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Nikole Hannah-JonesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Content Warning: The source material contains graphic descriptions of slavery, physical and sexual abuse, sexual assault, and murder. The 1619 Project: A New Origin Story also covers historical resources that may use outdated or racist language. This guide reproduces this language only when using direct quotations.
Preface-Chapter 4
Preface Summary: “‘Origins’ by Nikole Hannah-Jones”
When Nikole Hannah-Jones was a teenager, she took a high school course called “The African American Experience.” Through the guidance of her instructor, Mr. Ray Dial, and a book called Before the Mayflower, she learned that a Dutch ship called the White Lion transported the first enslaved Africans to the shore of New England in 1619. Hannah-Jones was struck by the fact that this event was not included in her American history curriculum thus far: “School textbooks, television and the local history museum depicted a world, perhaps a wishful one, where Black people did not really exist” (xvii). Hannah-Jones notes that her school curriculum focused first on American slavery and then jumped to the civil rights movement, ignoring the 100 years following emancipation. She states that this indicates that the perspective on the world being offered her was a distinctly white perspective. Learning a new way of thinking about history felt like liberation for Hannah-Jones.
According to Hannah-Jones, school curricula in the United States have a pervasive problem with covering history centered on race. Few students identify slavery as a cause of the Civil War, and most high school students cannot explain the Middle Passage or the contributions of Frederick Douglass. Recent political shifts have exasperated the problem: Many curricula praise Confederate generals while one McGraw-Hill geography textbook refers to enslaved Africans as “workers.” Hannah-Jones points out a significant gap between the academic world and the public education system. While important strides are made in academia to understand history, the average classroom fails to convey these findings.
Hannah-Jones states that she reached out to her editors at The New York Times Magazine to construct an issue honoring Black perspectives in history in commemoration of the 400 years that have passed since 1619. When the issue was published, it sold out, and educators began using it as a part of their curriculum. However, backlash to the issue increased, and a few scholars also dismissed the project as historically inaccurate.
August 1619
The White Lion arrives in Virginia, carrying approximately 20 to 30 African captives. Anthony and Isabella are on board. Later, they give birth to a child named William.
“The White Lion” by Claudia Rankine
This poem describes the two ships carrying African captives to the shores of Virginia. Rankine notes how the captives’ names were taken from them, replaced with Christian monikers. The introduction of these Africans on American soil marks the beginning of American slavery and the devaluation of human life that goes with it. Anthony and Isabella give birth to a son named William, who is born free.
Hannah-Jones reflects on her father, who was born into a family of sharecroppers and served in the army; he proudly displayed an American flag. As a young person, Hannah-Jones wondered at her father’s loyalty to a country that had repeatedly belittled him: “I had been taught, in school, through cultural osmosis, that the flag wasn’t really ours” (9). When she grew older, Hannah-Jones began to realize that her father’s display of the flag was a symbol of what Black people have contributed to the American identity.
The chapter details the role of Black people in shaping the American landscape both physically and culturally. Hannah-Jones writes that the 20 Africans who arrived in 1619 were part of more than 12.5 million Africans who would eventually be kidnapped and brought to American shores. These enslaved individuals would clear territories, teach colonists how to farm and grow food, build the White House and the US Capitol, and provide the foundation for America’s economic success. However, Hannah-Jones emphasizes that it is important to avoid diminishing the contributions of Black people to American identity by focusing solely on what they built while enslaved. In fact, Black Americans created a spirit of freedom and justice by fighting for their freedoms and the freedoms of others: “It is we who have been the perfecters of this democracy” (10). By being denied freedom, enslaved people became singularly focused on the importance and sanctity of liberation.
Meanwhile, colonists enacted slave codes, which were designed to maintain their wealth and uphold racial separation. Hannah-Jones notes that, while American colonists held tightly to the system of slavery and apartheid they had created, Britain offered emancipation to any enslaved people who joined their side in the political debate between the American colonists and the British leading up to the American Revolution. According to Hannah-Jones, fear of slave revolts led American colonists to transform into revolutionaries, challenging British rule. Hannah-Jones explains that this contextual understanding of the American Revolution is often left out of school curricula. Following the American Revolution, with the American people no longer tied to Britain, they now had to own their association with slavery. The chapter details how racist ideologies impacted Lincoln’s pathway toward Emancipation and Reconstruction. Every effort made toward freedom and equality was met with overt white resistance.
December 1662
The House of Burgesses in Virginia passes a law mandating the status of a child as enslaved or free is to be determined by the status of the mother. This means that a child born to an enslaved woman will also be enslaved, creating an incentive for white enslavers to rape Black women, Hannah-Jones notes.
