logo

124 pages 4 hours read

Thomas Harris

The Silence Of The Lambs

Fiction | Novel | Adult | Published in 1988

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Chapters 46-51Chapter Summaries & Analyses

Chapter 46 Summary

Gumb sits with Precious in his bedroom watching a recorded VHS tape—a ritual to prepare for killing. The tape shows the 1948 Miss Sacramento competition, where Gumb’s mother was a contestant. Enraptured by her beauty, Gumb rigs the tape to replay her smile several times. The tape then shows a late-night broadcast of women swimming and riding a water slide completely naked, one of which Gumb suspects is his mother.

When the tape ends, Gumb descends into his workroom, ignoring Catherine’s screams. He works carefully, preparing the perfected solutions for stretching and tanning Catherine’s skin. Along the workroom’s connecting corridor is Gumb’s sewing studio. Mannequins in leather and muslin garments fill the room, along with tables of wigs, cosmetics, and sewing machines, and an armoire that holds his “Special Things” (286). Gumb learned to sew in a mental health hospital and honed his skills over the years. He tests his design for the skin garment on muslin, tailoring and adjusting the mock-up. He becomes excited and playfully tries on wigs and accessories. Although he is eager, Gumb promises to wait to begin in the morning, so he doesn’t make mistakes.

Chapter 47 Summary

Clarice wakes from a nightmare about the screaming lambs and her mind begins to race. The Senator calling her a thief still stings, as Clarice grew up believing thieves were the lowest kinds of criminals. Clarice ponders her genealogy and her fear of being tacky, but she remains determined to prove herself. She starts thinking of the victims and gets out of bed in frustration. She takes her casefile to the laundry room to read privately.

Clarice finds a note from Lecter questioning the randomness of the abduction sites. On the hotline, Burroughs says he’ll pass the information along, but he doesn’t think anyone will be interested. Clarice finds that the first victim, Fredrica Bimmel of Belvedere, Ohio, was found after the second victim because her body was weighed down. Clarice hypothesizes that Buffalo Bill knew Bimmel and killed her spontaneously. He dumped his next victim in the open to divert suspicion from Belvedere. Clarice calls the hotline again, but Burroughs warns her that investigators already looked at Belvedere, so no one will rush to return to Ohio. He tells her of Bella’s death and a fundraiser in her name. Clarice thinks of her parents and cries.

Chapter 48 Summary

Clarice stops Crawford outside a funeral home and asks him to send her to Ohio because her perspective as a woman could uncover new information. Clarice is willing to be recycled in the Academy, so Crawford gives her money for the trip. