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72 pages 2 hours read

Charles Dickens

The Old Curiosity Shop

Fiction | Novel | Adult | Published in 1840

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Character Analysis

Nell Trent

Nell is the novel’s heroine, but while the novel focuses on her and her doings, she is arguably more of a catalyst for other characters’ storylines than a fully formed character herself. She exists to motivate others while wanting nothing for herself. This sheds light on “why” Nell dies: Once the other characters have achieved their goals (or died trying), there is nothing left for her to do but die. More than anything else, Nell is an embodiment of Dickensian domesticity and (closely related) ideal femininity.

Nell’s life with her grandfather is one of constant self-sacrifice. If she seems to have little desire of her own, it is perhaps because her grandfather’s needs consume all her attention. Even as she leads them further and further towards the rural domesticity she craves, she continually abandons her own comfort and security for his sake. When he steals her wages—a sight that deeply disturbs Nell—she never once prioritizes herself or considers leaving him. Her sense of duty to her family is unwaveringly strong, but it only extends to her grandfather. A modern reader may find themselves frustrated by how one-dimensional Nell seems in comparison to other main characters in the novel. Though Nell does change somewhat as the novel progresses, growing wiser in her dealings with the world, she functions primarily as a symbol of innocence and virtue.Nell is the novel’s heroine, but while the novel focuses on her and her doings, she is arguably more of a catalyst for other characters’ storylines than a fully formed character herself. She exists to motivate others while wanting nothing for herself. This sheds light on “why” Nell dies: Once the other characters have achieved their goals (or died trying), there is nothing left for her to do but die. More than anything else, Nell is an embodiment of Dickensian domesticity and (closely related) ideal femininity.

Nell’s life with her grandfather is one of constant self-sacrifice. If she seems to have little desire of her own, it is perhaps because her grandfather’s needs consume all her attention. Even as she leads them further and further towards the rural domesticity she craves, she continually abandons her own comfort and security for his sake. When he steals her wages—a sight that deeply disturbs Nell—she never once prioritizes herself or considers leaving him. Her sense of duty to her family is unwaveringly strong, but it only extends to her grandfather. A modern reader may find themselves frustrated by how one-dimensional Nell seems in comparison to other main characters in the novel. Though Nell does change somewhat as the novel progresses, growing wiser in her dealings with the world, she functions primarily as a symbol of innocence and virtue.

Nell’s Grandfather

The proprietor of the titular Curiosity Shop, Nell’s grandfather carries with him a lifetime of loss and heartache, from his brother leaving him in their youth to his daughter dying young just like his wife did. He raised their daughter alone from infancy, and even though he saw her husband’s shortcomings and recklessness with money, he gave him the benefit of the doubt. Consequently, the husband misused the family’s money and landed them in desperate poverty. After both Nell’s parents died, the grandfather raised her from infancy, along with her older brother Fred.

Nell reminded the grandfather of her mother and of his wife, and through her their memory lived on. Fred, however, turned out to be like his father, and his financial irresponsibility once again landed the family in poverty, so the grandfather shunned him. However, the grandfather displays his own fair share of irresponsibility with money. He depletes the little money Nell’s parents left behind, becomes addicted to gambling, and falls deep in debt to Quilp. In trying to save Nell from her mother’s misfortunes, he leads her right into them, and this irony lends his character an element of tragedy. That the grandfather owns an antique shop is quite telling—he holds on tightly to the past, but all his efforts to avoid it led him directly to repeating it.

Though the grandfather’s primary concern is money, he is not actively malicious like Quilp or Fred. Rather, his greed feeds on his love for Nell, driving him to a gambling addiction and causing a complete mental break when he thinks Kit revealed his secret. The most tragic aspect of all is that even when he was mentally present, he never saw (or he refused to see) his role in their hardships. He readily points the finger of blame at others (Kit, Quilp, Nell’s father, etc.) but takes no responsibility of his own.

