63 pages • 2 hours read
Mitch AlbomA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In 1983, Sebastian gets the idea to hold a remembrance walk in Salonika to honor the 40th anniversary of the first train to leave for the death camps. The Nazi Hunter convinces Greek officials to allow the march. Sebastian still resents Nico for his actions because Sebastian always received less love than Nico. Even after Nico’s actions on the train platform, his parents and grandfather constantly worried about him. Now, when Sebastian receives the newspaper announcing the march, he mails it to Fannie. Fannie and Tia decide to attend the march together. Meanwhile, she continues to work for Nico as he watches new films. They make small talk, but they never speak about the past. This continues for over a year, and when Fannie eventually decides to bring him dinner, Nico asks where she learned to cook Hungarian food. Fannie explains that she lived in Hungary during part of the war. Nico quickly leaves, telling her a lie about going to culinary school in Paris. Fannie continues to try to understand Nico’s pathological lying and hopes that he will open himself up to her.
One rainy evening, Nico walks Fannie to her car. When Fannie slips and falls into a puddle, she reminds Nico of the times when they got wet as children by running into the sea fully clothed. Nico smiles, affirming what she said. Shocked, Fannie asks if Nico really remembers that, and he immediately closes himself off. She kisses him and tells him that it’s okay, and he runs away from her. A few days later, a movie director pitches a documentary about the Nazi Hunter and explains that he wants to interview the man in Salonika during the march that will take place on March 15. Nico suddenly leaves the meeting. That night, he waits on Fannie’s doorstep until she opens it in the morning. She consoles him, and Nico kisses her. Fannie tells Nico that she knows who he is and urges him to talk to her.
Meanwhile, Udo has been forced to flee to Italy. He decides to attend the march in Salonika to assassinate both the Nazi Hunter and Sebastian.
The march occurs on March 15, 1983, and begins in Liberty Square. Many in the crowd carry white balloons that bear the words “Never Again” in Greek. Sebastian gives a speech about the losses and horrors that the Jewish people faced. As he finishes, the crowd applauds and begins to march toward the train station. Fannie and her daughter march together, and she remembers how Nico had seemingly disappeared that day in the rain. She went through his office and discovered lists of Jewish names, addresses, photos, documents, and death certificates. She found another file with her name on it and realized that Nico would never come back.
In the crowd, Udo hides a gun in his jacket. He lurks in the crowd wearing a white wig and holding a white balloon. As the marchers reach the train station, Udo is surprised to see that they have an original Nazi cattle car 50 yards up the tracks; it is a museum piece. Soon, people form a line and begin to step up to a podium and state who they lost on the platform 40 years ago. Udo listens and thinks that the “melodrama” is “ridiculous” (311).
Sebastian holds a red carnation for each of the family members he has lost; he does not include Nico. Fannie approaches Sebastian and tells him that she is proud of him, giving him another carnation to represent Nico. As Sebastian begins to speak at the podium, a male voice comes through the loudspeakers stating that he had told everyone’s families lies that resulted in their deaths. He states that he was lied to by Udo Graf, whom he claims is now dead. Udo becomes enraged and lashes out, calling Nico a liar. Udo pulls out his gun and fires at Sebastian and the Nazi Hunter. Nico tackles Sebastian to the ground, shielding him. Sebastian recognizes Nico and tells him that he has hated him for years. Nico tells Sebastian the truth: that Udo manipulated him. Sebastian feels his anger and resentment toward Nico fade. Sebastian remembers the final words his father said to him, and he tells Nico that he can “stop atoning now” (318).
Nico tells Sebastian to take the papers in his pocket. They are Nazi documents that have Udo’s fingerprints on them. In doing so, Sebastian realizes that Nico has been shot. Fannie runs to Nico’s side and holds him. As he lies dying, Nico thinks about how nice it is to be with Sebastian and Fannie. He also thinks about the man who painted the White Tower. Nico realizes that his grandfather was right; men are willing to do anything to be forgiven. Suddenly, the old boxcar begins to move, pulling into the station with open doors. Nico looks at the boxcar, smiling and crying, and dies in Fannie’s and Sebastian’s arms.
