47 pages • 1 hour read
Iain BanksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Frank Cauldhame is the novel’s narrator. When the story begins, he is 16 years old, and the reader’s first encounter with Frank is on his check of the Sacrifice Poles, which is the first of many moments featuring animal cruelty. His casual remarks about animal cruelty quickly characterize him as someone who is willing to kill, who believes he possesses magical powers that others do not, and who casts himself as the protector of the isle. Frank has an inflated sense of his own power and destiny: “My power is so strong that when it goes wrong, which is seldom but not never, even those things I have invested with great protective power become vulnerable” (64). He correlates his power to the lengthy series of rituals and obsessive rites he performs on the island. For example, Frank always shaves in a specific way, cuts his nails in an identical manner, and saves his bodily excretions—like toe jam—in order to use at the altar with the Skull of Old Saul.
Frank is both isolated and narcissistic. He lacks empathy and demonstrates no desire for companionship, which makes sense in light of his perspective about people: “People are stupid, but it all seems to have more to do with mood, caprice and atmosphere than carefully thought-out arguments” (62). Frank is also prone to pageantry, elevating the names of the surrounding hills, and even his garden trowel, to totemic levels. He is openly misogynist, stating that he hates women and considers them to be weak and stupid. He was abandoned by his mother, and his only female contact is Mrs. Clamp, a local woman who takes care of his father occasionally. Frank is also prone to revenge, even though he knows that it is often out of self-interest rather than justice.
At the end of the novel, Frank learns that he was assigned female at birth: “I was proud; eunuch but unique; a fierce and noble presence in my lands, a crippled warrior, a fallen prince…Now I find I was the fool all along” (183). Although Frank states that his identity has not changed, “I am still me; I am the same person, with the same memories and the same deeds done, the same (small) achievements, the same (appalling) crimes to my name” (182), the text is unclear whether Frank still identifies as a man or a woman. This gender ambiguity is enhanced by the first-person narration that avoids third-person pronoun usage. The closing line of the novel suggests that Frank identifies as a “sister,” which suggests that the character now identifies as a woman. Regardless of the concluding gender identity, Frank is forced to view his crimes in a different light: He viewed his crimes as necessary acts of revenge against literal and figurative emasculation, and the revelation of his forced gender reassignment changes the context of his behavior.
Angus is the father of Frank and Eric. He is a selfish, opportunistic, manipulative man who treats Frank as an experiment after the attack by Old Saul:
When Old Saul savaged me, my father saw it as an ideal opportunity for a little experiment, and a way of lessening—perhaps removing entirely—the influence of the female around him as I grew up. So he started dosing me with male hormones, and has been ever since (181).
Angus is a man who finds the influence of women so repellant and perilous that he takes medical measures to transform the baby assigned female at birth into a child assigned male as a toddler. He does this simply to spare himself proximity to a woman in the house. Angus is calculated and meticulous in his deception, going as far as making fake testicles as evidence of Frank’s castration, in the event that Frank managed to open the study.
Angus is not assertive with the women in his life, leading Frank to believe he is weak and cowardly. He lets Agnes stay in their house for two weeks when she shows up pregnant, three years after abandoning them. He walks with a limp after Agnes runs over him in her car for trying to stop her from leaving. Angus is soft-spoken and frail to the point that, when Frank finds the male hormones, he thinks that Angus must actually be Agnes, which would explain the traits that Frank associates with femininity.
Angus may be educated, but he privileges the appearance of intelligence—even omniscience—over actual accreditations. He even coordinates with the bartender to look more insightful than he is, a petty act of control meant to impress Frank.
Angus fixates on bodily functions such as flatulence and insists on talking with their infrequent guests about cancer and other diseases. He has allegedly written an academic treatise entitled The State of the Fart, which purports to prove his assertion that a person’s flatus can reveal “Whether they are emotionally unstable or upset, whether they are keeping secrets, laughing at you behind your back or trying to ingratiate themselves with you, and even what they are thinking about at the precise moment they issue the fart” (55). Angus is obsessive to the point of writing notes with the measurements of various household objects and puts them around the house. In a cruel joke—that Frank suspects, but which is never verified—Angus names one of his sons Paul, a name that rhymes with Saul, the dog who had recently attacked Frank.
Ultimately, Angus’s primary function in the narrative is to serve as the adult foil to Frank. Specifically, while Frank uses ritual and prognostication to “know” things, his father uses the empirical world. As the keeper of the secret of Frank’s birth, Angus raises the question in readers of whether he shares in the responsibility for Frank’s crimes.
Eric is perhaps the novel’s most tragic character, with the most extreme narrative arc, although he is physically absent for most of the novel. For most of the story, he is the closest thing Frank has to a clear antagonist. The news that Eric has escaped from a psychiatric hospital worries Angus, Diggs, and Frank, although Frank is secretly looking forward to seeing Eric again. Eric is Frank’s older brother but has a different mother. Prior to a traumatic incident at a hospital, Eric is intelligent, ambitious, and, by all accounts, good to his family, including Frank, who adored him.
Eric was also a target of Angus’s experiments, but to a lesser degree than Frank. Whereas Frank is subject to actual medical/biological intervention, Eric is only forced to dress in girls’ clothes and suffer the mental pressure under which Angus puts him. However, Eric escaped the island—and his father’s continued influence—to pursue medical school. He placed himself in a position to save and prolong lives, rather than control and end them.
The pivotal moment of Eric’s life occurs while working in a hospital ward for incapacitated infants. While feeding a smiling baby boy, Eric sees something move beneath the protective steel helmet the baby wears—a protection required because his skull never fully formed. When Eric removes the helmet, he sees that a fly has laid eggs in the boy’s brain and there are maggots in his skull.
Eric deteriorates after this event and is later hospitalized prior to the novel’s beginning. Eric’s escape from the hospital forms a central conflict in the novel. He becomes the isle’s boogeyman, burning dogs and forcing children to eat maggots and worms. Frank speculates, “Maybe he’s not really crazy after all. Perhaps he just got fed up acting normal and decided to act crazy instead, and they locked him up because he went too far” (111). Whereas Frank’s violent behavior is depicted within a debate of nature versus nurture, Eric’s violent behavior is depicted as an extreme, but understandable, response to tragedy.
When Eric and Frank find each other at the end of the novel, Eric sleeps with his head in Frank’s lap. There are no suggestions as to what they might do next, but Eric is capable of being comforted by Frank.
Mrs. Clamp is a local woman who brings groceries to the Cauldhames, performs some light menial work at their home, and occasionally eats dinner with Frank and Angus. Mrs. Clamp began helping Angus after Paul’s birth, in the aftermath of Agnes running over Angus’s leg. She is the only woman in the novel whom Frank does not treat with contempt, but he does not respect her either. Because she behaves within the narrow gender boundaries of Angus’s (and Frank’s) worldview, Angus does not target his misogyny explicitly on her. It is only right that she visits to help with chores. Given Mrs. Clamp’s closeness to Angus, and her history with the family, her character raises questions for the reader of whether anyone else knows the truth about Frank’s birth and identity other than Angus. However, readers are never given a fuller depiction of Mrs. Clamp’s character, and her role in the novel mirrors the role that both Angus and Frank allow her to play in their lives.