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54 pages 1 hour read

Jennifer McMahon

The Winter People

Fiction | Novel | Adult | Published in 2014

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Parts 3-4Chapter Summaries & Analyses

Part 3: “1908” - Part 4: “January 3: Present Day”

Part 3, Chapter 13 Summary: “Visitors from the Other Side: The Secret Diary of Sara Harrison Shea”

Content Warning: This section of the guide includes discussion of death by suicide, child death, and anti-Indigenous racism.

January 15, 1908

Following the death of her daughter Gertie on January 13th, 1908, townspeople come to Sara’s house with food and support. Martin and his brother Lucius are in the barn building Gertie’s coffin. Sara’s niece Amelia comes to see her in bed, and tells Sara that she has been meeting with a group of women in Montpelier who can speak with the dead through table-rapping. She urges Sara to come with her.

That afternoon, Sara meets with the reverend to discuss funeral arrangements. When he tells her Gertie is “with our Lord” (123), Sara spits on him. In her grief, Sara thinks about Auntie and her own sense of guilt for Auntie’s death.

When she was a child, Auntie had been skeptical about Christianity and the reverend. Auntie taught Sara that “death is not an end, but a beginning” (127). One night, Sara had begged Auntie to read her future in the fire. Auntie was shocked by what she saw, but only told Sara that she had strong “gifts of sight, of magic” (129) and that Sara’s daughter would have double.

Part 3, Chapter 14 Summary: “Visitors from the Other Side: The Secret Diary of Sara Harrison Shea”

January 23, 1908

On January 17th, Gertie was buried in the backyard. Ever since, Sara has stayed in bed. She longs to end her life. She refuses food. Amelia comes to visit and tells her that Gertie contacted her through the spiritualists in Montpelier. Gertie told Amelia she was fine. Sara doesn’t believe her.

Later, Sara has a dream that Martin is hunting a deer. The deer turns into Auntie and sits on the edge of her bed. Auntie tells her she came from the bedroom closet and reminds Sara of the instructions Auntie left her for how to reanimate a dead person.

Sara goes to Gertie’s bedroom, Sara’s own childhood bedroom, and gets out the envelope. The instructions say that the “sleeper” will be alive for seven days.

Part 3, Chapter 15 Summary: “Martin: January 25, 1908”

Two days later, a scratching noise wakes Martin up. He sees Sara sitting on the floor in front of the closet. He sees the doorknob of the closet move and he warns her to get away from it. Sara tells him that Gertie has returned.

Part 4, Chapter 16 Summary: “Ruthie”

In the present day, Ruthie, Buzz, and Fawn drive to Woodhaven, Connecticut. They are going to try and find Thomas O’Rourke, whose wallet they found in Ruthie’s mother’s bedroom. However, no one at the address from his driver’s license knows of them.

Online, Buzz finds a William and Candace O’Rourke who live in town, and they decide to ask at their homes. On the way, they pass the Fitzgerald’s Bakery that Ruthie has been having recurring dreams about. Ruthie is stunned that it actually exists. Ruthie wonders if the strange woman she has been dreaming about is as real as the bakery.

Part 4, Chapter 17 Summary: “Katherine”

Artist Katherine is convinced that the book Visitors from the Other Side that she found in her late husband’s tackle box is somehow connected to his death. She was shocked to realize as she read it that the ring her husband had given her was Auntie’s bone ring. Katherine goes to the bookstore to try and learn more about Sara. At the store, Katherine is looking at the poetry section when she thinks she hears Gary’s voice behind her, but there is no one there.

Katherine asks the bookseller about Sara. He tells her that Sara has no surviving family. He tells her that it is rumored that the final pages of the journal—the ones that explain how to revive dead people—are missing. He tells her that Sara was murdered and skinned. Martin was blamed, but before he died by suicide, he told his brother Lucius that Gertie had done it. After Sara died, many strange things happened. The Bemis’s cattle were found with their throats cut and Lucius doused himself with kerosene and lit himself on fire. People say they saw Sara leaving Lucius’s house that day. Katherine buys a copy of Then and Now: West Hall, Vermont, in Pictures and thanks the bookseller.

On her way home, Katherine runs into Lou Lou, who tells Katherine that she remembered that the woman Gary had met with was “the egg lady” who sold eggs at the farmers’ market every Saturday.