Christopher “Kit” Nubbles

Kit initially serves as the Trents’ servant, and his dedication to Nell is apparent from the start. When her grandfather goes out at night to gamble, Kit keeps a watchful eye over the shop, often not leaving until he is sure Nell is safe in bed. His sense of duty is the strongest out of all other characters in the novel (except Nell). Even after being dismissed from the Trents’ household, he still speaks kindly of them, praising Nell and her unwavering goodness. Having to grow up without a father around no doubt made Kit mature beyond his age, as his integrity and sense of responsibility exceed that of some adult characters in the novel.

Although his mother jokingly characterizes his attachment to Nell as romantic, Kit’s devotion is akin to what he feels for his mother, younger brothers, and his later employers, the Garlands. Kit even turns down a job offer from the single gentleman, which illustrates his sense of duty even more clearly: He would rather stay in a lower-paying job with people he cares for than work for a complete stranger, no matter the wage. His unwavering faith and loyalty inspire respect from everyone except Mr. Quilp, who sees these values as obstacles blocking his schemes.

Richard “Dick” Swiveller

At first, Dick seems little more than a somewhat comedic tag-along to Fred Trent and Daniel Quilp’s schemes. He owes money to many different shops and eateries, and he seems to be headed down the same path as Fred and Quilp. However, his last name hints at his malleability, and once Quilp occupies himself with torturing Kit and his family, Dick does in fact “turn” towards the good. His over-the-top theatrical behavior makes the Marchioness uncomfortable, so he changes his behavior to make her feel more at ease, which suggests that his prior persona was just a front to keep a distance between himself and others. Once he starts to let the Marchioness in, the reader sees more behavioral changes indicative of his true nature.

These actions pay off when Swiveller begins working to restore Kit’s good name and free him from prison. The Marchioness repays his kindness to her with her testimony, helping him accomplish his goals and rewarding him for his virtue. He also uses his inheritance to secure the Marchioness’s future, lifting her out of poverty and giving her a truly comfortable life. His actions are a fully realized version of what Nell’s grandfather hoped to accomplish for her. The main difference is that Dick had the means to live out of poverty before he received his inheritance, whereas the Trents never seemed able to escape their debts.

Daniel Quilp

Arguably one of Dickens’s most iconic villains, Daniel Quilp lives in the grimy center of London in a neighborhood characterized by industrialization and personal and commercial greed. Quilp is abusive and cruel to his wife, his mother-in-law, his so-called “friends,” and even to animals. He asserts himself through violence and uses psychological and emotional manipulation to maintain his power in his relationships with other characters. Being a little person, he stands out as “other,” and this difference supports his status as the novel’s villain; he is the constant outsider working against the protagonists. He thus embodies the popular Victorian prejudice linking moral goodness to outward appearance.

Quilp’s death is ruled as a suicide even though his drowning was accidental. When he is buried, he is buried at a crossroads with a stake in his heart. This burial practice was common for suicides or executed criminals; since the manner of death excluded them from being buried on consecrated ground, a cross in the road was deemed the next best thing. The stake through the heart stems from a superstition that suicides were more likely to return from the dead and haunt the living; the stake prevented their rising again.

Supporting Characters

The Marchioness: Initially a servant to the Brasses, the Marchioness is plucked out of obscurity and her goodness rewarded with a life of significant luxury. Sampson implies that her true mother is actually Sally, and that she was a “love child” of illegitimate birth. In earlier editions of the manuscript, it is further implied that Quilp was her father. Her ascension to relative wealth illustrates the problem of social mobility in Dickens’s novels: The poor only seem able to advance through deus ex machina-like events, which perhaps speaks to the rigidity of class and the stratification of wealth in Victorian society.

The Single Gentleman: A mysterious lodger at the Brasses’ who turns out to be Nell’s grandfather’s estranged brother. Once he learned of the hard times his relatives were going through, he journeyed out in search of them, hoping to reunite his family and bring them home to London. The single gentleman also narrates the first three chapters of the novel.

