69 pages • 2 hours read
Tim O'BrienA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
This story is one the narrator has never told anyone before—not even his wife. It makes him squirm. In June of 1968, one month after graduating from college, the narrator was drafted to fight in the Vietnam War. He was 21 years old. The war seemed wrong to him: “Certain blood was being shed for uncertain reasons” (38). He took a small stand against the war, although nothing radical. He receives the draft notice on June 17, 1968. His mother and father are eating lunch in the kitchen. He opens the letter, reads the first lines, and feels “the blood go thick behind [his] eyes” (39). He feels he is too good to go to war and not a soldier by nature.
The narrator spends the summer of 1968 working at a meat-packing plant in his hometown in Minnesota: “The plant specialized in pork products, and for eight hours a day I stood on a quarter-mile assembly line—more properly, a disassembly line—removing blood clots from the necks of dead pigs” (40). He uses a heavy water gun and comes home after work smelling of pig. Even though he bathes and scrubs thoroughly, the smell doesn’t go away.
He borrows his father’s car and aimlessly drives, thinking over his options. The government has ended many graduate school deferments. He cannot claim to be opposed to the war as a matter of principle or on religious grounds. He feels a sense of terror; he doesn’t want to die. He confesses, “[a]t some point in mid-July I began thinking seriously about Canada” (42). His conscience tells him he should make a run for it, but he feels split. He fears losing the respect of his friends, parents, and neighbors if he leaves for Canada. He feels a range of emotions—including sickness—until one day, he feels something break inside him while working on the pig line. After dropping his water gun, the narrator drives home, showers, packs a suitcase, and drives north.
He spends the night in a gas station parking lot and “[i]n the morning, after gassing up, I headed straight west along the Rainy River, which separates Minnesota from Canada, and which for me separated one life from another” (45). He eventually pulls into “an old fishing resort called the Tip Top Lodge” (45). The man who greets him when he opens the door is named Elroy Berdahl. He is “eighty-one years old, skinny and shrunken and mostly bald. He wore a flannel shirt and brown work pants” (46). He has blue-ish gray eyes. Without asking, he seems to know the narrator’s exact situation.
The narrator spends six days at the lodge. He is the only guest; he eats his meals with Elroy Berdahl and plays Scrabble with him in the evenings. They rarely engage in small talk. Throughout his stay, the narrator often feels sick or filled with sorrow and has trouble sleeping. He imagines being chased by the police after escaping into the woods of Canada. Elroy Berdahl has the narrator assist with chores around the lodge. At one point it seems as though Elroy is on the verge of directly asking the narrator something, but at the very last moment changes his mind.
At dinner one night, the narrator asks Elroy how much he owes for his stay. Elroy adds up the number of nights and meals the narrator had and comes up with a figure. After washing the dishes, however, Elroy decides to subtract wages from the figure, calculating the number of hours that the narrator worked around the lodge. Elroy calculates that he owes the narrator $115. He places “four fifties” (51) on the table, but the narrator refuses to pick them up. The next morning, the narrator finds “an envelope tacked to my door. Inside were the four fifties and a two-word note that said EMERGENCY FUND. The man knew” (51).
On the narrator’s last full day at the lodge, Elroy takes him fishing out on the Rainy River. It’s a sunny and cool afternoon. Elroy steers the boat upstream, crossing into Canadian waters. After he cuts the engine, Elroy “opened up his tackle box and busied himself with a bobber and a piece of wire leader, humming to himself, his eyes down” (53). The narrator stares at Elroy and then out to Canada. He notices the brush, timber, berries, and squirrels along the shoreline, and feels a tightness in his chest. Eventually, he begins to cry. Elroy hums to himself, pretending not to notice. The narrator realizes that “Canada had become a pitiful fantasy” and that “[r]ight then, with the shore so close, I understood that I would not do what I should do. I would not swim away from my hometown and my country and my life” (55). He visualizes figures and events of his personal history—past and future—mixed with historical figures such as Abraham Lincoln lining the shore. After some time, Elroy turns the boat back toward Minnesota. The narrator leaves the lodge the next morning, drives home, “and then to Vietnam, where I was a soldier, and then home again” (58).
