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58 pages 1 hour read

Julia Quinn

The Duke and I

Fiction | Novel | Adult | Published in 2000

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Chapters 5-7Chapter Summaries & Analyses

Chapter 5 Summary

Daphne knows she must dance with Simon to avoid social scrutiny but is also intrigued enough by him to say yes for her own reasons. As Simon sweeps her forward without asking, she comments on his forwardness. He teases her for her “restraint” in not asking immediately if he told her brothers about the episode with Nigel. The two commiserate about the boring ball and Daphne laughs when Simon admits that the swarms of young women and their mothers are the cause of his misery.

When Simon suggests that Daphne could marry to escape the social whirlwind, she catches him off guard by asking if his remark is a proposal. Once they establish she was teasing, she describes her history of proposals from unsuitable older men. Simon declares that he cares nothing for his family legacy and will not marry himself. Daphne admits that she does wish to have a family of her own, inspired by her own happy family, and Simon reminds himself that he must “leave her untouched for another man” (99), as he cannot offer her marriage or a socially acceptable relationship. Simon tells Daphne that he appreciates her certainty about herself, and, to her confusion, admits that he still lives by youthful principles of his own.

Simon suggests that they could offer each other a “respite” from their social obligations by pretending to be a couple. He posits that unavailability will make Daphne more intriguing to men who actually interest her, while assuaging her mother’s pressures. Meanwhile, Simon will avoid the society mothers as well. Daphne spots Anthony in the relentless clutches of Mrs. Featherington and agrees.

Violet speculates to Anthony that Daphne and Simon will marry. Anthony reminds his mother that she previously forbade them to even meet, and he suggests that Violet is just as concerned with besting Mrs. Featherington as she is with Daphne’s happiness. Anthony becomes protective when Daphne and Simon arrive, suggesting that Daphne needs a chaperone to accept Simon’s offer of a walk around the room and declaring, “’Tomorrow I will kill him’” (106). Violet happily envisions Daphne’s future with Simon, only to notice a moment later that Simon is now dancing with Penelope, one of the younger Featheringtons.

Chapter 6 Summary

Lady Whistledown reflects that Simon’s public declarations never to marry came before his dance with Daphne at the recent ball.

Simon visits the Bridgerton house because Daphne insists that a formal social call is required to cement the fiction that he is pursuing her. Simon arrives to find Daphne surrounded by a crowd of admiring men, which irritates him.

Violet helps Simon reach Daphne, who praises the expensive tulips he has brought. Violet shoos the other suitors out. Alone together, Simon and Daphne reflect on Violet’s efficiency and obvious social strategy. Daphne thinks that Simon cannot truly be a scandalous man, as his humor is warm not “cruel.” Simon gazes at Daphne, clearly infatuated. They laugh and banter until Daphne reminds Simon that Anthony is upset by their potential relationship. She argues that they should tell Anthony of their ruse to preserve his friendship with Simon.

Daphne teases Simon for using her first name without permission and he makes a double entendre about Daphne saying his name in a sexual context. Daphne thanks him again for the flowers, and Simon retorts that they are really for Violet. Daphne suggests this will only increase her mother’s attachment to him, but he insists that it is better to manage only one society matron at a time. Daphne fights feelings of attraction as she touches Simon’s arm to prevent his sleeve from getting wet with the flowers. Violet returns with a made-up excuse for her long absence, and Simon offers her the tulips, bringing her to tears. Daphne recalls that no one has made such gestures to her mother since her father’s passing a decade ago. Impressed with Simon’s consideration, “Daphne [decides] then and there that she’d be a fool if she didn’t fall in love with him” (120). As Daphne leaves for a vase, an outraged Anthony arrives. Violet tells them that if they must have conflict, they should do it in another room. Simon is fascinated by Violet’s influence and the relationship between mother and son.

In the study, Anthony asserts his authority as head of the Bridgerton family. Simon accuses Anthony of not respecting Daphne’s intellect, and argues that he is not the man he was in his early twenties. Anthony insists that the problem is not only Simon’s youthful escapades, but that he knows Daphne wants a family and Simon does not. Privately, Simon admires Anthony’s loyalty. Daphne enters with tea, checking that both men are still alive. Simon accepts that Anthony must be told of the scheme and begins to explain their arrangement.

