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64 pages 2 hours read

Lisa Jewell

The House We Grew Up In

Fiction | Novel | Adult | Published in 2013

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Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary

Content Warning: This section includes discussions of suicide.

Tuesday 2 November 2010

The book starts with an email from Lorelei Bird to Jim, a man she has met on a dating website. She lives in the Cotswolds and describes herself as fit for her 65 years, and lists her interests as nature, the countryside, children, and swimming. She is one of three sisters, all named after mythical maidens. Pandora is still alive, but Athena was stillborn. Lorelei has four children: Megan, aged 40 who also has four children, Bethan (38) and twins Rory and Rhys (35). Jim is a widower who lives alone with his dog, and similarly she lives alone and doesn’t see much of her children. The impression is given that she is lonely but open to new experiences, and she says, “The Internet really is a marvellous thing, especially for old codgers like us…I’d be lost without it really” (2).

April 2011

Lorelei’s first-person emails are interspersed with a third-person omniscient narrator who describes the family cleaning out Lorelei’s house after her death.

Lorelei’s oldest daughter, Megan, and granddaughter, Molly, arrive in the Cotswolds. After years of tension, they now have an easy and companionable connection. It is the first time that they have seen the house in years, and they are shocked by how unkempt it is. There is so much stuff piled everywhere that it is difficult to discern the shape of the rooms. When they finally get to Lorelei’s bedroom, they realize that she must have lived in the chair in the middle of the room; now that it’s empty, Meg is acutely aware of her death.

Molly contrasts the extreme mess with her mother’s extreme neatness. She can’t remember what her grandmother was like and asks if Lorelei was ever normal. Meg says it was “all just a matter of degrees” (30).

April 1981

This is the first of the Easter Sunday flashbacks that punctuate the book. Lorelei has created a perfect day for her children. She hides Easter eggs in the garden and is delighted to watch the hunt. Meg shares the eggs she finds with her younger siblings.

They gather in the homely kitchen, and Lorelei insists they keep the shiny, colored foils from the eggs for the craft box, even though no one uses it anymore. For six years, Lorelei has been putting the children’s artwork on display, and it now covers three walls, cupboard doors, door frames, and the pantry. Colin, her husband, tries to take away any new artwork.

When Megan grows up, she thinks of afternoons like this and says her childhood was perfect. They go to the village school, have lots of family and friends around, eat home-cooked dinners together every evening, and have enough money for parties.

Rory bursts the paddling pool, and it’s put in the garage to join two other broken ones. Colin describes the house as a dumping ground, and Lorelei’s sister, Pandora, notes that their father could never throw anything away either. Megan is beginning to realize her mother’s habits are unusual. Lorelei is concerned about Rhys, who is sickly and clingy and always wants to stay home. Megan thinks they’d be better off without him as he doesn’t “match” the rest of the family.

March 1986

On Easter Sunday five years later, it has been raining. Lorelei wants Megan to see the rainbow that has appeared, but neither Megan nor her siblings are interested, which upsets Lorelei. Colin suggests the egg hunt take place inside, but Lorelei insists that it happen in the garden.

Megan is older and more aware of her appearance, and she doesn’t want to get her hair wet. Lorelei offers her own rain hat, but Megan refuses, saying it is an old lady’s hat. Bethan is younger and happy to go out in her pink polka dot coat, and the twins are also excited. Sulkily, Megan follows them out and gives all the eggs she finds to her siblings.

Some family members arrive for lunch as well as neighbors Bob, Jenny, and their three children. Lorelei serves a leg of lamb with not enough roast potatoes and too many honey-glazed carrots. They sit at two tables, one for children and one for adults, and Megan feels she doesn’t belong at either. Jenny says that if she were ever stranded on a cold mountain, she would imagine Lorelei’s warm and welcoming kitchen. Megan causes a scene by questioning why her mother needs 19 tea towels, then stomps off to her room.

Chapter 2 Summary

5 November 2010

Jim writes back to Lorelei. His full name is James Lipton, and he lives in Northern England. Lorelei shares about her early life. She has what others call a “posh” accent because she was raised outside of Oxford. Her father wrote about medicine and died when she was 20, and her mother wrote about gardening and died three years later. Lorelei’s sister Athena was stillborn, and her parents never got over it. She describes her family life as “ramshackle and left-wing middle-class” (31). No one was interested in looks or cleaning. She collected things obsessively, but once she went to university, she separated herself from her childhood, as if she “shed a skin” (32). Her background made her want to provide the best childhood for her own children.

