51 pages • 1 hour read
Gary D. SchmidtA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Hercules reads Charles Anthon’s A Classical Dictionary to learn about the mythical Hercules’s labors. When his family was killed, he had to complete 12 tasks bestowed upon him by King Eurystheus of Mycenae. The first was to capture the fearsome Nemean Lion. With his bare hands, Hercules killed the beast and kept its hide.
One morning, Hercules sees a neighbor, Mrs. Savage, moving one of her statues, a baboon named Eleanor. He helps her place it so the animal can catch the light just right, and he considers the other statues around the yard, all created by Mrs. Savage. Later, Hercules contemplates the “right light” for people in his life. Then he decides that he is like the mythical Hercules, who is “a secret to himself” (50). Later, Hercules wonders how he can capture a Nemean Lion. Lieutenant Colonel Hupfer is no help, but Elly says that his first labor will reveal itself. The next evening, Mindy and Hercules spot a hideous cat with scars and one eye. When Mindy chases it, the feline leads them to an abandoned house, where a hoard of ugly cats waits. Frozen in fear, Mindy is surrounded. Then, their neighbor Mr. Neal aims a water hose at the cats. Frightened, the cats disappear into the house, and Hercules discovers his first labor.
On Friday, Hercules, Henry, Ty, and Elly set off to rid the house of cats. They plan to seal the hole in the back of the house, enter through the front windows, shoo the cats out, and then board up the house, so the animals cannot return. When they arrive, it is dark, and there is lightning. Henry films so there is proof when Hercules captures his “Nemean Lions.” The plan goes well until Hercules reaches through a window, and cats slash his arm. Ty runs away, but the others enter the house. However, they cannot find the cats. At a flash of lightning, glowing eyes peer down from a hole in the ceiling. Henry and Elly flee, most of the cats following. Hercules shines the flashlight on his legs to see blood. Despite this, he boards up the windows and basks in the glory of completing the first labor. Then, he hears a thud. The one-eyed cat remains. Unexpectedly, it purrs and rubs against the boy’s legs. Seeing this, he decides to name her Pirate Cat. When Hercules picks her up and holds her, he feels “somewhere deep down inside [him], something [get] a little looser” (71). Pirate Cat goes home with him.
In his reflection, Hercules connects this event to Mrs. Savage’s belief that light can reveal a person’s true nature. Lieutenant Colonel Hupfer gives Hercules a “C+” on the assignment, criticizing his poor writing and padded word count.
Hercules still watches the sunrise every morning, but now with both Mindy and Pirate Cat, while Achilles sleeps unaware at home. At school, in many of his science classes, they learn about different systems, which he appreciates because systems make sense. Meanwhile, Hercules worries about his second labor. In this task, the mythical hero slew the Lernaean Hydra, which had nine heads—eight mortal and one immortal. When one head was cut off, two new ones grew in its place. As a result, when he dispatched of a head, his nephew, Iolaus, burned the stump to prevent new growth. To dispose of the immortal head, Hercules buried it.
One Friday, Mrs. DeJong, the biodiversity teacher, gives Hercules a list of plants that she needs by Monday morning. Reviewing it, he notices nine different plants, reminding him of the Hydra. Even though Hercules knows that it would take a miracle to get the plants by Monday, he agrees to do it. That evening, Achilles asks about a hospital bill. After Hercules explains the expulsion of the cats and shows his scarred legs, Achilles says he wishes he knew about it sooner. When Hercules says his parents should have been with him, Achilles is quiet. Changing the subject, Hercules shares the list of plants. Achilles scoffs because he would need to order them from a wholesaler in Cleveland. Viola offers to drive there if Hercules accompanies her. Even though Achilles orders the plants, he reprimands Hercules just like their father would have.
On Saturday, they depart. Soon, Hercules falls asleep and dreams. When he wakes, Viola observes that Hercules never says what is on his mind, just like Achilles, who misses their parents and worries about his brother. Before sunrise, they arrive at Viola’s aunt and uncle’s house, and Hercules relishes their hugs. While resting, Hercules recalls visiting his dad in the hospital. He and Achilles hurried toward their father’s room, where the battered man lay hooked up to equipment. When the man woke and learned that their mom died, he perished soon after. After the nurses shut off the machines, Hercules asked that one remain on while he sat with his dad. Even now, he can still hear the hum of the last machine. Later, they get the plants and return home. In Massachusetts, Hercules unexpectedly shares details of his parents’ deaths and confesses that although people expect him to have moved on by now, he cannot. Viola reveals that Achilles feels the same.
In his reflection, Hercules compares the hospital machines to the Hydra, admits not wanting to say goodbye to his dad, and suggests that the machine’s hum is a reminder of his parents’ love. Lieutenant Colonel Hupfer ignores this confession, complains about Hercules’s writing, and gives him a “B.”
When they arrive home at 4 am, they head to bed. Hercules still gets up for sunrise, and he imagines his parents holding hands. At school, he reminds Lieutenant Colonel Hupfer that it took the mythical hero one year to complete his third task—capturing the Ceryneian Hind (a deer). Later, when talking about their projects, Henry and Ty admit to lying about their progress. Hercules doubts he will finish all 12 labors.