“Daughters of Azimuth” by Nikky Finney
This poem describes a group of women, passing along medicinal knowledge about herbs that will assist in abortion. The women care for one another, knowing that the rest of the world will not show kindness to them.
1682
The Virginia House of Burgesses makes it illegal for Black and white people to marry, the first law of its kind in the modern world.
“Loving Me” by Vievee Francis
This poem is told from the first-person perspective of a person in love. The speaker describes the ordinariness and unexpectedness of love, which emerged during an evening like any other. At the end of the poem, the speaker reaches out to touch the cheek of a lover. The speaker recognizes power in her gaze, evidenced by enslavers’ desires for her to keep her eyes cast downward.
In 1967, the US Supreme Court reversed Virginia’s 1924 law “An Act to Preserve Racial Integrity” by making it illegal to ban marriages between people of different races. Roberts claims, however, that many of the structures that supported racial separation remained in place, a fact that a couple discovered in 2019 when their marriage application was denied for failing to indicate race. Roberts details how slave codes and restrictions like these gave incentives for white enslavers to commit sexual assault and violence, forever codifying race into the American identity.
Roberts states that founding father Thomas Jefferson kept Sally Hemings, an enslaved woman whose father was her own mother’s enslaver, at his forced labor camp called Monticello for more than 30 years. Hemings gave birth to seven of Jefferson’s children. Crimes of rape were not applied to enslaved people, so the assault of Black women went without punishment.
Roberts shares that recent developments in genome testing reveal the prevalence of white sexual assault against Black women throughout American history. Furthermore, Roberts notes that, although slavery changed things, a mythology about the sexual licentiousness of Black women—a racist assumption born from white sexual violence against Black women—persisted. This hypersexualized image continues to pervade popular culture. A 2008 case of an 11-year-old girl who was raped by a group of white men was dismissed by DC police officers who believed the young girl’s sexual assault was a result of her “promiscuous behavior.” Roberts highlights the ways Black women fight against sexism and apartheid through activism.
June 24, 1731
Samba, an enslaved man in Louisiana, is the subject of suspicion for an enslaved uprising. He is executed for the alleged conspiracy.
“Conjured” by Honorée Fanonne Jeffers
This poem centers on Samba’s story. Samba’s name means “second son.” A historical description calls Samba and seven other enslaved Africans “Conjured” rather than “kidnapped” or “enslaved.” The speaker of the poem praises Samba’s rebellious spirit and defiance of bondage. While the white French colonizer who executes Samba fades into history, Samba’s name is remembered.
May 10, 1740
In response to a rebellion led by an enslaved man named Jemmy, the Negro Act is passed in South Carolina in 1740, denying enslaved Africans the rights to assemble in groups, earn money, grow food, or read and write.
“A Ghazalled Sentence After ‘My People...Hold On’ by Eddie Kendricks and the Negro Act of 1740” by Terrance Hayes
Hayes briefly describes the Stono Rebellion along the Stono River. One group of people violently pursues and enslaves another group of people who seek freedom and bodily autonomy.
Muhammad states that when people examine the history of forced labor camps, called plantations, and slavery in the American South, they usually place focus on crops like cotton and tobacco. However, sugar was the crop that dominated the global market. Labor-intensive sugar became a popular crop on American plantations in Louisiana and had a major impact on the American diet. Muhammed describes the conditions that kidnapped Africans endured on slave ships and plantations, noting that the violence Africans endured while being trafficked and the harsh and dangerous conditions of slave ships were a part of a program of conditioning and mental deconstruction.
March 5, 1770
During the Boston Massacre, a formerly enslaved man named Crispus Attucks is the first die for independence.
“First to Rise” by Yusef Komunyakaa
Komunyakaa’s poem centers on Crispus Attucks. The poet describes how Attucks fought against the Redcoats before being shot in the chest twice, the first to die in the American Revolution. John Adams condemned the colonist fighters.
1773
A book of poetry by a 20-year-old African American woman named Phillis Wheatley is published. Although Wheatley is freed from slavery after her book is published, she lives the rest of her life in hardship.
“proof [dear Phillis]” by Eve L. Ewing
In this poem, the speaker imagines being at the gravesite of Phillis Wheatley. She talks directly to Wheatley, asking the deceased writer to relive her history. Phillis’s name is a derivation of the slave ship that brought her to America. The speaker conjures many imaginary scenarios with Phillis—that Phillis was recognized in the way she deserved to be recognized, that Phillis did not love America, that she was never jailed for her husband’s debt. The poem ends with the words from Phillis’s gravestone: “Phillis Wheatley: thirty-one. Had misery enough” (94).
