54 pages • 1 hour read
Louise ErdrichA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Part 4, Niiwin, begins with an epigraph that finishes the origin story begun in the first epigraph and provides additional detail about the creation of the world.
The dog, whom Klaus calls Wiindigoo Dog, is standing on his chest, insulting him. The Wiindigoo is a folkloric spirit who represents insatiable, destructive hunger. The dog, who berates Klaus for being drunk again, tells him a story about three dogs waiting at a vet’s office. The first dog, who belongs to a Hochunk family, ate a pot of stew that the family had made but not shared with him. Then he ate the trash that contained the bones of the meat that went into the stew. At that point he had a terrible stomach and had gone to the bathroom all over the house. He was sure that they were going to have him put down. The next dog, a Dakota dog, tells a similar story. He’d been left alone in a truck with a man’s food and had not been able to stop himself from consuming all of it. The third dog, who is Ojibwe, had gone after his owner when she was vacuuming in the nude. He claims that he’d bewitched her with “love medicine.” Unlike the other two dogs, he is not to be put down. He is getting a shampoo and a nail trim. Klaus tells the dog that the story is disturbed and asks him to bring Sweetheart Calico back. The dog refuses.
Richard Whiteheart Beads is taken to a hospital. He is treated for what he thinks might be a concussion and then discharged. He ends up in a shelter and decides to turn himself into the police. He explains that he had illegally dumped toxic carpet. The officer tells him that he will find the warrant. Richard waits.
Rozin and Frank have moved in together. She is going back to school to get a law degree. Frank spends much of his time baking. Frank’s birthday is approaching, and she wants to do something special. She cannot quite make up her mind and considers various options. Finally, she decides to greet him at the door after work, wearing nothing but three artfully placed bows, carrying a cupcake with a single sparkler pushed into it like a candle. Frank, who does not much care for his birthday, decides to celebrate it by throwing Rozin a surprise party. He invites everyone over and Rozin answers the door, nearly naked. He expects her to cry, but she bursts into laughter.
Grandmas Giizis and Noodin sneak into the kitchen to eat leftover birthday cake the following morning. Cally and Deanna appear, asking their grandmothers to tell them the names that her mother was too afraid to give them. They tell the girls about the woman killed by Scranton Roy. She had given her granddaughter her own name and watched as the girl was ferried out of her village in the cradleboard, on the back of a dog. The girls’ names are taken from these ancestors: Other Side of the Earth, her daughter Blue Prairie Woman (who had journeyed from the village in search of her daughter) and her granddaughter, her namesake. They also tell the girls of a set of important blue beads. Blue is the color of time itself, and the beads have been passed down through the generations. They are of deep importance to their family. The girls ask to see them but are told that they must find the beads’ current owner, Sweetheart Calico, who is the great-granddaughter of Blue Prairie Woman.
Klaus wakes in the park from an alcohol-induced slumber. He is run over by a lawnmower, but the machine only gives him a flesh wound. He vows to help Sweetheart Calico leave the city and to stop drinking. He finds her and ties her to his wrist again with the piece of sweetheart-patterned calico. The two begin walking. They come upon a seemingly dead dog, who springs to life and is revealed as Almost Soup. They walk further. Although it pains him to do it, he unties her and tells her that she is free to go. For the first time, she speaks. Her voice is pained and raspy. She begins walking and, as Klaus watches, fades into the distance.
Although Sweetheart Calico’s role in the novel has focused primarily on the way that she speaks to the theme of The Impact of Relocation Policy on Ojibwe People and Their Communities, this section examines her coercive relationship with Klaus through the lens of Ojibwe folklore. In the previous section, Cecile argues for the utility of traditional stories and for their interpretation as factual lessons, not just myth. In this final section, Klaus considers the myth of the Wiindigoo: a folkloric creature driven to cannibalism by insatiable hunger and destructive greed. Within Ojibwe culture, this story serves as a warning against obsession and avarice, and Klaus’s fixation with Sweetheart Calico emblematizes the kind of behavior that the Wiindigoo warns against. This is part of his decision to finally let her go: He realizes her symbolic importance and also is able to see his own unhealthy obsession with her, and he comes to the conclusion that he cannot hold her prisoner any longer. This change of heart happens as a result of his engagement with myth and folklore, and it is an example of the broader argument that the role of Traditional Ojibwe Culture in Modernity is to remain relevant and provide guidance.
Rozin, too, finds peace and a path forward because of her re-orientation toward tradition. She has spent a considerable amount of time with Giizis and Noodin, has begun to listen to Cecile’s ideas about the importance of traditional cultural practices, and finally lets Giizis and Noodin bestow Ojibwe names on her daughters. The names are taken from the original story of Other Side of the Earth, Scranton Roy, and Blue Prairie Woman, and they thus connect Cally and Deanna back to their ancestors. Their Ojibwe names confer a kind of protection on the girls, and they no longer struggle spiritually or with their physical health. There is the sense that Giizis and Noodin have used the history that has been passed down to them to help the next generation. Now that she has recognized the importance of traditional Ojibwe culture, Rozin herself feels a greater sense of peace. She enrolls in university with the goal of completing a law degree. She settles down with Frank, who is a supportive and loving partner to her. Although she is in the city, her connection to her ancestral home and its community has been strengthened, and she embodies the duality between tradition and modernity that the novel argues is possible.
The novel’s final scene sees Sweetheart Calico, freed by Klaus, walking back toward her home. The novel suggests that Klaus has given up drinking and will commit to sobriety. He too has learned the importance of traditional culture, and although he does not make the connection explicit, the implication is that his substance abuse was rooted in complex trauma. Coming to a better understanding of Sweetheart Calico’s significance allows him to reconnect with the traditions of his people, and although he remains in the city, he now feels more connected to the beliefs, values, and practices of the Ojibwe people.
By Louise Erdrich