76 pages • 2 hours read
Gae PolisnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Kyle, on a whim, suggests they stop at a palm reader on the way back to the apartment. He regrets the idea right away but thinks it will be fine as long as they stick with palm readings (and no hypnosis or tarot readings). Madame Yvette is “seriously creepy” and leads Kyle to a chair. She takes his 20 dollars, then insists on flipping the first tarot card, Lovers, for Kyle, telling him that the card stands for protection in his case. He tells her no more tarot. She sees on his lifeline that a tragedy befell him when he was young (he thinks of his grandfather dying suddenly in front of him) and again just a few months ago: “Not a death, but a terrible, terrible accident” (192). Kyle thinks of Uncle Matt. The fortune teller reveals that recovery is possible for Uncle Matt. She sees a death on the girl’s palm around the same time as Kyle’s uncle’s accident, saying, “Oh, you sweet child. / I’m so, so sorry, my dear” (194). The girl runs away, and when Kyle catches up, they finish the trip home in silence.
Kyle and the girl recover from the fortune-telling incident as Karina chats with them and offers them good Polish food. The girl and Karina are easygoing and accepting of one another. Kyle shares that Uncle Matt has been doing more with memory work and communicating.
Kyle lies down to rest while the others are still in the kitchen and falls asleep. The girl wakes him with two cookies from Karina, who went home. Uncle Matt is resting. They chat briefly, and Kyle finally kisses her. They kiss for a long time.
From the girl’s perspective, she feels from the kiss that Kyle “never wants [her] to go” (202). He tells her he might love her.
They talk about music, with Kyle sharing the groups he likes. She convinces him to play a song on his guitar, which he has not played in a year since his “dad wasn’t a fan of [him] wasting time on music” (205). Kyle plays “Beautiful Day” by U2 and sings it as well.
Kyle notices his dad’s look of approval and gratitude when he helps get Uncle Matt situated for bed. Afterward, his dad finally meets the girl. He is kind and says he will take her to the authorities soon. However, the president will visit Ground Zero the next day, so it will have to wait. He asks Kyle if there wasn’t some “shred of identification” on the girl after Tuesday morning; Kyle tells him there was none and does not reveal the washed-out ID card. Before he goes to bed, Kyle’s father tells him to call Social Services the next day. In his room, Kyle strums the guitar and thinks about trying out for the jazz band when school resumes. Later, when Kyle’s father and uncle are asleep, the girl comes to visit.
She wants to kiss him but feels that will make time fly too quickly; she knows now that they have little time left together: “He thinks I don’t know, but I do” (211). First, she rounds the room, touching objects and looking closely at them: “Gathering pieces of him to remember” (211). She moves to his bed, and they kiss again for a long time.
The time stamp is now “Early Friday, 9.14.01” (214). Kyle wakes too early; it is not dawn. His father is in the kitchen preparing to leave for the site. Before he goes, Kyle’s father tries to warn Kyle about not getting too caught up in feelings and emotions with the girl: “And I’ve told you, you can’t keep her here” (216). He is worried that the overwhelmingly emotional week makes it seem like he feels more strongly about her than is realistic. Kyle is embarrassed and irate. He showers and decides to call his friends about their lost loved ones.
Kyle and the girl bring Uncle Matt along for a walk outside. They go to the Promenade, where the girl lights two candles to place with all of the other makeshift memorial items left to show love and care for those lost or missing. Kyle does not ask about the candles, but he suspects both of her parents may have died in the attacks. He notes American flags draped nearby and lighters placed for those bringing candles, and he feels a shared grief and camaraderie with fellow New Yorkers.
The time is “Friday Evening, 9.14.01” (226). Mom and Kerri hope to fly home the next day. Uncle Matt watches an old Dateline news drama on TV. Kyle gets some cookies for them to share, and with some encouragement from Kyle, Uncle Matt manages to raise a piece of cookie to his mouth on his own. Kyle is thrilled and begins to go tell his father. Then he notices a news program with host Stone Phillips. The program aired initially several weeks prior; in it, Phillips interviews a man with the last name of Marconi.
Kyle knows instinctively that Mr. Marconi, a bigwig lawyer for one of the boys accused in the Washington Square rape case, is the girl’s father; the name Marconi matches the “M CC II” on the ID card. In the interview, Mr. Marconi “seems passionate and sincere” (231), genuinely believing that his client is not guilty. At one point, he becomes emotional; the interview cuts out; when it resumes, Marconi, emotional, says, “All I’ll say is this: Yes, I lost my wife recently—a few weeks ago—to ovarian cancer. And my daughter, Hannah, and I, we—” (232). Marconi regains his composure enough to indicate that though his beloved wife and daughter thought his taking the defense was wrong, he believes in the boy anyway.