April 1987

Bethan goes on a trip with Lorelei to get her first bra. Lorelei shows more interest in a new Poundstretcher shop and returns home with a large shopping bag. Megan asks why she’s bought so much, but Lorelei says it’s good to have stockpiles. Bethan doesn’t see the problem in having 60 pan scourers and scolds Megan for upsetting their mother. Meg accuses the family of enabling Lorelei and for the first time suggests that she might have mental health issues. Meanwhile, Rhys is becoming increasingly isolated and spends much of his time staring into space.

The day before Easter, Megan goes out with Andrew Smart and enjoys “the feeling of escape from the house and the village” (36). When she gets back, Rhys is still up, so they watch television together. Megan asks if he’s happy and if school is all right, but he says that friends are not that important and talking is overrated. She thinks he seems angry and sad.

In the morning, Megan becomes sarcastic when her mother doesn’t ask about her date, suggesting that nothing is as important as the Easter egg hunt. The children are no longer interested, but Lorelei insists they maintain the tradition. Bob, Jenny, and the children arrive but don’t stay for lunch. Pandora and her family are also away, so this is the first time that the Birds are alone for Easter Sunday.

As this could be their last year together as a family, Colin suggests they go on vacation to Greece. Lorelei goes cold and says they don’t have any money. Colin proposes various saving methods, such as selling one of their cars. This is dismissed as a silly plan, and no one wants to go abroad.

In July, two teenagers break in while the children are there and steal some electronics, jewelry, and meat. Lorelei is distraught, seeing it as “a violation akin to rape” (45). She says Greece is out of the question as she has to stay and protect the house.

April 2011

Meg and Molly take turns sitting in Lorelei’s empty chair and wonder how she spent her time. She wasn’t a recluse; she visited the village a couple of times a week to chat with neighbors, shop, and swim in the local pool, probably to use their showers as her bathroom was unusable. She spent the rest of her time in the chair, often on her laptop. The family knows that she was in touch with Jim, with whom she said she was “crazy in love” (47). Beth calls Meg from an unknown number, and Meg hangs up on her.

March 1991

Megan and Bethan are called Meg and Beth when they’re not at home. Meg works as a secretary in London. Beth visits for the weekend, and they drink at a trendy bar and talk about their childhood. Meg doesn’t want to return to the Cotswolds for Easter, and Beth calls her the only normal one in the family. Their father is not his usual self and is distracted and losing weight. Rory has fallen in with a bad group of friends, who may be using drugs. Rhys spends his time alone in his room listening to grunge music. He’s been in trouble at school for hanging around the girls’ changing rooms. Megan thinks Beth should leave home and live with her in London. She’s also been studying to be a secretary, and Meg could get her a job at her office. Beth wants to leave home, especially given Rhys’s strange behavior. He stands outside the bathroom when she showers, and she has found him lying in their parents’ bed, dressed only in his underpants.

Meg decides to come for Easter, but she has to sleep in Beth’s room because her room is stuffed with junk. Meg says it’s a fire hazard, but Lorelei says Meg is the only one who complains. Beth sees Lorelei as eccentric but full of energy and love, while Meg thinks she is mentally ill and self-centered. She is angry that people see the house as cozy rather than “the work of a disordered mind” (59).

Bob and Jenny have moved away, and their house was bought by Vicky and Tim. Lorelei invites them and their daughter Madeleine for Easter lunch. It is just as before: Leg of lamb served with too many carrots and not enough roast potatoes, chocolate eggs gathered and eaten, foils smoothed out and kept. Vicky returns later with a bottle of red wine. Lorelei doesn’t check on Rhys, who did not come down for lunch; instead, she and Vicky get drunk and talk alone for three hours.

Meg takes Rhys some food in the evening. Alice in Chains is playing at full volume, and she opens the door to his room and finds that he has hanged himself.

Chapter 3 Summary

24 November 2010

In her email to Jim, Lorelei mentions the heavy rain in her area and tries to make light of her situation, saying that if her place flooded, her collection of newspapers would swell up like a cork and plug her in. More family secrets are revealed, though some are still being held back: Jim’s son had a drug addiction and died at 31, and Lorelei shares about Rhys’s suicide. There was no note, but she thinks she knows why he did it, though she has not admitted that to anyone. She says she can’t tell him her deepest secrets. Moving on to the more neutral subject of horoscopes, she says she’s a typical cancer: “home-loving, nurturing, sensitive, creative” (62).

