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The narrator’s family enjoys trips to the countryside in a horse-drawn carriage with their family friends, the Donalds. Dr. Donald and the narrator’s father are both landowners. On the country drives, the narrator likes to look at the houses, which are modest in comparison to his city dwellings. He thinks of the differences between Cletus’s rural upbringing and his own more urban background.
The narrator reflects on the history of Logan County (which includes Lincoln). Settlers passed land on to heirs who increasingly owned but did not farm their properties. He notes that landowners enjoy higher social status than tenant farmers. But these social considerations never occurred to the narrator and Cletus when they played together as friends.
In the present, the narrator wishes he could explain himself to Cletus but admits Cletus probably would not remember him. The only place he can connect with him is in the past. He acknowledges that his story will be a mix of fact and fiction. He asks the reader to imagine a deck of cards. Each card is a fragment of Cletus’s life. Envisioning the past will be like turning over one card at a time.
His first invention is a dog for Cletus. He notes the close connection between boys and dogs. He imagines the dog waiting for the boy to come home from school on his bicycle. The dog is eager and proud when Cletus returns and follows him up to the house. She is not allowed inside and stays on the porch. Cletus enters the kitchen, which the narrator imagines in detail.
The Smith and Wilson families are close. Cletus has a rewarding relationship with Lloyd Wilson, who teaches him farming skills. He goes hunting with his father and Lloyd. Sometimes Lloyd puts his hand on Cletus’s shoulder, which gives him a sense of security and loyalty. Lloyd and Clarence are best friends. They help each other with farming tasks. Clarence once spent all night tending to Lloyd’s sick calf.
Both men are tenant farmers. The Smith’s farm belongs to Colonel Dowling. He is a gentleman who behaves respectfully toward the Smith family. But if the Colonel brings a friend from town to the farm, he stresses his ownership of the property. This seems to affect Cletus more than Clarence.
Cletus has a younger brother named Wayne, and they are different from one another. He also has an Aunt Jenny, who raised his mother. Aunt Jenny is proud of the house she owns in town. Her house is near the Smith farm, which she visits often.
A hired man named Victor Jensen works on the Smith farm. On Decoration Day, he goes into town and has a weekend-long alcohol bender. Clarence and Cletus find him passed out in a ditch. He is back at work the next day, hungover.
Cletus is late to milk the cows after school one day. He explains that his teacher kept him late to retake a math test. His father doesn’t care about school, he just wants Cletus to grow up and work on the farm full-time. The narrator then imagines a succession of brief moments involving Cletus, his parents, Lloyd, his brother, and his dog.
One morning while dressing for church, Clarence notices he has no clean shirts. He is angry at Fern for not performing her duties. At church, the preacher delivers a sermon on the Parables of Jesus. Fern has a sad expression on her face after the service that is obvious to others but not to Clarence.
Lloyd feels closer to Clarence than his own brothers. He thinks of the day the Smith family first arrived. He remembers that Clarence seemed defenseless. It was also obvious that Fern was disappointed in the house and must have been raised in town. Lloyd invited them over for supper that first night.
Lloyd’s farm is owned by Mildred Stroud. Mrs. Stroud is good with money and secretive about her finances. She regularly visits the farm unannounced and sometimes criticizes Lloyd’s work. She is secretly attracted to him.
Lloyd no longer finds his wife Marie sexually attractive. When he looks at other women, she is jealous and has threatened to leave him during fights. But most of the time they have an agreeable relationship and Lloyd considers her to be a good wife.
After work, Lloyd visits Clarence and eventually follows him into his house. He stays into the evening and doesn’t want to leave. He tries telling the Smiths how much their friendship means to him. Fern assures him they feel the same way.
Lloyd develops a secret desire for Fern. He feels guilty and considers confessing to Clarence but doesn’t. He hates himself for being lustful and lacking self-control. He is careful to conceal his feelings when he is around the Smiths.
Lloyd tells Clarence that he is considering moving to Iowa. Clarence advises against it. Lloyd’s feelings for Fern continue to grow. Clarence confides in Lloyd that something is bothering Fern and he doesn’t know what it is. From this information, Lloyd intuits Fern’s desire for him.
Lloyd visits the Smith house while Clarence is not there. Fern says he’s changed and doesn’t want to be friends anymore. In response, Lloyd confesses his feelings for her. He kisses her and has a premonition of disaster.
Lloyd and Fern try to avoid each other for a few days, but Lloyd’s desire keeps growing. He mourns the impending loss of his friendship with Clarence. He is so filled with passion and excitement that he can’t sleep at night. He imagines his father advising him against the affair. He knows it’s wrong, but he’s in love and is determined to pursue a relationship with Fern.
One night while Clarence and Victor are milking the cows, Lloyd and Fern have sex for the first time. After this, they meet regularly. Lloyd feels bad about what he’s doing to Clarence. Lloyd is disturbed by the way Cletus looks at them, but Fern dismisses his concern. Fern slips love notes into his pockets and he’s worried about being caught. He is ashamed of deceiving Clarence and knows he should confess.
The narrator prefaces his recreation of the past with the metaphor of a deck of cards. Each card is a moment in the lives of the Smith and Wilson families. The image captures the vignette-like brevity of most scenes in these chapters, which delineate the months leading up to the murder. The cards are small but detailed pictures that show unconnected moments. This narrative strategy builds a mosaic from fragments. The splintered storytelling mirrors Cletus’s partial understanding of the adult world. His perspective is later transferred to his dog Trixie, introduced as the narrator’s first fictional character. She is emphasized as a crucial companion for the boy.
Class hierarchies are raised in Chapter 5 and accentuated by the chapter title: “The Emotion of Ownership.” The phrase comes from Cletus’s embarrassment when the landowner Colonel Dowling itemizes his properties in Clarence’s presence. Clarence is a tenant farmer; he doesn’t own the land he farms. Earlier in the chapter, the narrator observed the social inequality between owners and tenants. Owners look down on the tenants, not because they are laborers (owners respect farmers who own their land) but because they are renters. Children are sensitive to the emotional subtleties of class without understanding the economic principles behind it. Cletus’s “emotion of ownership” is a feeling of dispossession, of lack. He doesn’t feel the pride of the owner, he feels the confusing humiliation of the landless.
Cletus seems more aware of this feeling than his father. Clarence is oblivious to other emotions, too. He doesn’t notice his wife’s sadness at church or understand why she might be neglecting household tasks. He confides in Lloyd about Fern without realizing his friend is secretly lusting after her. Fern has noticed the changes in Lloyd, but Clarence doesn’t see a thing.
The issue of Father-Son Communication also recurs in these chapters, as the choice to withhold communication has shattering consequences. Before embarking on the affair, Lloyd comes close to confessing his feelings to Clarence and warning him not to trust him. But—as happens repeatedly throughout the story—he doesn’t speak. Silence is not just an absence of speech; it is a positive action with tangible ramifications. In the narrator’s case, the act of not speaking leads to a lifetime of painful regret. In Lloyd’s case, the act of not speaking ends in two deaths.
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