Chapter 7 Summary

Simon barely finishes his explanation before Anthony shouts, “Are you both completely, irrevocably, abominably insane?” (132). Anthony threatens to kill Simon, declares their friendship over, and asks him to leave. Daphne insists that Simon’s interest has gained her more callers than she has ever had before. Simon finds it difficult to hear Daphne admit she might consider one of the recent callers a suitable husband and points out that men who need his attentions to notice Daphne might not be worthy of her. Daphne tears up at this observation. Anthony finally agrees to support the scheme when Daphne reminds him how badly she wants to be married. Anthony threatens Simon with grave harm if Daphne’s reputation is damaged or the two are ever alone together, and insists that the scheme remain secret.

Anthony becomes outraged again when Simon reminds him that Anthony had invited Simon to dinner that evening. Anthony refuses the suggestion that he will soon calm down and see Simon as his old and trusted friend. Simon recognizes Anthony has grown more serious with time, considering how “Simon had a dukedom, but Anthony had a family” (140).

Daphne attempts to convince Violet that the elaborately planned meal will be fine for Simon’s tastes. Violet’s panics when she hears that Anthony has informed Simon of the family habit of eating together, children included. She panics that the young Gregory may start a food fight. Violet expresses her approval of Simon, assuring Daphne that she wishes her marriage to be happy, not merely based on social status. Daphne realizes that her plan to be the one to break off the fake relationship with Simon will devastate Violet. Daphne ruefully reflects that she would agree if Violet suggested that leaving Simon would be a mistake.

At the family dinner, Simon is surprised by the loud conversations and animated atmosphere. Ten-year-old Hyacinth points out that Simon “[doesn’t] talk much” (144), discomfiting everyone with her candor. The siblings notice Anthony’s bad temper and tease him about it, to Simon and Daphne’s amusement. Violet manages the chaos with skill, astonishing everyone when she admits she knows Hyacinth has been hurling peas at the table. She invites Simon on a family outing to go boating in Greenwich. Simon is unable to deny her, and she assures him they may also visit the Royal Observatory. Simon has “the sinking sensation that his fate had just been sealed” (147).

Chapters 5-7 Analysis

These chapters establish that for all of Simon’s reluctance to pursue matrimony, he and Daphne are well suited as partners. Simon reflects that they are “both trapped” by social convention, while the dialogue between them establishes that both are observant and witty, eager to be in conversation with an intellectual equal. Simon finds himself torn between attraction and trauma, as his growing interest in Daphne is not compatible with his determination never to marry. Simon, however, is not the only character driven by a kind of masculine pride: Anthony Bridgerton’s overprotectiveness is one performance of social duty Simon has to find acceptable. He sees Anthony not as an overbearing chauvinist, but as a protector of his family—a role he has to admire because his own experience is so different.

Daphne, for her part, finds these performances of masculinity uninteresting. She does not admit to her own powerlessness, or seem to feel it. At the same time, she does admit to vulnerability to male regard: if she cannot attract notice, she cannot find a suitable partner she values. Male attention is a currency she requires, even as male performance of dominance bores her. Quinn uses the dinner scene to establish that Violet is very much head of the family: Anthony is not seated near Simon and cannot prevent her from inviting him on the boating expedition the next day. The event also shows that Simon is clearly intrigued by family life and family dynamics, foreshadowing that his relationship with Daphne will force him to reconsider his own past. Meanwhile, Daphne’s reflection on her mother’s approval of Simon indicates that she is aware that she has developed real feelings for the handsome duke.

Daphne and Simon’s decision to feign a relationship, only to find themselves fighting attraction, is a crucial trope in the romance genre. Tropes are a common story structure that authors use to establish their familiarity with the genre conventions, and some romance readers specifically seek out novels with their tropes of choice. Quinn’s twist on the formula still leaves the reader wondering exactly how the predicament will resolve, as Daphne in particular is already loathe to end the arrangement. The presence of tropes, then, does not mean a reduction in suspense, tension, or uncertainty. Instead, Quinn uses the feigned romance trope to build sexual tension between her characters and create a believable way for Daphne and Simon to overcome their initial hesitancy about entering a relationship.

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