In Chapter 4, Leslie Alexander and Michelle Alexander unpack the relationship between fear and racism and show how white fear galvanized systemic and structural racism. Understanding how white fear functions continues to be an important part of unpacking contemporary examples of racism, such as the prevalence of murders of Black victims by law enforcement. The authors share the stories of George Floyd and Breonna Taylor, two Black citizens killed by police officers in 2020. George Floyd was arrested when a convenience shop owner who claimed Floyd tried to pay with a $20 counterfeit bill. Breonna Taylor’s home was raided while she slept when the police suspected her boyfriend may be involved in drug trafficking.
Due to these deaths and many others, largely nonviolent protests erupted across the globe. However, government workers and law enforcement reacted to these protests with extreme acts of violence. The authors note that this level of protection and justice was not enacted during an insurrection on January 6, 2020, when President Donald Trump incited a white mob was to storm the Capitol.
The authors notes that white fear of Black people emerged as early as the 13 colonies, when white colonizers faced potential uprisings from enslaved Africans. In order to justify their actions and maintain slavery, white enslavers set strict codes and laws to maintain racial separation and oppression. Black people were stripped of all rights—including the right to read or to even resist a white person in any way.
According to the authors, a disturbing pattern emerged that continues to persist in modern American life. White people terrorized Black people, often in the pursuit of profit, causing Black people to resist. Fear of rebellions cause white people to double down on their initial efforts, further strengthening brutal, violent, and racist policies. When the Haitian Revolution began, white Americans worried that similar uprisings would occur at home. After the Civil War, white Southerners feared economic ruin as formerly enslaved citizens now gained access to paying jobs. At every turn, white fear created a catalyst for systemic oppression:
White fear of the disruption of the racial order meant that almost any act by a Black person, especially anything that signaled Black progress or the willingness of a Black person to step out of their place in the racial hierarchy, could spark a conflagration (115).
Another example came in 1921 when a white mob of more than 2,000 men and women attacked a thriving area in Tulsa, Oklahoma known as Black Wall Street.
November 7, 1775
To quell Patriot dissent, Lord Dunmore offers emancipation to any enslaved person willing to join the British Army.
“Freedom Is Not for Myself Alone” by Robert Jones Jr.
This poem is written from the perspective of an enslaved person seeking emancipation from Lord Dunmore. When the speaker arrives, one of Lord Dunmore’s soldiers tells him that he will not be able to secure freedom for his wife and child. The speaker wonders what good liberty is if it is only for one. He is transformed into a British soldier but soon realizes that he is being placed at the front of the line of fighting. After enduring the slave ships, the speaker hopes he will die by fighting so that he will not be forced to endure another journey across the sea.
August 19, 1791
An intellectual man named Benjamin Banneker sends a letter to Thomas Jefferson, criticizing the treatment of Black people two years after the Three-Fifths Compromise.
“Other Persons” by Reginald Dwayne Betts
In this poem, the speaker explains that many argue that there is no such thing as “race” in the Constitution, but the speaker provides names for those who are impacted by the document’s racism: “[A]nother word for slavery is a fraction” (129). Snippets from the Constitution and a letter written by Benjamin Banneker pepper the poem. In the final line, the speaker addresses Jefferson directly, condemning the suffering Jefferson caused.
In Chapter 1, Hannah-Jones contextualizes the scope and purpose of the book through the use of a personal anecdote. She explains that the version of American history she was presented with throughout her life was one told through a specifically white, colonial lens. She shares that when she read about the White Lion in a book, she felt as though her world had been opened. Hannah-Jones realized that the history she had been fed was a narrow one—told by a select few and carefully crafted to project a false ideal of the American identity. This restricted perspective renders Black Americans invisible, downplays their contributions, and fails to acknowledge the depth of white violence and racial injustice. Hence, through the use of this personal anecdote, Hannah-Jones frames the text as a project dedicated to the goal of opening up readers’ worlds in the same way learning about the White Lion did for Hannah-Jones.
Furthermore, Hannah-Jones links this project directly to presenting an alternative account of history to the one framed within a white, colonial lens. At the heart of this alternative account of history—an, by extension, at the heart of The 1619 Project: A New Origin Story—is Slavery’s Impact on American Institutions. The text includes both fiction and nonfiction contributions from a variety of authors, with the aim that each author reveals a new understanding of how slavery was interwoven into every aspect of American life and culture, including how its legacy and impacts persist into the present day.