Part 4, Chapter 18 Summary: “Ruthie”

Ruthie goes to William O’Rourke’s house. He isn’t home, so she leaves him a note with Buzz’s cell phone number. Then, they drive to Candace O’Rourke’s house. Candance opens the door and seems to be expecting Ruthie. Candance shows Ruthie inside. Ruthie notices that, while a nice home, it seems to be neglected. Candace tells her that her ex, Randall, has full custody of her son, Luke.

Candace tells Ruthie that Thomas O’Rourke was Candace’s brother. Tom and his wife, Bridget, disappeared 16 years ago along with their daughter. Candace shows Ruthie a picture of the three of them. Ruthie recognizes Bridget as the woman from her recurring dreams. Bridget is wearing the bracelet Ruthie found under her mother’s rug. Ruthie panics and runs away.

Part 4, Chapter 19 Summary: “Ruthie”

When they get back home, Ruthie goes through the family photo albums. She realizes that there are no baby pictures of her. The oldest photograph of her shows her around the age of three holding a green teddy bear whose name, she remembers, was Piney Boy. Ruthie reflects on her earliest memory: Her father finding her somewhere and carrying her home. She thinks her parents were liars.

Later, Candace O’Rourke calls Ruthie. Ruthie is surprised that Candace has the number because it is unlisted. Candace asks if “Alice” is still missing. Ruthie is shocked Candace knows her mother’s name because she hadn’t mentioned it. Candace seems excited at the prospect that Alice is still gone. She tells Ruthie that she had often thought that her “precious girl” Hannah wasn’t gone and that she was still out there. Ruthie feels dizzy thinking about the connections between things and hangs up the phone.

Parts 3-4 Analysis

The Winter People deploys a shifting chronological structure. In addition to the alternating timelines between 1908 and the present day, within each part there are flashbacks, reflections, and memories of the individual characters. This structure serves two purposes.

First, the flashbacks gradually reveal information in the narrative that help explain plot points and connections between the characters across the two main timelines. For example, in 1908 Sara remembers that Auntie always wore a bone ring. In the present day, Katherine recalls that her husband gave her an engraved bone ring he found in a box he bought in an antique shop. It is clear that the bone ring given to Katherine by her late husband is the same one worn by Auntie. The connections between West Hall’s past and its present are symbolized in the book Katherine purchases, Then and Now: West Hall, Vermont, in Pictures. This book shows how the town has barely changed between the first timeline and the second, emphasizing the cyclical nature of time in the small town.

The second purpose of this structure is to reveal greater character development in each of the protagonists’ arcs, especially as it concerns The Impact of Loss and Grief on the Human Psyche. It reveals not just how they develop over the course of the chronological narrative, but how they have changed over a longer timeframe. As is typical in a domestic thriller, most of the characters are flat, meaning that they are not complex and do not change very much over the course of the narrative. However, the three protagonists, Sara, Katherine, and Ruthie, are more well-rounded, dynamic characters who evolve over the course of the novel.

Sara goes from happy to bed-ridden and consumed with grief following the death of her daughter Gertie. She even begins to “blame Martin for what happened to Gertie” (122), even though on some level she realizes this is irrational. Her grief drives her to seek out the “sleeper” instructions so that she can bring Gertie back to life, which will have momentous repercussions for her family. Her arc is thematically connected with Katherine’s arc in the present day. Like Sara and Martin, Katherine and Gary struggled following the death of their child. Over the course of this section, Katherine goes from being consumed by her grief, as Sara was, to taking action to understand and live with it. Katherine channels her feelings into her artwork and into pursuing information about what her late husband was doing in West Hall. For Katherine, her art and searching are means of exploring and articulating her grief rather than shutting down her feelings.

Finally, Ruthie in this section of the novel transforms from a typical teenager who has tension with her mother into a responsible young adult, caring for her sister and looking for her mother. Apart from her actions, Ruthie’s growth into maturity is represented by her resolve to introduce Alice to her boyfriend Buzz. They had previously argued about Buzz, but now Ruthie reflects that this response was “silly and little-girlish” and she resolves to “do things differently” in the future (113).

All three of these character arcs also relate to the theme of The Strength of Parent-Child Relationships. Sara and Katherine both grieve the loss of their children. They are driven by the desire for, or even the obsession with, those they have lost. Ruthie, similarly, shows how children can care for their parents. Ruthie is so determined to find her mother that she is going farther from home than she has ever been before—to Connecticut—in the hopes of finding clues. These three sets of relationships show how parent-child relationships can be powerful bonds that persist after death or disappearance.

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