132 pages • 4 hours read
Ruth Minsky SenderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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One day, Helen, the camp elder, tells the young women to pack their belongings and prepare to move. She looks “pale and nervous” (200). She encourages them to move quickly, to avoid reason for punishment, but one girl “boldly” responds: “Since when do they need a reason?” (200). Riva packs her journal, which she calls her “friend” and “only belonging,” inside her blouse (201).
The commandant tells them that bombs are coming and that everyone is about to die. She tells them that they will “die first,” though, and the prisoners “gasp with horror” (201). They are loaded onto trucks and sent to “the other camps,” and Riva tries to arrange to go with Karola and Tola (201). The guards separate Tola awayand it appears to be intentional; Tola turns to Karola to complain that “they are separating us again” (202).
In the truck, they search for clues about where they are. Those on the road pass a “glance at the famished, horrified passengers of the trucks and turn their heads,” while others “ignore” the truck (203). When Riva sees “the barbed wire” of the “new cage,” she wonders how the passersby outside, in their “cozy little homes,” feel (203). But she must get out inside of the camp.
Riva notices that “the sky is clear” and “the air is clean,” without smoke (203). They find that the camp is called Grafenort, which “means ‘a place for nobles’” (204). Karola and Riva are reunited with Tola, who tells Riva that “we are nobles,” too, “broken in body but still alive” and “still together” (204). Their task, they learn, is to dig trenches.
Riva finds “irony” in the fact that “Nazi victims” are assigned to dig “ditches for the Nazis so they can resist [the Jews’] liberators” (205). As they prepare the trenches for death, Riva notices the return of spring, of land “renewing itself” “while death is staring” at them (205). Fixated on this death, Riva sticks her “shovel deep into the ground in silent protest, ignoring the guard above” who asks her: “Are you crazy?” (205).
Girls around her scream, reminding her that they are “all alone, forgotten by the world, at the mercy of murderers” at Grafenort (206). Riva digs again, but as she hears distant bombs, she meditates on whether she should feel despair or hope. Though the guards say that “the bombs do not mean liberation,” for they will kill all Jews” prior to the Jew being liberated, Riva continues to hear her mother’s words: “as long as there is life, there is hope” (206).
Karola pulls her out of her thoughts by asking if she knows the date. Riva asks, “what difference does it make?” and Karola responds that “it is May 3, 1945,” Riva’s birthday (206). She suggests that “next year,” if they survive, they will celebrate, and not in a ditch (206). But Riva tells Karola that they “must” survive and repeats her mother’s refrain that “as long as there is life, there is hope” (206). The listening guard, though, shuts down the idea; he tells Riva: “this is your last birthday, Jew. By next year you will all be dead” (206).
Two days later, they are ordered out of the camp, “outside the cage,” to dig again, walking where “the white, serene homes look like something from a beautiful picture postcard” (207). As Riva wonders how those in their peaceful homes can watch them walk by each day, another prisoner notices that they are walking on a new road, that “there are more guards,” that “there is something going on” (207). They walk toward some woods, filling with “fear” and “horrible thoughts” (208).
Just before they would enter the forest, a soldier on a motorcycle stops the march. He announces that the Russians are behind the group, and the news makes the guards “take off,” leaving the prisoners “standing on the road, bewildered” (208). The girls discuss whether to move or not, but one finally shares the news she overheard: that the guards had planned to kill them in the woods. “Tears fall freely” over Riva’s “sunken cheeks,” as she thinks: “as long as there is life, there is hope” (209). But no one can figure out what to do; they still are not free.
Girls begin to knock on the doors of homes along the street, but they recognize that the inhabitants “are hiding” from them (209). They return to “the open gates of the cage,” which no one has the courage to leave (208). On May 7, 1945, “like a prince in a fairy tale, a Russian officer on a white horse” enters the gates, followed by “Russian soldiers, tired, muddy” (210). They “stare” “as if seeing ghosts coming out of a grave” (210). In Yiddish, he asks: “Are there any Jews here?” and they respond: “We are Jews! We are still alive!” (210) The officer, who reveals that he is also Jewish, cries, and he tells them that they are “the first Jews” yet found alive (210). He cries, shakes his head, and issues a cry out into the air.
In the book’s final last chapter, Sender/Rivareturns to the book’s present day in the 1980s, where she answers her daughterNancy’s questions. Nancy asks her whether something like the Holocaust could “happen here” or “happen again,” and Riva, after consideration, replies that “if we forget the past, it could happen again” (211). She warns Nancy “not to ignore the ugly signs, the danger signs,” as her family and those around them did.
Riva tells Nancy about the “long and hard journey” back to Lodz, where she hoped to find her family (211). A new woman lived in her old home, she found, which was still filled with the same furniture. She shouts at Riva, telling her: “This is my home now!” (212). The Polish woman says that she threw away all of the pictures and books left behind when she moved in, and Riva feels “a stabbing pain” to think that “the witnesses of [the] struggle for dignity” were put in the garbage (212). Jews took the books from the front yard, and when Riva stopped to look through the garbage, nothing familiar remained.
She found Laibele’s grave, and then she decided to make him a gravestone out of bricks and a metal headboard. She cried there, not only for Laibele but “for all those who have no grave, no traces,” for “the lonely survivors who must go on” (214). Nancy already knows that Riva found Mala, Chanele, and Yankele, her siblings who were sent to Russia, at a Displaced Persons camp in Germany, and that, from there, they emigrated to America together. Riva tells her: “you have a new life,” and tells her, “I love you, Mommy” (214). The text ends with a refrain of Riva’s mother’s words: “As long as there is life, there is hope” (214).
The tension between hope and despair comes to a head. The apparently inevitable truth—that all Jews will die before Russian troops come to kill the Germans—collides with Riva’s mother’s crucial, hope-bringing phrase: “As long as there is life, there is hope.” This phrase, which inspired Riva’s courage throughout the text, is the phrase that keeps Riva digging at Grafenort, her last stop before the Russians arrive to liberate her. It is also the phrase that she hands down to her daughter, Nancy, at the end of the text, as the only way to make sense of the terrible loss that their family and community experienced during the Holocaust.
Increasinglyin the final chapters of Sender’s text, Riva wonders how those outside the “cage” can watch the skeletal prisoners without intervening to help them. When the Russian soldiers arrive to liberate the camp, they are the first (since the little girl in Glatz) to really look at her and those around her, and they are horrified. Even when the bodies within the camps are made visible, Riva suggests, it takes a certain kind of looking to truly recognize the humanity in a body and to experience an emotional response to its plight. This message is part of the empathy that Riva hopes to pass on to her daughter.
At Grafenort, the seasons begin to work with human cycles again. The spring finally does bring something new, and though its suggestion of new life seems almost crass while Riva digs the grave, the liberation coincides with this idea of rebirth. The books, which Jews save from the garbage in front of her house, are both a final tragedy and a final victory in the text. The only thing the scavengers wanted “was the books” (213), and they managed to save them from the garbage, “the witnesses of [the] struggle for dignity” within the ghetto (212). The texts, which are symbols of community history and of the life-giving power of beauty, and also serve as Riva’s inspiration through her time in the ghetto, stay in circulation, even though Riva cannot hold them herself. This spiritual survival and physical absence mimics Riva’s mother’s words: even lost bodies leave traces to live by in the future.