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58 pages 1 hour read

Isaac Asimov

The Caves of Steel

Fiction | Novel | Adult | Published in 1953

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Character Analysis

Elijah “Lije” Baley

Elijah Baley is a class five plain-clothes detective with the New York City Police Department. He is married to Jezebel “Jessie” Baley and has a son, Bentley. He has a wrinkled, long face, dark brown eyes, and dark hair. He goes by the nickname “Lije” and is characterized as practical and brooding. He is the protagonist, and the novel is written from his third-person limited perspective.

Lije begins the novel as a surly, quick-tempered detective forced by his college friend and boss to take a murder case. Lije’s practicality and character are shown through his reminiscences of past occurrences, such as his involvement with the Barrier Riots, running the strips as a child, and sneaking yeast treats with Uncle Boris. While Lije is not a romantic, he is able to see the draw of romanticism. Lije is a reader, which is one of the reasons the Spacers choose him as Daneel’s partner.

Lije is loyal to a fault and concerned primarily with his family’s well-being. His father’s loss of employment had a profound impact on him. He carries the lesson with him, worrying about his own job becoming a robot’s: “his father had been thrown out because of an accident that had done damage, that had killed people. Maybe it was his fault. Baley didn’t know. Suppose he had been eased out to make room for a mechanical physicist” (39). Baley’s childhood security was threatened by his father’s declassification, and many of Lije’s actions are geared toward keeping himself employed and his family secure.

His mistrust of robots is shown through his continued suspicion and accusation of R. Daneel Olivaw. Lije thinks the robot must be behind the killing because both murder and a humanlike robot do not fit in his construct of the world. In the 4000s, murder is a very rare crime and unheard of in Spacetown. Therefore, Lije’s practicality and distaste for robots lead him to suspect Daneel. As the case develops and after being proven wrong twice, Lije has no choice but to begin to trust and rely on the robot for the solution, especially as his career hangs in the balance.

Lije grows from an isolationist into a member of a small C/Fe community by the end of the novel. His growth comes from repeated interactions with robots, Spacers, and those who provide new perspectives, like Dr. Gerrigel. He finds that the best guarantee of his family’s security is by partnering with the robots to create a new Outer World settlement, one in which his son has more options than climbing the class ladder and eating zymoveal.

Robot Daneel Olivaw

Robot Daneel Olivaw is a highly developed robot almost indistinguishable from a human. He is mistaken for a human by multiple characters in the book. He was created by the murder victim, Dr. Sarton, and looks almost identical to him. Daneel is tall, blond, and slim. He follows many characteristics common to humanoid robots, including being rational, polite, unemotional, and stoic. He is programmed according to the Laws of Robotics and is incapable of harming humans.

Daneel’s introduction shocks Lije, as he has never seen such a well-developed robot. Spacer robot technology is far better than Earth’s. Daneel approaches problems logically and sees little difference between himself and Lije, stating, “The division between human and robot is perhaps not as significant as that between intelligence and nonintelligence” (39). Daneel views himself and humans as intelligent beings, therefore they are more similar than different.

Daneel learns much of human ways while partnered with Lije in the City, so much so that he comes to understand deeper human notions such as faith, good, mercy, and evil. Daneel is programmed with a justice circuit, but that does not help him understand ambiguity, only his time among humans does that. At the conclusion of the novel, he grows so much as to state, “it suddenly seems to me that […] the destruction of what you people call evil, is less just and desirable than the conversion of this evil into what you call good” (270). Daneel’s growth is characterized by his ability to understand nuance. He sees that redemption and mercy are a part of justice.

Jezebel “Jessie” Baley

Jezebel Baley is Elijah’s wife. She worked in the kitchens prior to their son Bentley’s birth. She goes by “Jessie” and distances herself from her proper name. She is also a romantic and a Medievalist. Her character serves as a catalyst for plot development and to show the effects of the robots on the community. Jessie deeply mistrusts robots and strives to connect with other humans. One of her primary motivations is to “minimize friction with the crowds that surround [her] on all sides” (55). She does not want to upset the natural order or do anything that makes her stand out. Thus, Jessie shuns the privileges granted to her by her husband’s position, as they separate her from her community and draw negative attention.

Jessie allows the opinions of others to sway her actions. She learns the truth of her name from Elijah and then shuns it. A coworker taunts her, and then she joins the Medievalist movement. When she confronts her husband about her involvement with the Medievalists, she agrees to exit the building only after she reapplies her makeup. Jessie is a foil for her husband. She cares about appearances, is romantic and impractical, and constantly worried about others’ ideas about her. Though an important character, Jessie does not experience growth during the novel.

Doctor Han Fastolfe

Dr. Fastolfe created Robot Daneel Olivaw with Dr. Sarton. He is an older man with large ears. Lije finds him less intimidating, as he is less aloof than Lije expects of Spacers. Fastolfe calmly and kindly listens to Lije’s accusation of Daneel, then systematically breaks down the faults in his assumptions. Fastolfe does, however, drug Lije to install the idea of Outer World settlements in his mind. Lije believes this was just a restorative at the time. Fastolfe works single-mindedly for the advancement of the species, viewing trivial matters such as drugging police officers and the murder of a colleague as collateral damage toward that end.

The final mercy shown to Julius Enderby encapsulates this desire. Fastolfe knows that the importance of new settlements far outweighs the need to achieve justice for his friend’s murder. Enderby is uniquely positioned to spread the idea of new settlements, and Fastolfe knows that allowing Enderby to go free is crucial for the species’ survival. Dr. Fastolfe is happy to drop the murder case in exchange for Enderby’s help in recruiting the Medievalist movement to the cause of planetary expansion.

Commissioner Julius Enderby

Julius Enderby is the Police Commissioner of New York City and the story’s antagonist. He is a slight man with a weak chin who wears eyeglasses. Julius knows Lije from school, where he was two years ahead of his friend. He has a penchant for nostalgia and romanticism. Lije describes the Commissioner not “a great brain” (75) but possessing superior interpersonal and political skills. Enderby is a politician by nature, capable of interacting with all and giving orders in a way that people do not resent following.

Lije comes to understand him more through the course of the investigations. He learns about the Commissioner’s deep dislike of robots, as he states, “with unexpected fervor, ‘I hate them,’” (84) in reference to the robots. Baley comes to understand the depth of this hatred as he solves the murder. Enderby planned to kill Daneel and end the development of humaniform robots. Enderby is instead converted to the cause of emigration and space exploration. His romanticism lends himself to that cause. He is a coward, but he will work for a way for a more natural human life, even if it has to happen on another planet.

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