79 pages • 2 hours read
Erik LarsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Summary
Chapter Summaries & Analyses
Prologue
Part 1, Chapters 1-3
Part 1, Chapters 4-6
Part 1, Chapters 7-10
Part 2, Chapters 1-3
Part 2, Chapters 4-6
Part 2, Chapters 7-9
Part 2, Chapters 10-12
Part 2, Chapters 13-15
Part 3, Chapters 1-3
Part 3, Chapters 4-6
Part 3, Chapters 7-9
Part 3, Chapters 10-12
Part 3, Chapters 13-15
Part 3, Chapters 16-19
Part 3, Chapters 20-22
Part 4, Chapter 1
Part 4, Chapters 2-4
Part 4, Chapters 5-6
Epilogue
Key Figures
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Book Club Questions
Tools
On June 21st, Ferris rode his wheel to the sounds of a marching band. Despite this success, safety concerns persisted.
Crowds of people arrived, including Archduke Frank Ferdinand, Woodrow Wilson, and Teddy Roosevelt. The police and medics at the fair were kept busy. Hellen Keller met Frank Haven Hall, who had invented a Braille machine. The wheel swiftly became the main attraction. The Chicago economy was struggling and two businessmen committed suicide at the Metropole on the same day. The city wondered what it would do once the dream was over.
On July 4th, Holmes and the sisters watched fireworks designed by Millet. Promising them the European tour, the following day Holmes took Anna on a tour of his hotel.
Larson builds tension in these chapters by focusing first on the safety concerns surrounding Ferris’ wheel, and then on the two suicides at the Metropole. With the economic security of the city floundering, this phase of the book finishes with the inevitable fatal hotel tour for Anna and then Minnie Williams. Larson plays on the sense of danger in their situation to illustrate the sense of powerlessness and fear felt by the bankers and businessmen of the day. As usual for Holmes, murder accompanies a national holiday. If he was an “American archetype” as Larson suggests, Holmes represents the threat and fear against which American heroes pit themselves and sometimes prevail. The insecurity felt at a national level finds expression in microcosm in the readers’ anticipation of yet more murders.
By Erik Larson