Betsy Quilp and Mrs. Jiniwin: Daniel Quilp’s wife and mother-in-law, respectively. Both fear Quilp due to the abuses they suffer at his hands. While Betsy seems to have some love for Quilp, as she was genuinely worried when he did not come home for several days, Mrs. Jiniwin wholeheartedly resents him despite being too afraid to act on it.

Sampson and Sarah (“Sally”) Brass: This brother and sister duo are successful practitioners of law in London, but all their wealth and success cannot overshadow their cruelty. They frame Kit for felony theft and brutally abuse the Marchioness. Justice is served when they are discovered, arrested, and become beggars themselves.

Mr. and Mrs. Garland: Kit’s employers after the Trents leave London. Both are exceptionally kindhearted people who come to love Kit as family. Although they cannot pay him as much as some other London families could, they admire Kit’s work ethic and his ability to bond with their unruly horse. Mr. Garland’s brother, the bachelor, sends word of Nell and her grandfather’s presence in his village, finally facilitating a long-awaited reunion.

The Schoolmaster: Upon his first meeting with Nell, he is a poor teacher struggling to come to terms with the imminent death of his favorite young student. He soon becomes a steadfast supporter of Nell, even paying for her medical care when she falls ill, and his views on death and the afterlife bring her great comfort.

Mr. Witherden and Mr. Chuckster: The notary and his dogsbody servant, respectively. A “dogsbody” is a naval colloquialism referring to a junior officer who does any menial or “grunt” work that the senior officers do not wish to do themselves. While Mr. Witherden himself does not serve as a frequent presence in the novel, Mr. Chuckster appears in many scenes at the office and at the Garlands’ residence. He dislikes Kit and considers him snobby. The men’s office is a significant location to many of the events that spur the story’s action forward.

Tom Codlin and Mr. Harris (“Short Trotters”): Two traveling showmen who operate a Punch and Judy show. Traditionally, a Punch and Judy show features two puppets—the married Punch and Judy—in a variety of short, sometimes improvised scenes. Charles Dickens himself once wrote in an 1849 letter to Mary Tyler that he thought these puppet shows were a source of pleasure for the audience, as they could see people being “knocked about” by circumstances out of their control without actually suffering.

Jerry (and his Dancing Dogs): At first Jerry seems like a one-off character, and his dogs little more than comic relief. However, it is his knowledge of Nell’s journey that helps the single gentleman pursue the first viable lead he found since he started his search.

Isaac List and Joe Jowl: Two professional gamblers. They encourage Nell’s grandfather to join their game—despite Nell’s protests—and win all of his money. Later, when the grandfather steals Nell’s wages to keep playing with them, they issue thinly veiled threats about the consequences he may face if he does not repay his debt to them by the very next day.

Frederick Trent: Nell’s ne’er-do-well older brother. He schemes with Quilp and Dick to marry off Nell so he can seize control of the fortune he believes she will inherit. Upon learning that no such inheritance exists, he ventures off to Europe and eventually dies alone, drowned like Quilp; his body lies unclaimed in a Paris hospital at the novel’s end. According to the single gentleman’s story, Fred’s financial irresponsibility is actually the reason why the family fortune dried up.

Tom Scott: Quilp’s servant. His fondness for performing acrobatic tricks often gets him into trouble with his master, but Tom stands up to Quilp and gives as good as he gets. In fact, he seems to be the only person in the whole novel who is not utterly scared of Quilp, and the only person whom Quilp does not wish to destroy.

Mrs. Jarley: The owner/operator of a traveling waxwork show. She takes in Nell and her grandfather for a long time, and Nell works as a docent in the show.

Miss Monflathers: A mean-spirited headmistress determined to impart her conservative ideology to her students, she oversees the girls’ school in the town where Mrs. Jarley’s waxwork opens.

Miss Edwards: A young student at Miss Monflathers’ school. When Monflathers chastises Nell in public, Miss Edwards comforts her—risking the headmistress’ wrath. Despite only meeting in person that one time, Nell becomes quite attached to Edwards, watching from afar as she and her younger sister spend time together on school holidays.

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