlake Park. She bought the house without discussing it with Nigel first, and they had to cash out his 401k to fix a black mold problem when Samuel was a newborn. Nigel insisted on adding a rental suite with a separate entrance to bring in extra income.
Juno recalls how she used to live in Albuquerque, New Mexico, where she had a therapy practice called Sessions in a converted Burger King building. She had a husband and two stepsons, but something went wrong: “That was before she more or less burned her life down and ended up in Washington” (34).
Now, Juno spends time with Sam in the park and learns that he feels like he doesn’t belong in his family. Juno thinks that Sam is special and feels protective of him.
Winnie is in the middle of a phone call with Nigel. She tells him that her brother, Dakota, has been kicked out of his home by his wife, Manda, for gambling. Winnie has already given Dakota a key and invited him to stay with the Crouches. Nigel is unhappy about this turn of events, but Winnie’s older sister, Shelly, has insisted that it’s Winnie’s turn to take care of Dakota.
In exchange for putting him up, Dakota fixes the doorbell that Nigel never got around to installing. Dakota has a history of emotional outbursts and once broke Samuel’s video game console, so Winnie takes Sam out to eat as a preemptive apology. She orders everything off the dessert menu, something she would not normally do. They discuss her old job as a case manager working with the unhoused at Illuminations and how she has no interest in working there again. Winnie privately recalls a woman who came into Illuminations asking for Winnie and wanting her home address.
Juno reflects on the time that she and her husband, Kregger, moved to Alaska so he could work on a new oil pipeline while she finished her thesis. She had a part-time job at the Piggly Wiggly.
Back in the present, Juno finds Dakota’s constant presence in the house oppressive but notes that the Crouches turned off the house alarm so that he can leave and return as needed. She makes herself a sandwich and takes the last pickle, which is “risky.” She then goes upstairs and snoops through Winnie’s things, reading her diary. In one entry, Winnie has written, “Day after day it eats me. I am tired, but not tired enough to kill myself” (62). Juno finds some LED tap lights that she decides to take. She then goes into Sam’s room, where she sees his blog and is impressed by his skills. She notices an unpublished post speculating that he’s adopted. Juno thinks to herself, “Snooping was wrong, but what [is] the harm in taking a little peek—it [isn’t] like she [is] some stranger off the street” (64).
Fisher sets the scene for later suspense and plot twists by selectively revealing information about the novel’s characters. By withholding how Juno came to be part of the Crouch household while describing the apartment addition, the novel invites readers to assume that Juno is staying in the apartment: a stranger to the family, but allowed in the home. This amplifies the impact of the revelation that Juno is in fact living secretly in the house’s crawl space and that the family is completely unaware of her presence.
The presence of such red herrings does not mean these chapters contain no relevant information. Crucial character development occurs in these introductory chapters, which establish that Juno is elderly and sick, falls frequently, and needs to sleep often. Moreover, if Juno’s exact relationship to the Crouches is unclear, she is nevertheless already overstepping whatever boundaries a tenant would have by finishing off food from the fridge and going through Winnie’s personal things. The latter in particular establishes Juno’s voyeuristic interest in the Crouches and the theme of The Role of the Observer. She justifies her actions with an appeal to curiosity that the novel frames as understandable, if not exactly excusable; her remark that she isn’t a mere “stranger” aims to elicit sympathy from readers who might similarly find themselves wondering about people to whom they live in close proximity. In reality, a “stranger” is exactly what Juno is, so the passage provides retroactive evidence of Juno’s distorted thought process, suggesting that she’s in denial not only about her relationship with the Crouches but perhaps also about her current status in society. Alternatively, she may think that her former professional life as a therapist somehow absolves her of societal norms, giving her the right to pry into people’s personal lives.
While both point-of-view characters prove unreliable, the interplay of their perspectives provides insight into each, both directly and indirectly. Juno is a better judge of others than she is of herself, so she provides an outsider’s perspective on Winnie and the Crouches generally. For example, Juno’s perspective reveals how controlling and self-deceiving Winnie is in her relationship with Nigel. Winnie creates “honey-do” lists of things she wants Nigel to do around the house to improve it, including fixing a working doorbell by changing it to one with a less offensive tone. Juno points out that “Nigel had been snide in his choice” of a new doorbell that played “Twinkle, Twinkle, Little Star” (19), but that Winnie loved it anyway—a sign that she is deluding herself about the state of their marriage.
The chapters centering on Winnie expand on this portrait, beginning with the moment when “her car pull[s] past Mr. Nevins’s ancient Tahoe and into her own driveway […] [and] she cast[s] an irritated glance in her review mirror” (20). From this, it is clear that Winnie’s insistence on The Illusion of Perfection extends beyond her doorbell to the cars the neighbors drive. This insistence distorts her own perspective. For example, Winnie hopes that Nigel will be excited to celebrate their 15th wedding anniversary, overlooking the fact that they just fought violently enough to break dishes. She also mentions her desire to have another baby, which is later revealed to be a response to Sam growing beyond her control: She wants to start over so she can maintain that illusion of perfection a little longer.
By Tarryn Fisher