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76 pages 2 hours read

Gae Polisner

The Memory of Things

Fiction | Novel | YA | Published in 2016

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Themes

The Many Forms of Courage

Any piece of literature about September 11th is also about courage. Inherent to the topic are the facts and images from that day and its aftermath: first responders running toward the destruction; the actions of passengers and crew on Flight 93; victims’ family members bravely memorializing them. Kyle, in The Memory of Things, witnesses incidents of courage remarkable to him after the attack, through both a distant perspective as he watches the news footage and a very personalized lens as his father is an NYPD detective with the Joint Terrorist Task Force, “the first guys sent in during a crisis” (9). Mr. Donahue works at Ground Zero around the clock in the early days after the attack, making every attempt at rescue and recovery. When he phones Kyle, the emotion in his voice is evident even with chaotic background noise: “Our guys are down here, too, Kyle, under everything…I have to—you understand? I have to stay and get them out. […] I don’t care how long” (73). Despite his fear, grief, and worry, Mr. Donahue moves courageously forward, unceasing in his efforts. He represents the many rescue workers and first responders who worked countless hours at Ground Zero.

Inspired by his father’s courage, Kyle confronts the awkward necessities involved with caring for Uncle Matt. He manages household chores and attempts to put the girl at ease without triggering more trauma. Initially, it takes courage for him to remain calm in these endeavors and tend to others’ needs. As the week progresses, though, Kyle has to stop relying on the protective confines of the apartment and face head-on what has happened. Outside, the world as he knew it has changed; taking a walk and a subway ride are brave and noble actions: “As weird as it is, I feel it too, the sense that we’re all in this together. That those of us who are out and about today are being bold and helpful […] Pioneers, facing a brave new world” (171). After Coney Island and Madame Yvette’s, he bravely sheds the cocoon of protection he nurtured for himself and the girl; he sees that it is time for Hannah to leave, and he faces her departure. Kyle’s newfound courage prompts him to tell his father that Uncle Matt must stay as well.

Uncle Matt represents the courage necessary to live on after unimaginable change and challenge. He loses most of his mobility and independence after a tragic accident, but he bravely begins the work of regaining his mental and physical skills, inspired as Kyle is by the events of the week and the courage of others. Notably, he once explained to Kyle his choice to become a police officer, “It’s easy to be smart if you’re born that way, Kyle. It’s infinitely harder to be brave” (67). Uncle Matt demonstrates the difficulty behind courageous choices when faced with personal obstacles.

Finally, Hannah represents quiet but intense courage as she proceeds through the aftermath of the attacks. Already immersed in grief from the death of her beloved mother, about whom Hannah later tells Kyle, “She was so strong and brave” (247), Hannah sees the second plane when it hits and courageously tries to get to her father. She bravely trusts Kyle, a stranger, with her well-being as she faces regaining memories that are sure to cause pain. Even in her uncertainty about her family and background, Hannah bolsters Uncle Matt when he displays angry helplessness about the tragic losses: “‘There are things we can fix,’ I say, / “and things we cannot’” (141). Kyle notes how courageously Hannah faces the moment of learning her father’s fate: “Hannah waits, brave and strong” (253).

The Ephemerality of Life

Change, accident, illness, and tragedy remind us how ephemeral or transient life is. After the destruction on September 11th, Kyle thinks more deeply about the value of life and whether life’s tragic turns ever have acceptable explanations. He searches the internet for information on the war and genocide in Uganda that prompted the adoption and immigration of his friend Marcus. He also searches for information about Hannah’s identity and amnesia as a condition; he wants to protect and help her, but he also seeks answers on how and why someone’s life can be effectively erased when they lose their memories. Kyle alludes to past searches online through which he sought answers and case studies regarding potential improvements for Uncle Matt’s condition. Kyle uses the search for information as a tactic for understanding or combatting life’s impermanence.

However, no amount of internet research can assuage his disbelief and heartbreak regarding the terrorist attack. Notably, he does not attempt to search for information on the attackers, the explanations offered for their actions, or their names. Kyle understands on a baser level that comprehension will not change the fact that his life as an American and as a New Yorker is irrevocably changed: “Tuesday, and those planes, they’ve broken something. Permanently. And, in the process, they’ve changed everything. And everyone” (154). At the Promenade, when Hannah makes a fitting gesture acknowledging life’s transience, Kyle accepts it without questions or any request for information that would help him understand: “We leave the candles burning, side by side” (222).

The loss of Hannah’s mother in her backstory represents the difficult fact that we sometimes lose a part of life we considered the most special or the most beautiful. Danielle Marconi was a talented ballet dancer, a leader and teacher in her company, and a woman who loved the beautiful and special things that make life enjoyable and extraordinary, like her appreciation for Antoine’s café Le Petit Pain. Hannah is raw with grief over the loss of her mother but filled with reverence for her mother’s strength: “They gave her three months. […] She lived for almost nine months more” (247).

Hannah’s lost memories and identity symbolize the ephemerality of life as well. Ironically, the return of Hannah’s memory and identity means the end of the brief relationship she shares with Kyle: “[…] and we don’t have much time left. / He thinks I don’t know, but I do” (211).

The Function and Complexity of Memory

The idea of memory is supported in many ways in this novel, first in its title. The Memory of Things is slightly paradoxical in its wording; if the “things” are important enough to remember, why do they go unnamed? What things are or should be worthy of memory, for that matter? These questions continue from the cover throughout the novel, establishing a running theme on memory’s complex components and influence and how it functions as the root of one’s identity.

For example, memory functions as a tool Kyle uses to recall the things Hannah likes before she recalls any other details about herself. Then, he shows Hannah how she is capable of repeating back a list of 10 random things, as he did; this proves she is capable of remembering and foreshadows the return of her memories. Memory in that exercise also functions as a topic of communication; Kyle has something fun to talk about with the girl to continue to enjoy her presence. Ironically, during the minutes he teaches her the memory trick, he ceases to worry about the attacks: “And, for one split second, as I look up at her, I forget about everything else except for her and me and this moment” (138).

Kyle doesn’t expect the memory game to have influential consequences, but it does; Hannah extends the challenge to Uncle Matt, who proves readily capable of repeating back the list, an important indicator that his brain and body are healing. Uncle Matt’s characterization is more deeply developed both by memory as a complex trait (he was a contender for the National Memory Championship before his accident) and memory as a function that indirectly demonstrates his inner strength and lasting intelligence.

Notably, the author chooses not to reveal the return of Hannah’s memory in a single, defined moment. Instead, her remembered images come slowly—blurry at first, with an abundance of sensory imagery and snippets of scenes (the stage, the lake, the hospital; then gradually, the lens of her memory turns and focuses, shown with the employment of increasing realistic details and real-time actions (she lights two candles, she looks at the magazine). Instead of a sudden snap back into identity and backstory, Hannah allows herself to be pulled in toward her remembered experiences as if “tethered” to them.

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