70 pages • 2 hours read
Rohinton MistryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
When India and China went to war, Gustad covered his apartment windows in blackout paper, like all the citizens of Bombay. Prime Minister Nehru, convinced his counterpart in China was a friend and ally, was depressed and weakened from the war. This mood affected both the national feeling in India and the personal feelings of Gustad Noble, who decided not to remove the paper when the war ended. Instead of returning to the light, Gustad preferred to leave things dark, telling Dilnavaz at first that the darkened windows helped the children sleep. Three years later, when conflict arose with Pakistan in Kashmir, citizens were again ordered to blacken their windows, and Gustad felt vindicated. The apartment windows are still darkened when the novel opens in early 1971: “The family grew accustomed to living in less light, as if blackout paper had always covered the windows” (11).
Most directly, the blackout paper is a symbol of darkness and depression. The paper encourages spiders and cockroaches to breed in the corners of the windows and keeps sunlight from penetrating the apartment. The Noble family cannot see through the windows without opening them. The external world is entirely blocked out. Likewise, no one else can see in; the paper separates the Nobles from the immediate world around them. Windows in general are closely related to this symbol of blackout paper. It is through a window, for instance, that Tehmul sees the pile of money on Gustad’s table. Cavasji often shouts out his window at the sky. A lighted window leads Gustad to discover a deeper truth about Tehmul’s nature.
The blackout paper also symbolizes the things Gustad does not allow himself to see, such as Sohrab’s true nature and desires, and his own clinging to tradition. The darkness allows Gustad to live in memories of his own childhood. When he sits in the dark in his grandfather’s chair, he soaks in the life that used to be, rather than looking out across open spaces into the future. Thus, when Gustad tears down the blackout paper at the end of the novel, the reader understands how far his emotional journey has taken him. He is ready to see out and let the light in.
Money is a symbol of power, politics, and danger. When Gustad and Dilnavaz open Jimmy’s package and discover the money, their primary feeling is fear. It’s dangerous to have money not only because it might be stolen, but also because they could come under suspicion for having it. They would have to offer a plausible explanation for where the money came from. Also, the prevalence of corrupt authority figures means Gustad could be blamed and jailed regardless of the money’s origin.
Nothing politically meaningful can happen without money. When Jimmy reveals the money is meant to aid the independence movement in Bangladesh, this confuses Gustad because it’s a cause he supports and he realizes what good the money could do. The money leads Gustad down a path of law-breaking and government corruption as he agrees to deposit the money illegally in the bank. Then, when Gustad sees Jimmy and discovers the money is stained by Indira Gandhi’s corrupt actions, the cash becomes thoroughly tainted. Instead of a source of humanitarian aid, it becomes an extension of the corrupt government and the way it exploits good people like Jimmy to further its own ends.
The doll Roshan wins in the school raffle has fair skin and blue eyes, like a European. This symbolizes the supremacy of European standards of beauty in Indian culture. The doll, which is as tall as child, is dressed in wedding clothes, reinforcing the cultural value that girls should aspire to marriage. It’s not a doll that a child can play with; Roshan can’t even carry the doll without soiling its white clothes on the ground. The doll can only be put away by laying her flat in a drawer, her clothes removed and stored elsewhere to avoid wrinkles and damage. For Roshan, the doll is an object to be admired, one that stirs feelings about how she should look and what aspirations she could cultivate. It’s Tehmul who has a real use for the doll, which becomes a stand-in for emotional and physical love. Tehmul infuses the doll with so much emotion that when he is killed, Gustad sets the doll beside Tehmul’s body to acknowledge the attachment.
After his daily morning prayer outside, Gustad tends to the few plants that grow under his apartment window. Of these, one is a vinca bush Gustad planted himself. This bush is the source of the feud with Mr. Rabadi, who allowed his dog to soil it. It’s the spot where Darius buries all the pets he unsuccessfully tries to raise. The vinca is also the place where the decapitated animals and warning note are left to get Gustad to deposit Jimmy’s money in the illegal bank account. In all these ways, the vinca bush is a shortcut to manipulating Gustad’s emotions. It is also a source of comfort to him:
He never ceased to wonder at the vinca’s endurance, surviving in the small dusty patch, year after year, despite the fenders of cars that ripped and clawed at its stems, or children who tore wantonly at its blooms. (125)
Because the vinca flourishes against the odds, it’s also a symbol of survival. The vinca ought to have died long ago, but it thrives. The same can be said of Gustad, who survived the difficulties of his childhood, and of Roshan, who survives an intractable intestinal illness. There are some who don’t survive, such as Jimmy, Dinshawji, and Tehmul, but the vinca bush allows Mistry to convey that if your roots take hold, you can flourish even in poor soil with lots of environmental stressors. This is certainly true of Gustad, who withstands many stressors and a terrible hip injury only to stand tall and succeed. In the end, the vinca bush is destroyed along with Gustad’s other plants. It is not an act of nature but an act of human violence that kills the bush. Left to its own devices, it would have continued to grow.
The black wall is a symbol of transformation, specifically the ways in which religious or superstitious beliefs can result in dramatic change. At the beginning of the novel the reader learns that the city wants to tear the wall down to widen the road. Gustad doubts this will come to pass, but while he doesn’t want their compound to shrink, he nonetheless hates the black wall. It serves as a public toilet and consequently smells foul and generates lots of insect activity. Gustad spends a lot of time, energy, and emotion waging a personal war against the black wall. When he has the brilliant idea to elevate the wall into religious art, however, the wall and the quality of life inside the Khodadad Building are transformed.
When the pavement artist creates his images on the black wall, he uses figures and scenes from all the major religions. The point is that no one who sees the wall should be left out of the experience. The smell and mosquitos disappear, and people begin leaving flowers and incense at the wall. It becomes a place of peace, a neighborhood highlight. Other objects are similarly transformed through their use as magical objects. Limes, chilis, mouse droppings, cooking spices, fingernail clippings, and a lizard are all changed from mundane objects to ingredients imbued with the power to change lives.
By Rohinton Mistry