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54 pages 1 hour read

John Grisham

The Confession

Fiction | Novel | Adult | Published in 2010

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Chapters 1-6Chapter Summaries & Analyses

Part 1: “The Crime”

Chapter 1 Summary

Content Warning: This section of the novel includes descriptions of sexual assault, rape, and violence; it also depicts racism and lynching imagery.

A man with a cane and a slight limp stops at St. Mark’s Lutheran Church in Topeka, Kansas. He heads to the office of the pastor. He is not a member of the congregation, but Travis Boyette, a career criminal currently on parole and living in a halfway house near the church. Reverend Keith Schroder is uneasy meeting Boyette, who make the reason for his visit clear: “I gotta talk to somebody, and I got no place else to go” (11).

Boyette tells a stunned Schroeder that nine years earlier he abducted, raped, and killed a cheerleader in the East Texas town of Slone. He adds that an innocent man, once a star football player at the same high school, is set to be executed within the week for the crime: “They got the wrong guy” (13). Boyette now has an inoperable brain tumor. He wants to clear his conscience not so much out of guilt, but on the off chance that God may be real. Boyette, who still has a shred of humanity, is “disturbed by the fact that an innocent man is facing an execution” (16). Not sure what to do, Schroeder excuses himself and shares the story with his wife Dana.

Chapter 2 Summary

Robbie Flak, a defense attorney in Slone, Texas, prepares for another attempt to delay the execution of his client, Donté Drummer, a high school football player, for the rape and murder nine years earlier of Nicole Yarber, a cheerleader. Flak is running out of options. Over nine years, he and his team have spent much of Flak’s own savings and an enormous amount of time to free a man they are certain is innocent.

In the weeks after Nicole’s disappearance, the investigation team, headed by Detective Drew Kerber, a rogue cop with an earned reputation for “doing anything to get a conviction” (22), received an anonymous tip accusing Donté Drumm, a Black football player who had briefly dated Nicole. “Everything fit now—the teenage love affair, black on white, still very much taboo in East Texas” (23). Despite lacking the victim’s body, any forensic evidence, or witnesses, the police arrested Donté.

Chapter 3 Summary

On the internet, Reverend Schroeder confirms the basics about Boyette, the murder, and Donté Drumm’s arrest and conviction. Nicole’s body has never been recovered (not a problem for criminal prosecutions in Texas). The anonymous tip, possibly made by Joey Gamble, another football player who also had a romantic interest in Nicole, was the only evidence against Drumm, aside from Donté’s confession, which, according to the website, was coerced. Although he has no background in forensics, Schroeder reasons that the first task, if Boyette is telling the truth, would be to get him to reveal where Nicole body is buried.

Chapter 4 Summary

A private investigator on Flak’s defense team visits Joey Gamble, now a manager at an auto parts dealership near Houston. The investigator hopes to get Joey to recant his testimony, but Joey adamantly refuses to publicly admit he lied about seeing Donté’s van near the school. “Sign an affidavit telling the truth” (46), the investigator counsels, reminding Joey about the suffering of Donté and his family. Joey will not.

Chapter 5 Summary

Reverend Schroeder visits the halfway house where Boyette is staying. A sluggish, medicated Boyette describes the details of the murder: While working on a construction site in Slone, he saw Nicole on the sidelines at football games he went to because he was bored. He admits, “I fell in love with her” (60). He kidnapped her and drove her to Joplin, Missouri, where he grew up. There, he raped and strangled her to death, burying her body in a remote area where he knew she would never be found in a large metal toolbox he stole from the construction site. To verify his story, Boyette shows Schroeder Nicole’s gold class ring, which he still wears around his neck.

Chapter 6 Summary

Nine years ago, Slone’s District Attorney Paul Koffee understood the implications of the Drumm trial: no witness, no body, no motive, and flimsy testimony at best. Because the arrest had racial implications, the trial would need to be carefully handled to secure a guilty verdict. Koffee received a lot of help from Nicole’s family, who were eager to convict “that boy” (71).

Now with the execution just days away, Koffee drives out to visit Nicole’s family to arrange for them to witness the execution. Nicole’s mother Reeva, who has mastered working the media and is a fixture on the news, preps for a $50,000 exclusive interview with a national reporter known for sensationalizing crime stories. Despite Koffee’s pleas to keep a low-profile to avoid inciting protests, Reeva indicates she will do the interview.