In addition to articulating the need for an alternative account of history, the book gives an account of how and why the narrow view of history framed through a white, colonial lens came to be so pervasive. Specifically, the book makes the case that the narrow shaping of American history is part of a larger tradition of justification. Hannah-Jones argues that Americans have forged a belief system and ideology that centers on the myth that America is synonymous with freedom. In order to build this ideology, the tension between the belief in American freedom and the fact of American slavery had to be reconciled through justification. The text uses one of its most controversial claims—that slavery served as a catalyst for the American Revolution—to show how deeply embedded slavery is in the American identity. The authors’ choice to make such a controversial claim can be read in the context of the text’s emphasis on the American tradition of justification. They tie the book’s claim about justification to a chronic and enduring unwillingness for Americans to acknowledge the reality of injustice perpetuated against Black people, among other groups. Hence, the authors’ claim that slavery was a catalyst for the American Revolution underscores the idea of justification, since, their arguments suggest, the fact that this claim is so controversial is itself evidence of this justification in action.
By directly addressing these ideas, the authors situate the book as a clearly persuasive project; they indicate that the book does not only target people who are already versed in this historical narrative but instead seeks to present compelling evidence to people previously unaware of or even consciously opposed to this historical narrative. The evidence they present often takes the form of examining historical events to present the “hidden” truth about how these events were linked to slavery and racism.
Chapters 1 and 2, for example, both explore how white society justified violence against Black people. Hannah-Jones shows that the founding fathers recognized the hypocrisy of their creed. They talked about freedom and enshrined it in the Constitution and Declaration with the full knowledge that they were enslavers. Mythologies emerged to justify slavery and to bridge the gap of the founding fathers’ hypocrisy. One of these myths is the association of the North with the rebellious spirit of freedom: the Boston Tea Party became a symbol of American resistance and Philadelphia was known for the Continental Congress, even though Virginian men drafted these documents. By pointing to these examples, Hannah-Jones underscores the idea that, despite popular myths about the American founding, it was white, Southern enslavers who were the primary agents of this founding.
In Chapter 4, Leslie Alexander and Michelle Alexander detail Thomas Jefferson’s own struggle with reconciling these two disparate parts of his life. While enshrining the right to protest in the Declaration of Independence, Jefferson wondered at his own hypocrisy and the reality of what his nation faced: “I tremble for my country when I reflect that God is just; that his justice cannot sleep forever” (102). This idea is echoed in Reginald Dwayne Betts’s poem “Other Persons,” which compares any man who claims power or ownership over another while still promoting democracy to a gun. Hayes emphasizes this distinction in his poem. Instead of using the terms “Black,” “white,” or “enslaved,” Hayes calls both groups “people,” highlighting the disparity between one group of people, which denies the rights of others, and another, which is simply trying to survive.
The text shifts among poetry, detailed analysis of the violent and racist dimensions of events in American history, and simple statements of historical fact (e.g., Chapter 4’s section titled November 7, 1775, which contains only a brief summary of how Lord Dunmore offered emancipation to any enslaved person who joined the British Army), using a multiplicity of genres to convey the basic fact that slavery and freedom are conflicting states of being that cannot coexist, despite the fact that American history is filled with attempts to live in both worlds.
In these opening chapters, the text begins to elucidate a key claim of the book, namely, that economic conditions and financial incentives motivated the denial of the underlying conflict between slavery and freedom, thus fueling the tradition of justification detailed in the book. Chapter 3 asserts that the pursuit of wealth shaped the modern world, and sugar provided the foundation for American capitalism. Because the country’s wealth was tied to slavery, lawmakers needed to create a moral justification that would keep slavery embedded. That justification made space for unfathomable violence.
The text notes that Black women in particular faced a unique challenge. Laws like those passed in the House of Burgesses in 1662 create a framework for sexual violence. Because a child is endowed with the same status as a mother, white enslavers held an incentive to rape enslaved women to increase their wealth and property. In addition to tracing these material incentives for anti-Black violence, the book also highlights Black Resistance as a Persistent Force Against Racial Injustice. In Nikky Finney’s poem, for example, a group of Black women share their knowledge with one another and affirm one another’s identities, creating a space of care within a world that repeatedly assaults them. By including the poem alongside the sections detailing events in American history, the book situates itself not merely as a historical record but also as a call to action and a work that bears witness to both the tradition and future possibility of Black resistance.
Like these women, the contributions and actions of many Black Americans were left out of the historical record. By highlighting the stories of people like Crispus Attucks and Samba, the authors shed light on The Role of Black Americans in Shaping the National Identity. As Hannah-Jones struggled sorting through the complex history of freedom and slavery, she marveled at her father’s patriotism. She knew her father and his family had experienced repeated racial injustices, yet he proudly displayed a pristine American flag. Later, she realized that her father understood something that she was only just beginning to discover—that there is pride to be found in the many untold contributions of Black Americans. Hannah-Jones asserts that Black Americans shaped democracy; the freedoms afforded all Americans were fought for and won by Black resistance. Hence, through the text, she and the other authors in effect shed light of this historical account in order to undermine the popular but misleading—and ultimately violent—narrative of history that Hannah-Jones characterizes as white and colonial.
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