April 2011

Meg and Molly realize that Lorelei must have slept in her chair as it is impossible to reach any of the beds. Meg contrasts this with her own house, with its king-sized bed and clean linens. Bill, her husband, calls; he and their three other children are on vacation in Switzerland.

April 1995

This is the first Easter Sunday that the children aren’t home, apart from Beth who is “becoming as difficult to prise out of the Bird House as her mother” (70). Meg has just moved into a new house with her partner, Bill, and she is pregnant with their first child. She calls her mother, but she is preoccupied with the egg hunt. Since Rhys’s death, Lorelei has become close to Vicky, who visits every day with her children. Vicky’s first boyfriend also died by suicide at age 18. It’s the anniversary of Rhys’s death, but Lorelei claims she and the family can’t visit his grave. Meg gets angry and hangs up.

Rory met Kayleigh three nights ago in a pub, and he’s in love. For the first time since his twin’s death, he no longer feels numb. He brings her a chocolate Easter egg and a handful of daffodils from someone’s garden. When Kayleigh unwraps the egg, Rory says their mother always wants them to save the foil, which Kayleigh thinks is odd. He invites her to Easter lunch, but she wants to save meeting his family for another day. Instead, she offers to accompany him to Rhys’s grave. Rory is mystified by his brother’s suicide and wonders if there is a clue in the song he had playing on repeat. In the graveyard, Rhys’s headstone says “Sweet Sixteen Forever.” Rory doesn’t think it reflects Rhys, who was aggressive. Kayleigh cleans up the stone and places new flowers. She and Rory declare their love for one another.

Rory brings her home the next week, and he is both worried that his mother won’t like her and that Kayleigh will judge his mother and the state of the house. It is the last day of the school holiday, and Vicky is there with her children. Kayleigh asks why Vicky is always at the house, and Vicky says that Lorelei enjoys the company and having the children around. Lorelei agrees that she would be lost without them. Kayleigh remarks that she and Rory are the only ones who visited Rhys’s grave recently and that Lorelei’s house is full of stuff. Rory sees his home with fresh eyes, noticing how the jumble of bowls is “completely excessive.”

Kayleigh asks who found Rhys’s body, and Rory is glad Meg found him since she is the most steady family member. They go into the garden and lie in the hammock, smoke a spliff, and have sex. Rory feels that he is becoming an adult, then starts crying and thinks about how he needs to leave his family situation. They discuss going abroad once Rory gets some money together and applies for a passport.

A week later, Lorelei can’t locate Rory’s birth certificate; she doesn’t have time to sort through her piles of paper because she’s watching Vicky’s children. Rory points out that they are not her responsibility, and Lorelei retorts that she doesn’t understand why he wants to go abroad. Rory asks why she never wants to talk about the past, especially Rhys, or the future. They argue, and Lorelei says he’s become “hard” like his girlfriend.

Colin finds Rory’s birth certificate in a folder marked “Kiddies,” which contains plastic hospital bracelets that say “Baby Bird.” They go to the pub for the first time together. Colin says he is pleased Rory is going away, but notes that Kayleigh is a “drama queen.” He says that when he met Lorelei, she was carefree and full of life, and now he can’t help her because she insists she’s happy when she’s not.

Colin takes Rory and Kayleigh to the airport. They are going to stay in a commune in Spain with Ken, to whom Kayleigh lost her virginity when she was 17 and he was 49. They can stay there for free if they look after the numerous children and animals there.

Chapters 1-3 Analysis

In the first three chapters, most of the main characters are introduced, along with the complex and tangled relationships between them. This highlights the themes of Escape Versus Coming Together and Family Ties and the Cyclical Nature of Trauma. Most chapters start with Lorelei’s emails to Jim, a man she met on the Internet, and these emails reveal that it is important for Lorelei to love and be loved. Since it is difficult for her to leave her home, she uses the Internet to find someone. She is physically distanced but still communicating.

Lorelei characterizes herself through these emails, drawing the reader into her inner world and the secrets that lie hidden within the house and herself. This allows the reader to understand her growing problem with hoarding, one of the main symbols in the book, and her fear of her children growing up. In her first email, her children are shown to be the center of her world: “People usually tell you about your children before anything else, right?” (2) She uses a lot of exclamation marks and emojis, which show her excitement and liveliness but also her childlike nature. At this point, she mentions her four children but doesn’t tell Jim about Rhys’s death. One of many mysteries is set up when she doesn’t explain why she sees so little of the children, but the layers peel back as she continues to write to Jim. Her loneliness is shown when she immediately latches on to Jim and falls in love. At the same time, each revelation in her emails evinces a deep-seated need to unburden herself from past traumas.