One morning in July, Lee Strunk and Dave Jensen get into a fistfight over a missing jackknife. Dave Jensen is larger and stronger and repeatedly hits Lee Strunk in the nose: “Strunk’s nose made a sharp snapping sound, like a fire-cracker, but even then, Jensen kept hitting him, over and over, quick stiff punches that did not miss” (59). Jensen is flown back to the rear where he receives medical attention for his nose, then rejoins the men two days later “wearing a metal splint and lots of gauze” (59).
Dave Jensen begins to worry about Lee Strunk striking back, so he keeps track of Lee Strunk’s whereabouts. He can’t relax and has trouble sleeping. Eventually, he snaps: “One afternoon he began firing his weapon into the air, yelling Strunk’s name, just firing and yelling, and it didn’t stop until he’d rattled off an entire magazine of ammunition” (60). Then that same night he uses a pistol to break his own nose. He shows Lee Strunk what he’s done and asks if everything is even between them: “Strunk nodded and said, Sure, things were square. But in the morning Lee Strunk couldn’t stop laughing. ‘The man’s crazy,’ he said. ‘I stole his fucking jackknife’” (61).
The story begins, “Dave Jensen and Lee Strunk did not become instant buddies, but they did learn to trust each other” (62). They cover for each other and team up on ambushes. In August they make a pact “that if one of them should ever get totally fucked up—a wheelchair wound—the other guy would automatically find a way to end it” (62). They make a contract. In October, Lee Strunk loses his right leg below the knee after stepping on a rigged mortar round. He falls and begins to panic. His leg is twitching and showing slivers of bone. Dave Jensen kneels at Strunk’s side and Strunk tells him, “Jesus, man, don’t kill me” (63). He tries to convince Jensen that his wound is not so bad and remains afraid that Jensen is going to kill him. He makes Jensen swear that he won’t kill him: “Later, we heard that Strunk died somewhere over Chu Lai, which seemed to relieve Dave Jensen of an enormous weight” (63).
In “Along the Rainy River,” the narrator continues to develop the theme of personal ideology clashing with the duties of war. In this story, he dives into his own psychology and circumstances during the summer of his draft. He felt “too good for this war. Too smart, too compassionate, too everything” (39). He portrays himself as perfectly split between deciding to go to war and deciding to escape to Canada; interestingly, his conscience tells him that the right thing to do is escape to Canada. The courageous thing to do, he suggests, would be to dodge the draft. This flips the notion of courage on its head, as usually one might associate bravery with going to war, rather than avoiding it.
The reason he associates bravery with avoiding war is because he recognizes his own reasons for going to the war involve cowardice and fear. He is afraid if he dodges the draft, he will be exiled from his community: “I was afraid of walking away from my own life, my friends and my family, my whole history, everything that mattered to me. I feared losing the respect of my parents. I feared the law” (42). Ultimately, these fears prove strong enough that the narrator chooses to go to war. Elroy Berdahl brings the narrator to the cusp of Canada, offering him the possibility of escape, and when he is faced with a decision, the narrator chooses to go to war not out of a sense of duty, or any sense of morality, but simply because he fears too strongly what would be said of him if he did not go to war:
Traitor! they yelled. Turncoat! Pussy! I felt myself blush. I couldn’t tolerate it. I couldn’t endure the mockery, or the disgrace, or the patriotic ridicule. Even in my imagination, the shore just twenty yards away, I couldn’t make myself be brave. It had nothing to do with morality. Embarrassment, that’s all it was (57).
The narrator concludes the story by saying, “I was a coward. I went to the war” (58). Here, the association between bravery and going to war is completely inverted. In this and other ways, The Things They Carried might be said to be an anti-war novel. Rather than celebrating heroism and patriotism in the traditional senses, it challenges and inverts such notions, and finally suggests that independence and pacifism might well take more bravery than blind submission to one’s nation’s demands.
“Enemies” and “Friends” illustrate how, during wartime, concepts such as friendship and opposition may overlap to the point they resemble one another or are interchangeable. In “Enemies,” Dave Jensen punishes himself for hurting Lee Strunk, revealing a sense of Survivor’s Guilt and demonstrating a commitment to justice, fairness, or loyalty, however strange or brutal. Meanwhile, in “Friends,” during a time of crisis, friendship strikes Lee Strunk as a potentially lethal force, rather than a source of comfort. Such inversions suggest the moral confusion and more general ambiguity of the Vietnam War.
By Tim O'Brien
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