36 pages • 1 hour read
Jojo MoyesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It is 2003. After receiving an ambiguous text message from her lover that just says, “Later x” (3), Ellie meets friends for drinks. On her way home, her friend Douglas tells her that he is having a child with his girlfriend. He questions the morality of Ellie’s affair with a married man, leading her to retort, “you think I’m a bad person” (7).
The newspaper Ellie works for, the Nation, is moving to a new, more modern, headquarters. To celebrate this, the features section is going to run articles on how women’s attitudes have changed in the past 50 years. Ellie’s boss Melissa tells her to look in the newspaper archives for old material.
Ellie describes how she met her lover, John Armour, a thriller writer, after she was sent to interview him at a book festival in Suffolk. Ellie finds an intriguing love letter from 1960 in the archives.
It is 1960. Jennifer Stirling wakes up in hospital after a car crash. She has been badly injured and cannot remember anything. A man she is told is her husband comes regularly to sit by her bed, but she feels no connection to him. After several weeks in hospital, she is allowed to go home, a large, expensively furnished house in London. When she goes to bed, Jennifer feels uncomfortable when her husband (“this man, this stranger”) climbs in beside her (37). He attempts to initiate sex by touching her hip, and she pretends to be asleep.
Jennifer and her husband Laurence have a dinner party with Yvonne and Violet, their husbands, and another couple. Jennifer struggles to remember who any of these people are, though she had “felt at ease” with Yvonne as they got ready together beforehand (43). Laurence reveals to them over dinner that he works in mining and refining the mineral required for asbestos and expects to make a lot of money from this.
After the guests have left, Laurence tells Jennifer that she is beautiful. He tries to initiate sex again. She consents, although she feels no familiarity or desire. When he begins to have sex with her, she wishes for it to be over.
Several months prior to Jennifer’s accident, an editor on a newspaper, Don Franklin, tells a journalist, Anthony O’Hare, that he must travel to the French Riviera to write an article about Laurence Stirling. Anthony is reluctant at first, because he is used to researching more exciting topics. However, the posting is necessary to redeem his reputation and save his job after an alcoholic breakdown that occurred while he was working in Africa.
Following the interview with Mr. Stirling, Anthony is invited to a dinner party at his house. To ease the awkwardness he feels among the other wealthy guests, which includes Jennifer Stirling, Anthony gets drunk. As he walks back to his hotel with the teenage daughter of the local mayor, he insults the others from the dinner, including Jennifer for being dull and superficial. He realizes too late that Jennifer, who had been trying to catch up with him to return his forgotten jacket, heard his comments.
Several months after the events described in chapter three, Jennifer is slowly getting used to her surroundings again. Finding a box of old letters and photographs, some memories of her past are starting to return. Jennifer goes out to a restaurant for drinks and dancing with her husband and their friends. Yvonne announces that she is pregnant. When Jennifer and Laurence go home that evening, Laurence begins kissing her and pushes her onto the bed. However, Laurence senses Jennifer’s reluctance and stops. This causes her to be “overwhelmed with guilt” (89) and to realize something is not right between them. The next morning, she accidentally finds a love letter addressed to her alluding to an encounter in a hotel room.
The Last Letter from Your Lover begins with Ellie and her friends discussing a text message from her lover, John. It merely says, “later x,” something that is not only “very casual” but vague and non-committal (4). The scene highlights Ellie’s main dilemma: She wants to be with John seriously but is left frustrated and uncertain by the paucity of his communication. It also emphasizes a key theme in the novel. As John himself says, modern communication is “morphing into something dangerously flaccid and ugly” (13). Exacerbated by mobile phone technology and text messaging, romantic communication has lost a sense of depth and honesty. It is instead becoming crude, superficial, and dissembling.
This feeling of dissatisfaction with modern romantic communication is further emphasized by Ellie’s discovery of a love letter from the 1960s. Addressed to “my dearest and only love” (16), the letter is everything that John’s messages are not. It is carefully, beautifully written. It places the recipient at the center of the author’s world. And, as crucially, it is the culmination and expression of a “bold decision” for the couple to either start a new life committed only to each other, or part company forever (16). For these reasons, it resonates with Ellie. The letter evokes the feelings of these passionate lovers and a different and more meaningful type of communication. The letter offers a model for a better type of erotic communication in the 21st century.
The importance of intention and effort is revealed through the novel’s portrayal of Jennifer Stirling in 1960. Waking in hospital after a car crash, she suffers from amnesia. Worse, even when some memories return, she feels “an ever-present sense of dislocation, of having been dropped into the wrong life” (76). This manifests itself most clearly in her emotional alienation from the man who is supposedly her husband and her physical discomfort when they have sex. What this suggests is that an effort of remembering is required. If we want to reconnect with some vital, passionate aspects of ourselves and experience a greater romance in our lives, we must try to reimagine a world beyond the confines of our present one. We must trust that sense of longing for something different and deeper and not settle simply for the conventional or the comfortable.
Further, one must resist the cynicism of those who insist that banality and frustration are just a part of life. This attitude can be seen in the responses of Yvonne, Jennifer’s friend, to Jennifer’s admission of disquiet. As she says, “Oh, darling, everyone feels like that” (76). These comments may appear as light-hearted, self-deprecating attempts to make Jennifer feel better, but they also shut down any dissatisfaction with the mundane world of married life they all inhabit. And they do so by trivializing the very idea of asking deep questions about happiness and love. Indeed, they form part of a broader social response to Jennifer’s situation which encourages her to ignore her emotions and, as her doctor says, to “try not to dwell on matters” (77).
It is the discovery of a letter which ultimately provokes Jennifer’s efforts to probe deeper into the state of her marriage. Trying not to remember is no longer now an option. The letter has given concrete form to her sense that something was missing and was being withheld from her life. As with the letter found by Ellie, the door has now been irrevocably opened to uncovering a deeper truth. This will doubtless destabilize complacent expectations and values. Both Ellie and Jennifer will discover this in different ways. Yet, it is necessary for them to fully realize who they are and of what they are capable.
By Jojo Moyes