After Nico’s death, his studio is closed under a “shroud of secrecy” that allows Fannie to finalize his affairs (320). While packing his apartment, she discovers several reels of film hidden in the basement. She watches the films and is shocked to discover that they are recordings of Nico telling his story to the camera over the course of 30 years. Fannie calls Sebastian and demands that he fly to California as soon as possible to watch the films. Sebastian and Fannie spend weeks reviewing every single film reel and learning about the incredible life that Nico led. The tapes reveal that Nico was the person who gave the priest the money to rescue Gizella from the Arrow Cross. Nico’s final reel explains that he wants his wealth to be distributed amongst the Holocaust survivors listed in his files. These distributions must be made every year on August 10 as an act of kindness not to be repaid. Finally, Nico speaks directly to Sebastian, explaining that he found their grandfather at Auschwitz and stayed with him until he died. Nico says that Lazarre continued to ask for Sebastian until his death.
Udo Graf’s lawyers convince the Greek government to allow his trial to take place in Germany. The request is granted after several Greek officials are bribed. Udo also threatens to reveal the names of Nazi collaborators that remain in Salonika if his wish is not granted. Sebastian is enraged to hear the news, but the prosecutor’s office assures him that Udo will be dealt with. After several weeks of waiting, Udo is placed on a train to be extradited to Germany. On the train, a young woman serves Udo a glass of wine. She wears white gloves and is missing two beads from her red rosary. Udo drinks the wine and dies alone two miles from the German border.
Truth states that one detail has been omitted from the story and that humans are susceptible to corruption. Truth’s job is to stop such corruption, but in order to do so, Truth must find a voice. To share this particular story, a specific voice is needed: the voice of someone who intimately knows each of the four protagonists. Truth wants to explain how hope survives even in the face of evil. Truth states that they were asked twice in their human existence to “tell the world what happened here” (328). This moment reveals that the narrator, “Truth,” is actually Fannie. This story is meant to tell the world what happened.
In many ways, the final part of the novel vanquishes The Destructive Power of Lies even as it heals The Complexity of Human Relationships that have been deeply damaged by the Holocaust. Each character experiences a profound moment of reckoning and closure as they attend a larger event that is also meant to represent a form of closure and healing for all those whose lives were ruined on that fateful August 10 that led so many to their deaths in Auschwitz. Most prominently, Nico fulfills a real-life version of the penance of the White Tower prisoner in his grandfather’s tale by making the ultimate sacrifice in a long line of sacrifices to attain forgiveness for his past mistakes. When Sebastian forgives Nico as his long-lost brother dies, Sebastian finally lets go of his resentment, and he also finds a sense of delayed justice when he catches Udo.
The tumultuous culmination of the novel’s many narrative threads reveals the full spread of the author’s well-crafted foreshadowing. For example, Nico’s and Udo’s deaths are foreshadowed quite early in the narrative. In Part 1, Chapter 19, Truth states, “The boy would survive. But Nico Krispis would die that afternoon and his name would never be used again” (92). This claim highlights the damage that Nico’s lie will cause, but it also indirectly references his eventual death on that same platform in adulthood. The author also provides Fannie with the means to cause Udo’s death years before she will finally get the opportunity, as in Part 2, Chapter 3, the poisonous nature of Gizella’s red rosary is such an unusual detail that it is meant to stand out in memory. Udo’s death is also foreshadowed by the words that Nico speaks on the train platform in Part 6, Chapter 4. Mistakenly believing that the former SS officer is already dead, he declares that Udo “died a coward. He died alone” (315), and these words ironically goad Udo into taking the action that will lead to his own lonely, cowardly death due to Fannie’s secret intervention.
In an ironic reversal of Nico’s many years of enduring the destructive power of lies, he uses his hidden films to finally offer Sebastian and Fannie the definitive truth about his life’s work, providing answers to several of their long-held questions. For example, Nico reveals that he was the person who gave the priest the money to help Gizella. This moment was foreshadowed by the fact that Gizella had no knowledge of where the priest’s money came from, even as she remained unaware of the unknown benefactor who gave her money each year. However, the ultimate revelation of the novel occurs not in Nico’s films but in Fannie’s own confession. As she finally reveals her hidden role as the voice of Truth, the last chapter of the novel functions almost like an author’s note. This discovery also reveals that by hiding her identity until this moment, Fannie herself has been guilty of yet another lie of omission, but by “tell[ing] the world what happened here” (328), Fannie uses the story of The Little Liar to reveal life’s ultimate truths.
By Mitch Albom
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