In Hannah’s perspective, she pages through the magazine she’d found of the boy; inside is her father’s picture. Fearing that he is dead, she tears it up.
Kyle approaches her and calls her by name. Hannah remembers everything. She cries at length because she yelled terrible things at her father on Tuesday morning before he went to work in One World Trade Center about believing the accused boy. Her father worked on the 63rd floor. Hannah is convinced that he is dead. Kyle tries to tell her to hold onto hope; there is a chance he got out.
Kyle wants to tell his father, but Hannah asks that they search online for pictures of her mother first. Hannah’s mother, Danielle, was the Creative Director of the New City Ballet. The resemblance between Hannah and her mother is striking to Kyle. Among the photos, Kyle sees one where Hannah appears dressed in a white costume; Kyle notes the wings are not a part of the costume, and Hannah tells him they were used only in ads. She tells him that her mother grew too sick to play Odette in Swan Lake, so Hannah danced it for her: “It was the last time she ever saw me dance” (241).
Hannah tells Kyle how she, her mother, and her father would often go to a favorite café, Le Petit Pain on Vesey Street, very near the Towers. Hannah’s parents were married there and celebrated their last anniversary there; this scene surfaced in her memories as champagne glasses and gift boxes. They had breakfast there every Tuesday morning before work and school. At the mention of school, Kyle gives Hannah the ballet shoe charm and reveals how he washed her ID. She tells him that her parents gave her the charm at the little café when she got into the ballet school. Kyle cannot wait any longer and goes to tell his father.
Hannah tells Kyle that her mother lived for nine months after her diagnosis. She cut her hair short when her mother lost hers. After she died, Hannah’s father no longer went to the café as it was too emotional for him; Hannah continued to go as she felt close to her mother there. On Tuesday, after a bad argument about his client, Hannah was at the café. She saw the second plane go into the building and ran toward it, thinking only of getting to her father.
Kyle and Hannah sit together until his father comes in with news.
In an interesting dichotomy, in Parts 5 and 6, Kyle becomes both a stronger protector figure as well as a young man more vulnerable to pain and heartbreak. His vulnerability grows as he reveals his strong emotions for the girl. They kiss intimately in the privacy of his room; she asks more questions about his school, his friends, and his family relationships; he gives in to playing the guitar for her, though he hasn’t played in a year. He fears the pain when she leaves, assuming the distance (figurative or literal) will be great; he puts himself into this increasingly susceptible position because he believes he is falling in love. His raw emotions spill over when his father tries to warn against this very possibility; Kyle reacts angrily, not wanting to hear the potential truth that this “love” is just a defense mechanism: a byproduct of desperation and tragedy brought on by his or their intense need for some small happiness right now.
At the same time, however, that he opens himself to the chance of heartbreak, Kyle develops into a stronger protector of Hannah. This is initiated once she leaves the ocean—he did nothing to save her from the water, but he is determined to keep her safe afterward. The fortune teller reveals he is destined to serve as a protector: “The Lovers are the divine and perfect expression of love, or, in the instance, protection. This is your card. And if I keep reading for you, it will only get better from here” (190). He finds her when she flees from the fortune teller’s news about her lost loved one. He attends her journey to the memorial, gives her money for candles, and listens at length while she reveals all the memories that came back.
Most of all, he breaks away from Hannah to deliver the information about her to his father—even though he certainly does not want to leave her in that moment, nor bring about the next step of their relationship in which she might leave him—but he knows that her father is the one whom she needs, if he is alive. If he is gone, the next step in devotion to her is to supply the truth. Kyle’s revelation of Hannah’s father’s name symbolizes his desire to protect his family, friends, and even the entire city. He cannot protect all New Yorkers from the tragic events of the last days, but he can help Hannah; he sacrifices his feelings in doing so and selflessly tells.
Kyle matures in this moment in a significant turn in his character arc. His devotion to tending to his uncle up to this point both prepares him for it and foreshadows its arrival. This is exemplified when Kyle notices his father watching him get Uncle Matt dressed for bed: “It’s a look I rarely see. A look that says I’m doing something right for a change” (206).
The reader cannot pinpoint a moment that Hannah’s memory returns; this indicates that it returns gradually, fittingly, through images and dreams. The magazine where she discovers her father’s photo probably served as a cue. Her recognition of her identity and circumstances symbolizes a strong turn in her character arc; her emotional release and need to share her love of her mother with Kyle shows her character coming full circle: When he found her, she was “dressed” in white (the ash) and wearing wings as if a swan; she comes to realize that her swan memories are among the most bittersweet of her young life.