72 pages • 2 hours read
O.T. NelsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Lisa spends the next week morose and listless. Jill takes care of her, but the other children don’t understand why she’s so upset, thinking that she’s overcome worse before.
While watching Jill’s children, Lisa notices that they all fight over toys even though there are more than enough toys to go around, and even though Jill repeatedly tries to get them to share. Lisa first tries to assign toys, but when that doesn’t work, she decides to give each child a task to earn their own personal new toys. Jill argues that it’s important for them to learn to share, but Lisa counters that while sharing is good, no one should be forced to share.
Reinvigorated, Lisa attends a meeting with Craig and the other militia leaders. However, she quickly gets into a fight with them and leaves to clear her head at the lake. While there, she realizes that Grand Ave is too open to properly defend, and it occurs to her that the abandoned Glenbard High School, which is up on a hill, would be perfect for them. She tells the others of her plans, and they spend the next week secretly renovating the high school so that everyone in Grandville can move in; on the night of January 1, preparations are complete, and they all move into the high school.
On the night of the move, the children have careful instructions to pack and move completely silently. Once at the high school, they meet in the basement, and Lisa explains that Glenbard is her city and that they all must follow her rules if they want to stay. Among those rules is one stipulating that Glenbard must continue to look deserted from the outside; everything must remain dark and silent inside, and if anyone needs to come or go, they must do so at night and only if necessary.
Lisa and Jill split the old classrooms into “apartments” with basic amenities for each family. They set up a cafeteria with scheduled meal times, and they establish a makeshift “hospital” that Jill will run in the old nurse’s room. Lisa plans for the younger children to take classes from those who are older, so that their days will be split between coursework and renovating the high school; Craig will be in charge of education, while Charlie will take over the militia.
At night, Glenbard’s council makes plans for the city in a secret tower room. These meetings sometimes get contentious, and after Craig storms off during one such conversation, the others ask Lisa why she continually refers to Glenbard as her city. Lisa defends herself, arguing that she came up with the idea and the location, and that no one is being forced to stay. The others drop the matter; however, Lisa later rethinks her position and accepts that she does need the others’ help. Still, she retains her belief that she must maintain control over the city in order to ensure it is run effectively.
On January 16, the citizens of Glenbard have a big rooftop celebration with fireworks, announcing their city to the rest of Glen Ellyn.
Over the next year, the city receives hundreds of requests from children to join. Every applicant undergoes rigorous questioning, and if no one can vouch for them—or if they know them and say they’re untrustworthy—they're turned away. Still, by the following April, the city of Glenbard has grown from 35 to more than 500.
For the newer citizens, Lisa is a scarce, mysterious figure. Many question her ability or right to own a city; others question her contribution to the city, given that they never see her.
Glenbard’s defense systems prove to be strong: In its first year, there are eight attacks, all stopped within 10 minutes. Only Tom’s gang attempts twice, and flees the second time after Tom is burned with hot oil. Despite their success, Craig and Charlie warn Lisa that she’s growing too complacent and that Tom will almost certainly try again.
Worrying they’re right, Lisa goes out one night to inspect the sentries on the rooftop. She realizes something’s wrong with the dogs and decides to go down below and check things out herself. She discovers the dogs have been poisoned, and then Tom Logan’s gang, which has swelled to 200 members, ambushes her. In the struggle, someone shoots Lisa, and to Tom’s anguish she appears to be dead. Nevertheless, he bluffs to the sentries stationed above, claiming that he has Lisa hostage and ordering them to open Glenbard. Once inside, he bluffs again, telling Craig they have Lisa down below and will kill her if he doesn’t cooperate. Feeling he has no choice, Craig tells everyone that the city now belongs to Tom Logan.
Lisa’s claim to own Glenbard brings the novel back to questions of private property in especially notable ways. Lisa and Todd could reasonably have been said to own their family home, just as the other children owned theirs, via inheritance. The novel treated this as unassailable, never even questioning to what extent these children actually owned their parents’ homes. However, Lisa’s ownership of Glenbard rests on much shakier grounds; Lisa had no connection to Glenbard previously (and given that it’s a high school, it’s likely that none of these preteen children had even attended it), and there is no mechanism by which property can be purchased in this new world. Lisa’s ownership is justified on the grounds of ideas alone: Because she recognized the potential of the school as a safe city, and because she led the efforts to develop it, it belongs to her. In other words, Glenbard is a kind of intellectual property, protected less by traditional property rights and more by contemporary patent or artistic rights.
This rubs many of the children the wrong way, including those in Lisa’s inner circle, who feel slighted by the fact that Lisa continually refers to the city as hers despite all their collective efforts. Lisa gives just a bit on this, but the novel's argument is essentially a justification for a labor-management divide in the workforce, again contrasting a capitalist economy to a more collectivist one. Jill, for example, argues that they all built the city together, and newer residents barely even feel Lisa’s presence in its daily operations. In modern terms, Lisa functions like the CEO of Glenbard; there is no financial reward for doing so, of course, but she enjoys credit for the city in a way that works to justify business owners reaping the benefits of laborers’ work. In the terms the novel lays out, Lisa’s contribution is bigger than that of the individual workers, which is why she gets to “own” Glenbard. Moreover, though she is willing to acknowledge the importance of those workers’ contribution, she maintains that they must follow her overall vision, as too many cooks would make the city impossible to run.
The novel thus implicitly examines the nature of good governance, which it suggests may require a singular vision by a single leader. Lisa accepts input from her council but ultimately requires that the final word rest with her and that her will be carried out—and that anyone who refuses must leave and fend for themselves. (The narrative doesn’t acknowledge the possibility that in doing so, Lisa would likely be driving people right into Tom’s gang, thereby strengthening her enemy’s numbers.) The novel doesn’t explicitly frame this in democratic or political terms, but the implication is that Lisa is the authority of Glenbard, and that in order for Glenbard to run effectively, it must ultimately submit to her. This is effectively an argument for benevolent monarchy or despotism, in which one leader determines the course of the many—albeit with input from counselors, etc.—and against a more democratic government of the people. The citizens of Glenbard as a whole do not determine the city’s course, nor do they even appoint or allow representatives to make decisions on their behalf, as in a republic.
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