48 pages • 1 hour read
Samantha ShannonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Blood is a potent literary symbol. It represents both life and death, and both connotations are present in The Bone Season, for Shannon spills a good deal of blood in her tale of oppression and resistance as many characters, both central and incidental, perish in their attempts to overthrow the persecutors that have enslaved them. When a voyant tries to flee the orientation, she is shot instantly: “Blood flowered under the girl’s hair” (51). When Warden returns to his residence after battling the Emim, blood spatters the floor and rug. After Ivy is tortured for information, Paige Mahoney peeks into the room: A chair “was stained with blood, as was the floor” (333). But just as blood represents death, it can also represent life, for in order to revive Liss, Warden needs to mingle her blood with his own in order to restore her numen (her physical connection to the aether). Similarly, when Warden is severely wounded by the Emim, he drinks Paige’s blood to heal his injuries, and even the symbol of the red aster—which is the color of blood—represents both death to the Rephaim and a method of salvation for Paige in her battle with Kraz. Overall, The Bone Season is a violent tale, and blood flows freely, but that blood is just as likely to be restorative as destructive.
Liss is a soothsayer, a fairly common type of voyant, one who requires a numen—a physical object—to access the aether. As a cartomancer, her numen of choice is her tarot deck. The symbolic importance of the tarot is both in its power to allow Liss to see the future and in its ability to sustain her. When her deck is destroyed in a fire, her connection to the aether is severed, and she is reduced to a near comatose state. For voyants, that connection is as vital as lifeblood, and if Liss cannot touch the aether, an essential part of her identity is stripped away. The tarot is thus a numen specific to Liss, but soothsayers may also use other ritual objects such as mirrors or bones. The connecting thread is that all these numa symbolize a bridge to a voyant’s life force, and without that bridge, life is slowly drained from them.
Aether is the spirit realm accessible only to voyants; it serves as both an outlet for and an expression of their unique abilities. According to Shannon’s glossary, aether is also known as the “Source,” suggesting that, for voyants, aether represents a necessary and primal component of life and serves as the connective tissue that binds voyants together and gives them a common purpose. Without that connection, a voyant is little more than a hollow shell. Aether thus symbolizes a voyant’s most profound identity, the medium by which they can exhibit a power that amaurotics can never imagine. When stripped of that identity, a voyant may just as well be deprived of oxygen. That difference, rather than being celebrated, is condemned by the non-voyant masses who are unable to—or refuse to—understand that differences are not necessarily to be feared. In that sense, aether is both a blessing and a curse, but for voyants, aether is so intrinsic to their very being that they learn from an early age to accept the contradictory nature of their existence.
A recurring motif in the narrative is the specific jargon used by Shannon’s characters. She notes in the glossary that “the slang used by clairvoyants…is loosely based on words used in the criminal underworld of London in the 19th century” (461). For example, a young woman is a “dollymop” and to lie is to “flam.” Shannon augments this dizzying array of terms with some of her own: “Buzzer” (an Emim), “Meatspace” (the non-ethereal world of amaurotics), and “Spool” (a grouping of spirits). The effect of this vernacular, while confusing at first in that Shannon refuses to contextually define all of her terms bestows a unique cultural flavor upon the narrative, which takes on a tone situated in a unique time and place that is a creative amalgam on the part of the author. Because Shannon’s setting displays many dystopian elements and fantastical characters, these aspects ground the narrative in a synthesis of literary traditions whose conventions provide a familiar framework with which to comprehend the intricacies of the author’s world-building.
By Samantha Shannon