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37 pages 1 hour read

Peter Heller

The Dog Stars

Fiction | Novel | Adult | Published in 2012

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Book 3, Chapters 1-3Chapter Summaries & Analyses

Book 3, Chapter 1 Summary

In the days before leaving the canyon, Hig takes his time, enjoying nature and fishing. The majority of this opening chapter focuses on Hig and Cima, who further discuss their histories. Halfway through, Cima reveals her naked body to Hig when Hig is swimming, which days later evolves into a sexual relationship. Heller pays much attention to describing Cima’s body while not leveling the same detail on Hig. As a whole, the chapter captures back-to-nature beauty while contrasting that against Cima’s longing for simple joys from her metropolitan days. The two speak of their histories while gardening. Cima shares her story of how she attended Dartmouth, earning a full ride by writing an essay about how her high school counselor, Mr. Sucks, told Cima to write about her life on a ranch and how her brother Bo’s motorcycle death impacted her. “We didn’t want any sympathy” Cima says, “I was so angry. Never been so mad I don’t think” (237). Cima shares her dreams, pregnant with the guilt of betrayal for not being with her husband during his death.

“I swung in the hammock,” Hig says of these days before leaving, “I recited every poem I had ever half remembered. I went fishing up stream and down” (244). Dreams of magnificent birds and mountains replace Hig’s dreams of Melissa and their home. Meanwhile, Pops, as Hig calls the old man, repairs potholes on the highway, which will function as a landing strip for the airplane, in preparation for Hig and Cima’s return.

The chapter closes with a moments of romance and uncertainty about the future. Aside from the important love developments, most essential to this chapter is Heller informing, through Cima, how the flu first spread. No one is certain this occurred in London or India: “Mutation of a superbug, one of the ones they’d been watching for decades. The rumor was that it was a simple trans-shipment. A courier on a military flight with a sample taking it to our friends in England” (246). 

Book 3, Chapter 2 Summary

The group goes to Grand Junction. A feeling that something’s wrong sweeps through Hig, despite the pure glee Hig experiences when a voice from the air tower at Grand Junction airport responds, giving Hig landing instructions. Hig realizes he’s flying right into a trap, as someone has strung a taut line across the runway, which causes planes to wreck. Instead of following directions, Hig lands one hundred feet past the line, and Hig and Pops stealthily make their way along the runway. Pops shoots the person in the tower through the gun port the person uses to shoot at survivors once their plane wrecks. Hig and Pops reach the tower and discover the shooter is a man older than Pops, now sobbing and holding his guts in his hands. In the tower, aside from many cats and the stench of their urine, Hig and Pops discover a plush, meticulously clean one-room windowless apartment. Hig thinks, “I understood the shock of seeing Grand Junction. It was one thing to lose the whole world as you knew it, another to see, to maybe smell your old neighborhood as charnel house and killing field” (273). Hig, Cima, and Pops return to Hig and Bangley’s perimeter in Erie, to discover “charred husks of […] houses […] foundations, […] one half of my hangar ripped open as if by a tornado and burned” (291).

Hig thinks about how Cima must feel seeing the devastation below. Years ago, Cima and Pops left for their canyon, covering their tracks, and employing dynamite to make it nearly impossible to cross the creek when the water was high. Hig references Noah’s Ark as he thinks about the lambs Cima has brought in the Beast. Bison graze below, and a grizzly bear chases deer, as other deer swim in the river.     

Heller characterizes Hig’s “warring emotions” (291) after roughly six weeks away from Bangley:

And I felt a surge of—what? Of something for Bangley who I realized in that moment had become my family. Because it was to him, like to my mother twenty years ago, I was returning home. Not my wife, my child, my mother, not anything but Bangley with his gravel voice (291). 

Book 3, Chapter 3 Summary

Hig, Pops, and Cima arrive in Erie to find Bangley’s house standing, “but the windows were shot out and there were scorch marks around the second floor dormer which was splintered, and next to it was a gaping hole in the roof” (293).

Pops thinks Bangley’s dead, but Hig finds a blood-covered Bangley, who describes his fourteen attackers. With Cima’s medical help, Bangley’s situation improves. One of the first things Bangley does is call Cima Mrs. Hig, to which she replies, that’s “Dr. Hig.”Hig hears two 747s roaring overhead that he tries to contact each time the planes fly over, though to no avail.

This final chapter spans from June into autumn. Hig often drops Cima off to care for nearby, diseased families. Cima informs Hig that the families’ condition is not contagious, and Hig comments on the irony that it is this misperception that kept potential marauders away. The final pages take on an almost Home On The Range atmosphere, as Hig comments that their lives are now “some post-apocalyptic parody of Norman Rockwell” (309).

Heller also dedicates much of the chapter to describing surroundings, as it’s clear that describing the world—all that’s been lost and what remains—is a key element of Heller’s narrative strategy. A little boy’s room in the home of the blonde family where Bangley lives becomes an important part of the landscape, as much as the creeks Hig longs to fish are important to this world of The Dog Stars. The novel closes on a poetic note, as Hig recalls his favorite poem, a piece by ninth-century Chinese poet Li Shang-Yin, which Hig refers to throughout the novel. Closing the novel with this poem provides a heartfelt ending, part sorrowful, part optimistic, and concerned with beauty. 

Book 3, Chapters 1-3 Analysis

The final three chapters of The Dog Stars present increased levels of tension, and provide a sense of nature’s beauty, which Heller positions as immense, when compared to the smallness of humankind. There is also a degree of empowerment afforded to Hig and Cima, who, as their relationship grows more intimate, take to renaming constellations.

Heller revs up dramatic tension and conflict here with the scene at Grand Junction airport. In the process, Hig, Cima, and Pops grow even closer, as it’s clear the only way to survive in this post-pandemic world is to find others to trust, and others to rely upon. This suggests Heller’s humanistic intentions.

As with the rest of the novel, here, Heller dedicates passages to describing the wildlife and stars, often in Hig’s well-established, lyrical voice, which is suffused with longing. Hig realizes another aspect to his identity as dreams of powerful beasts, like tigers, replace his dreams of strangers robbing his house. This symbolizes the newness and power Hig experiences from his relationship with Cima. By contrast, Cima’s dreams of her husband, in his death throes, haunt her.

The novel closes with Hig describing sleeping beside Cima at night, under the stars, suggesting their relationship will continue, as Cima continues to heal her psychological wounds. That Heller ends the novel on a poetic note relieves some of the setting’s devastation, but Heller leaves the future open-ended as the novel closes on an ambiguous note, in regard to what may lie ahead for the book’s characters. This indicates Heller’s intentions to communicate that though Hig and Cima now have each other, and Bangley and Pops will become good friends, the world is permanently changed.

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