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32 pages 1 hour read

Elizabeth Bowen

The Demon Lover

Fiction | Short Story | Adult | Published in 1945

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Background

Historical Context: World War I and World War II

Content Warning: This section mentions wartime violence, relationship abuse, sexuality, post-traumatic stress disorder (PTSD), and demon possession.

The historical context of “The Demon Lover” is essential to understanding the story and Mrs. Drover’s emotional state—particularly the complex trauma she might have suffered as a bystander to not one but two world wars: World War I (1914-1918) and World War II (1939-1945).

World War I started with the assassination of the Archduke Franz Ferdinand of Austria-Hungary in 1914. It was one of the deadliest conflicts in human history; the technology and military strategies were so new and unfamiliar that the outcome of any given engagement was difficult to predict. Men who had grown up with horse-drawn carriages suddenly faced modern instruments of war, including gas attacks, machine guns, and artillery bombardment. Participants often expressed their sense that the violence of war baffled explanation. More than 1 million British soldiers were killed or went missing in action. Mrs. Drover is between the ages of 17 to 20 when the war occurs. Her engagement ends with her fiancé’s disappearance during battle.

Of those soldiers who returned, it is estimated that 250,000 or more were diagnosed with “shell shock,” which we would today call post-traumatic stress disorder. The symptoms of shell shock—tremors, confusion, heightened awareness, severe anxiety, sensitivity to noises, and periods of amnesia—could be triggered by experiences that caused the soldiers to relive their war experience. Psychological and physical stress affected not only combatants and officers but also medical professionals, caretakers, and civilians who witnessed terrifying events, lost loved ones, or experienced radical disruptions in their daily lives. During the war, German airships bombed London extensively, curtailing daily routine, and the British government rationed many food and clothing essentials.

When England declared war on Germany in September 1939 after Nazi forces invaded Poland, it was less than 20 years after the end of the first World War. World War II’s loss of life, sustained violence, and political alliances were all reminiscent of the previous altercation. By 1941, the German blitz—the sustained campaign of aerial bombing—of London had occurred for a solid year, and many citizens had moved their families to safer locations in the countryside. British citizens were on a heightened state of alert, particularly in London, which provides the backdrop for Mrs. Drover’s story. For many, the similarities between the conflicts reignited symptoms of shell shock.

Literary Context: “The Daemon Lover”

The story’s title is an allusion to the folk song of the same name. The original source is a ballad—a folk song or verse poem—dating back to medieval times. There are multiple versions of this ballad, which might have roots in the Greek myth of Hades, the god of the underworld, abducting the maiden Persephone. Laurence Price’s version, “James Harris (The Daemon Lover): A Warning for Married Women,” written in 1657, is one of the best-known variants and centers on a sailor named James Harris and a woman named Jane Reynolds. Jane has promised to marry James, much as Kathleen Drover “plights her sinister troth” with her soldier (663). In the ballad, when James is lost at sea, Jane marries another man and has a family with him. After a period of happiness, she is suddenly confronted by the spirit of the dead James. In much the same way, Kathleen receives news that her fiancé is missing and, after a while, marries William Drover, has three children, and forgets about her past promise—at least until the crisis of the London blitz and an unexpected letter remind her of her youth, World War I, and her missing soldier.

In more benign versions of this tale type, the returning lover is a real man, delayed in his return by a circumstance like shipwreck. In more frightening versions he becomes demonic, coming to claim the woman’s soul for her transgression of falling in love or having sex with another man. In most versions, the returning lover abducts or lures the woman from her home, husband, and children. In Price’s version, James takes Jane to the hills of hell. This correlates with the ending of Bowen’s story, when the taximan “accelerat[es] without mercy, [making] off with her into the hinterland of deserted streets” (666). Scholars suggest that the ballad was a commentary on infidelity or bigamy, with feminist critics suggesting it aimed to guilt or scare women into following the rules of patriarchal society—i.e., remaining faithful to the man who first “possesses” her, even in circumstances where his survival seems unlikely. Bowen uses the template of the demon lover story to give her own the atmosphere of horror.

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