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59 pages 1 hour read

Dean Koontz

The House at the End of the World

Fiction | Novel | Adult | Published in 2023

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Part 7Chapter Summaries & Analyses

Part 7: “Practice”

Part 7, Chapter 69 Summary: “To the Mainland”

Libby drives the boat to the mainland and worries about her future, alone without Sarah and possibly marked as the daughter of the scientists from Ringrock. She asks Katie about her life and the four urns that she is taking with her; Katie summarizes the story of Avi and her daughters. Libby is struck by the universal humanity of Katie’s story, especially as Katie ends by telling Libby that she intends to keep fighting evil and believing that what she does matters.

Part 7, Chapter 70 Summary: “Future Tense”

Katie wonders if they will escape the radiation from the blast radius. She is surprised when Libby asks if she can stay with her after all this is over. Libby has no close or safe family, and she’s worried that the government might come after her for what she knows instead of taking responsibility for their mistakes. Katie admits that Libby has a point and that humanity is guided by lies and a lack of empathy. She thinks that they will both have to change their identities when they’ve reached safety and feels grateful that Avi has left her with what she needs to do that. Ahead, they see the lights of the mainland.

Part 7, Chapter 71 Summary: “Streets of Reflection”

They dock the boat and walk down Main Street armed, accompanied by Michael J. They see a cop cruiser in the distance, and Katie stashes their guns in a bus stop. Libby picks up the fox and pretends that he is a dog. The cop passes them without stopping. They make their way to a garage where Katie has a Range Rover stored. They drive the vehicle toward where they’ve stashed the guns, but on the way, they see the armed figure of Robert Zenon.

Part 7, Chapter 72 Summary: “Scarecrow”

They follow Zenon surreptitiously in the Range Rover and watch as he shoots and kills a cop who tries to stop him. Libby notices that Zenon is moving strangely, like a scarecrow. They wonder if he has been compromised by Moloch. Katie decides to follow Zenon and kill him because he represents a threat to the town, regardless of his biological status. She thinks that if more people felt a responsibility to stop evil when they saw it, the world would be in a better place. Libby decides that she is coming along, and, after a brief argument, Katie agrees. They leave the fox behind.

Part 7, Chapter 73 Summary: “Five Days Earlier: Grandma’s Kitchen”

In a flashback from five days prior, the narrative introduces Giana Gasparelli, Robert Zenon’s Italian grandmother and the person who raised him. As a former mob wife, she inherited a lot of money when her husband, Nino, died. She dotes on her grandson whom she calls Bobby, but she is racist and xenophobic to everyone else. She cooks Zenon a big Italian meal, complaining about family members while they eat. He tells her that he has big news: In the course of his work with the ISA, he’s learned about Moloch and is going to leverage this classified information in the upcoming election to become the director of the ISA. Nonna Giana tells him not to be weak but to rule with an iron fist once he gains power.

Part 7, Chapter 74 Summary: “The Lives of Others”

Back in the present, filled with courage and determination, Katie and Libby pursue Zenon through shadowy streets. Katie feels a renewed kinship with humankind as she passes the dark houses of the sleeping town. They avoid a series of cops going to investigate the shooting and continue following Zenon up to a gated home. At the gate, Libby and Katie confer about whether or not to continue. Libby argues that the potential consequences of not following Zenon are too high. They agree to continue.

Part 7 Analysis

Chapter 73 is not told from either Katie or Libby’s point of view, but it introduces a minor antagonist. Nonna Giana shares many traits with Katie: She is a widow who knows how to shoot a gun and loves to cook. However, Nonna Giana’s values are in opposition to Katie’s and Libby’s; she is the product of a lifetime of mafia crime. Her cruelty and selfishness first express themselves in her mean comments about family members and then when she encourages Zenon to use blackmail and violence to climb in his career in the ISA. “Break the fuckers, sweetheart, break them to your will” (312), she tells Zenon in an unsettling speech that contrasts vitriol with the tender language of “sweetheart,” revealing a desire for power and disregard for those whom she doesn’t know.

In contrast, throughout Part 7, Katie and Libby bond over their shared value for helping people and fighting for the truth. Libby is impressed when Katie shares the story of her tragedy and ends it by saying that it’s important to “keep doing what’s right, keep believing what you do matters” (291). Libby echoes these values later when she expresses cynicism about people who don’t take responsibility for their mistakes. Their shared belief that people need to show responsibility for themselves and for others is called upon when the two of them see Zenon shooting a cop. Both Katie and Libby feel obliged to step in and stop Zenon from harming anyone else. Katie’s character development, started in Part 4 when she invites the fox into her life, continues here as she follows Zenon down the dark streets and feels like she shares something vital and human with the people of the town.

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