Meanwhile, Flak goes to the Drumm home to review the protocols for the execution. He is struck by the quiet dignity of Donté’s family, particularly his mother Roberta, who, since the death of her husband five years earlier, has faced the approaching execution of her son with stoic grace. She knows her son, despite his reputation as a fierce and unyielding presence on the football field, was “really a pushover, a sensitive kid who would never harm an innocent person” (80). Despite Donté’s objections, Roberta plans to be at the execution: “I was there when he was born and I’ll be there when he dies” (82).

Chapters 1-6 Analysis

The novel opens with a clear thesis acknowledging The Fallibility of Capital Punishment. A killer confesses to a pastor that within days an innocent man will die for his crimes. John Grisham makes sure that the case he presents is open and shut. Boyette is clearly guilty of this specific crime, as he still wears his murder victim Nicole Yarber’s gold class ring on a chain around his neck; moreover, Boyette is a hardened criminal, a sociopath with a long record of violence. In contrast, wrongfully convicted Donté Drumm is a football star whose only mistake is being Black in a small East Texas town. A private investigator maneuvers Joey Gamble into admitting that his testimony identifying Donté as Nicole’s killer was bogus, and Grisham later reveals that Donté was tortured into confessing. This lack of nuanced characterization allows Grisham to prevent readers from adjudicating Boyette and Donté’s relative guilt and instead to brings to the forefront one of the key philosophical questions around the ethics of the death penalty: Is it still a valid form of punishment if even one innocent person is executed?

The circumstances of Nicole’s death and the subsequent arrest and conviction of Donté are evidence of a deeply flawed and unfair criminal justice system. Here, Grisham hopes to evoke outrage by using the techniques of melodrama. It’s not enough that justice has not prevailed—there is also the suspenseful rush against the clock, the struggle of idealistic opponents of the death penalty, the clearly nefarious DA and detective, and the pathos achieved by the assertion that stopping the execution is a pipedream: “Fat chance in Texas” (15).

By setting the novel in the small East Texas town of Slone, Grisham suggests The Relationship Between Justice and Race is a pronounced problem. The detective in charge of the investigation is thrilled to receive an anonymous tip about an interracial relationship between Donté and Nicole: “The teenage love affair—black on white, still very much taboo in East Texas” (23). The false tip, motivated by the jealousy of another teenager, plays into the racial dynamics of Slone, a town so segregated that there is a white and a Black residential section. In the days after Donté’s arrest, Grisham uses imagery of lynch mobs to depict the racist animus of Slone’s white population: “The whites wanted to string [Donté] up. The blacks felt pretty strongly the boy was getting railroaded” (62). Racist rhetoric colors the inflammatory comments that Nicole’s mother feeds to the media as the execution draws near: “She repeatedly referred to Donté as ‘that boy,’ which riled up the blacks in Slone” (71).

Comparisons are inevitable between the Drumms and the Yarbers, as Grisham illustrates the different dynamics of family. The Drumms, echoing their wholly innocent son, are models of patience and grace: They are introduced gathering to commiserate and pray. The magnitude of the injustice against Donté has only brought out their deep and abiding love each for each other. Conversely, Nicole’s mother Reeva has become a racist media celebrity, using her showy grief for personal gain. Immediately after Donté’s arrest, she called for the death penalty, calling the teenager a monster. During the trial, armed deputies had to keep the families apart: The Yarbers taunted the Drumm family during court recesses. To simplify the dilemma readers face, Grisham doesn’t depict a nuanced version of a family in mourning eager to punish a wrongdoer, or a family facing a member’s complicated past. Instead, both are extremes: the Drumms a model of grace, and the Yarbers a racist mob. Reeva is particularly cartoonish. She is a selfish advocate of state-sponsored execution, which she blogs about on a website dedicated to Nicole, and teaches in a Bible class at her Baptist church—a detail the practicing Christian Grisham includes for irony. Reeva will soon give a lucrative exclusive interview to a nationally known crime reporter known for sensational and salacious coverage of capital crimes.

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