At the Nursery, Achilles instructs Hercules to move 700 chrysanthemums for the leaf peeper tourists, who come each year to see the fall foliage. Because most trees in Truro have not yet changed colors, Hercules imagines that the tourists are disappointed. Like the hero tracking the deer, the leaf peepers are searching for the perfect tree, which gives Henry an idea for Hercules’s next labor. After school, they meet up with Elly to paint her sugar maple tree yellow, one leaf at a time. The next day, Henry posts signs everywhere about the tree. That afternoon, cars are lined up, and there is a police barricade. It seems the plan will work. However, a wet fog moves in. Then, just as quickly, the sun comes out again, and the tree glistens in the damp light until the paint begins dripping to the ground. Disappointed, the crowd departs.
The next morning, Hercules and Henry are sent to the principal, Dr. S. Klatt, who is irate that students at a school for environmental sciences would intentionally damage a tree. When Henry protests that it was only one tree, the principal scoffs because that excuse has been used countless times throughout history. As punishment, both boys must complete community service. When Hercules walks by the mynah birds, they finally chant “Beal Beal Beal” (119), but it feels like an accusation. Lieutenant Colonel Hupfer marvels that they painted each leaf on the tree, something even the mythical hero would be impressed by. Later, the tree’s leaves have naturally turned golden yellow.
In his reflection, Hercules admits that sometimes it is better to wait for things than hunt them down. Lieutenant Colonel Hupfer’s feedback includes a warning about Hercules’s tone, as well as a note that the boy’s reflection is a good one, despite his crime. Hercules earns a “B.”
The labors Hercules completes in these chapters develop the theme of The Benefits of a Shifted Perspective. When Hercules helps Mrs. Savage move the statue, she tells the boy, “The way the light hits her face is everything […] You understand what the statue is about when you see how she interacts with the light” (49). Looking at someone in a different light provides a fuller understanding of that person, not only providing more knowledge but also paving the way for empathy and personal healing. This is the case when Hercules picks up the one-eyed cat. Initially afraid of it, Hercules sees the feline anew when it purrs and rubs his legs. He realizes that things are not always what they seem and dubs her Pirate Cat. Then he narrates, “I picked her up and held her close to my chest […] Somewhere down deep inside me, something got a little looser” (71). Because he views the feline differently, Hercules feels something new. The loosening in his chest suggests that he is starting to let go of his unhappiness. Hercules references this new perspective in his first reflection, and it helps him notice the connection between Mrs. DeJong’s list of plants and the Hydra heads in the second labor. He remembers Lieutenant Colonel Hupfer’s words at the project’s inception: “The strangeness of these myths is how often they subtly enact themselves in our lives. But we notice them only when we’re watching closely” (79). This same scrutiny could be applied to people as well, which Viola helps Hercules recognize when she shares that Achilles is grieving too and that he worries about his younger brother. In fact, Hercules notices that Achilles sometimes does things like their father. This connection to his dad allows Hercules to begin seeing that, despite his beliefs otherwise, Achilles cares for him. Looking at people with a new perspective helps Hercules gain knowledge and connection.
Hercules’s characterization deepens in these chapters as the boy attempts to use humor and sarcasm to deflect his grief. Grief is so ingrained in Hercules that he feels it when reading about the mythical hero: “If the point of all this was to heal Hercules’ sadness over losing his family, even a club and the skin of the Nemean Lion can’t do a single stupid thing” (47). Like the boy, the hero mourns the loss of his family. The word “stupid” hints at the anger present-day Hercules feels because he cannot make the pain disappear. When he says that the mythical Hercules is a “secret to himself” and then acknowledges, “[M]aybe I am too” (50-51), the boy confesses that he does not truly know who he is. Although this is a typical adolescent feeling, Hercules’s emotions are amplified because he is navigating the world without his parents and is left with overwhelming grief. Hercules attempts to mask these swirling emotions with sarcasm and humor. For example, when he is frustrated with his project, he jokingly tells the class that he “called three circuses to ask to borrow one of their lions” (52). Overwhelmed with the assignment, he chooses to joke about it instead of being truthful. Hercules’s grief and uncertainty are masked by humor, preventing him from truly seeing himself.
Although a minor character, Viola plays a crucial role in the narrative, for she proves to be perceptive and kind despite Hercules’s assertion that she is a vampire. First, she notices that Hercules, like Achilles, “hardly ever say[s] what [he’s] really thinking” (86). Her observation demonstrates her keen perception and willingness to explore the dissonance between what someone says and what they feel. Furthermore, her conversation with Hercules about his grief emphasizes her kindness. She understands why he wanted one of his father’s hospital machines to remain on, and she also imparts gentle advice when she says, “It’s okay if you let the machine stay on” (94). Her use of metaphor to refer to Hercules’s ongoing memories of his father underscores her ability to understand the deeper meaning of the boy’s stories. By telling Hercules that it is okay to leave the machine on, she allows him to remember and grieve, even when others think it is time to move on. Not only does this moment characterize Viola as compassionate and wise, but it also links her to the theme of Community Impact on Individual Healing, for she helps Hercules confront his grief.
By Gary D. Schmidt