Lisa Jewell interweaves different timelines to juxtapose the past, present, and future. Lorelei only narrates from the present, so she doesn’t have to think about her childhood or what happened to Rhys. However, this also means it is difficult for her to change and move on, and the still-living Lorelei’s excitable energy contrasts with the sections set in April 2011 when Meg and Molly see what has happened to the house. Lorelei’s world became smaller and smaller until she only occupied a chair in the middle of her bedroom, writing to a man she was never able to meet in real life. When Meg sees the now vacant space at the center of the mess, her mother’s death is rendered tangible.

Meg wishes that her daughter could remember how nurturing and joyful Lorelei was, but underpinning the theme of Clarity Gained from Different Viewpoints, Molly can only remember her grandmother as an eccentric figure: “She just looked so bizarre, sitting there, so thin and scrawny, her eyes were kind of like, wild. She wasn’t like anyone I’d ever seen before” (29). Lorelei calls to mind figures like Miss Havisham in Charles Dickens’s Great Expectations, whose life stopped on her wedding day when she was jilted at the altar. Similarly, Lorelei is stuck in the perfect Easter Sundays she created for her children before Rhys’s suicide in 1991. Her grief and remorse have rendered her powerless to move forward. This trauma deepened Lorelei’s hoarding tendencies, which began in her childhood. She had always been a collector, but keeping a shopping bag of hair under the bed points to a psychological need to hold on to anything that belongs to her, stemming from fears of abandonment.

Lorelei is like a child herself, suggesting arrested development. She loves colors, rainbows, and shiny objects. As her children grow up, this brings about conflict as they attempt to become independent. When they are young, her sons are described as “rapt by Lorelei with her enthusiasm and childlike charm” (19). As they start to grow up, they shift away from childlike behavior, and the television is more exciting than collecting Easter eggs. In a moment of foreshadowing, Lorelei tells her oldest daughter, “[I]magine if something happened to one of us and there was no Easter egg hunt next year, imagine if everything stopped being perfect—you would wish so hard that you’d taken part today” (19). While Lorelei’s hoarding is a problem, this moment gives her fears legitimacy; she clings to happy memories because happiness can disappear without warning.

Meg is primarily characterized through the flashback chapters, emerging as a voice of reason among her troubled family members. She is the first of the children to criticize Lorelei for having so much stuff in the house and calls everyone else enablers for going along with it. She causes numerous scenes as she pushes against her mother’s behavior. In contrast, her siblings and visitors see Lorelei’s collecting as her way of providing a warm, welcoming space for everyone. Lorelei controls her environment and other people by following the same routines, keeping mementos, and stockpiling household goods. While these behaviors ostensibly keep her and her family safe, various rooms in the house become unusable because they are filled with junk. This symbolizes the way Lorelei inadvertently pushes her family away. Their bedrooms are taken over, eventually leaving Lorelei without a place to sleep or a bathroom—demonstrating that this coping mechanism is not even effective for protecting Lorelei.

Eventually, this drives her children and her husband from the house, but escape often requires outside help, demonstrating again the theme of Clarity Gained from Different Viewpoints. In these early chapters, this is shown when Rory meets Kayleigh and he gathers enough strength to challenge his mother. Later chapters show Colin and Bethan escaping as well, leaving Lorelei alone. It takes someone from outside the family environment, most notably Kayleigh, to see the situation most clearly.

The flashbacks show that Lorelei’s childlike manner often manifests in self-centeredness. Her inability to see beyond the present moment and what concerns her means that she misses what is happening to her children. This is clearest on the day Rhys dies when she spends time with Vicky rather than checking on why he hasn’t emerged from his bedroom. Rhys’s death propels Lorelei deeper into selfishness. Her world gets smaller, and she becomes less concerned with others, seeing them as pawns to support the realm she has created for herself. The omniscient narrator makes it clear she can’t remember Kayleigh’s name, “[e]ither by pure scattiness or deep-seated lack of interest” (82).

One of Lorelei’s coping mechanisms is not thinking about Rhys so she doesn’t have to confront her guilt. She doesn’t cry at Rhys’s funeral, visit his grave, or display photos of him. Her secret to happiness is living in the moment, but Colin points out she is not happy. Stuck herself, she accuses Kayleigh of changing her son. When Rory confronts her about neglecting Rhys’s memory, she has a “terrible haunted look” (95), an image that hints at her buried pain.

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