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56 pages 1 hour read

Rudolph Fisher

The Conjure Man Dies: A Mystery Tale of Dark Harlem

Fiction | Novel | Adult | Published in 1932

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Symbols & Motifs

Darkness and Light

Darkness symbolizes secrecy and deception in the novel. Frimbo resides in darkness for much of the novel. He only works at night, which leads Martha Crouch to collect his rent at night rather than during the day, as she would for her husband’s other clients. Frimbo also makes his chamber dark, in part to hide himself (and N’Ogo) from his clients. Doty Hicks notes in his interrogation that he “[C]ouldn’t see Frimbo” because it was “too dark” (79). This statement helps support Frimbo’s desire for secrecy and foreshadows the reveal of his and his assistant’s role switch. After he and his assistant began to switch roles, Frimbo had the room dark to keep the pretension that his assistant was him, thus allowing his assistant to be a proper decoy. The darkness also allowed Frimbo to project his voice from his laboratory with little suspicion. Frimbo uses darkness again in Chapter 15, flipping the switch box to give himself time to appear in the chamber and convince everyone that he came back from the dead. However, Frimbo is not the only one who can use the darkness for cover. Bubber hides in the dark basement and witnesses Frimbo burning a corpse. Crouch also uses darkness in Chapter 23, turning out the lights to obscure himself when he shoots Frimbo and to tries to flee.

In contrast, light symbolizes the revelation of truth. Throughout the novel, Dart and the officers use the extension light to illuminate the dark chamber to look for evidence and interrogate the subjects. They turn on the switch box in Chapter 15 to find Frimbo alive. While hiding in the dark, Bubber sees Frimbo illuminated by the furnace, revealing his actions. Later, the group turns on the lights in Chapter 23 to find Samuel Crouch disguised as Easley Jones. Frimbo also used light to see “the illuminated face of whoever occupies that chair” from the laboratory when he switched roles with his assistant (235). Frimbo’s light device allows him to see his clients’ faces and learn about their lives and futures as a result. Light reveals the secrets and knowledge that darkness hides in the novel.

“I’ll Be Glad When You’re Dead, You Rascal You”

“I’ll Be Glad When You’re Dead, You Rascal You” is a popular jazz song in the novel that appears multiple times as a motif. The song contains the refrain, “I’ll be glad when you’re dead, you rascal you” (1, 78, 241). This song fits with the detective and murder mystery genres of the novel, containing lyrics about despising someone and wanting him dead. For this reason, the song provides insight into the thoughts and motives of the novel’s killer. The first chorus of the song is especially significant as it foreshadows the revelation of Samuel Crouch as the killer. It features the lines, “What is it that you’ve got / Makes my wife think you so hot?” (1), hinting that adultery will be a key theme in the book. When the singer performs the song in Spats Hicks’s club, she sings, “I’ll be standin’ on the corner high / When they drag your body by—” (78); in the previous chapter, Crouch successfully lied to the police and evaded detection. Samuel Crouch tries to kill Frimbo twice, the second time successfully, because Martha fell in love and began an affair with him. In the book’s final chapter, Bubber reflects on the lyrics and remarks, “Boy […] if he only knew what he was singin’” (242), This remark highlights the juxtaposition between the song’s lyrics and its upbeat, danceable melody and rhythm. Confronted with jealous violence, this contrast makes Bubber uneasy, and the reader is left with the impression that Crouch’s murders were simply one example of a commonplace trend.

Blood

In the novel, blood symbolizes the inability to hide the truth completely. Throughout the novel, Frimbo tries to match his blood with his assistant N’Ogo’s to convince Detective Dart and Dr. Archer that he revived himself after death. Dr. Archer finds, however, that Frimbo’s blood is different from the corpse’s blood. He explains to Dart that “there are many ways in which one man’s blood differs from another’s” (153-54), and the text relies on state-of-the-art scientific practices to illuminate these differences. As a result, blood makes it far more difficult for a killer to conceal a crime. Blood holds the truth of a person’s being and thus makes the truth impossible to hide and remove completely.

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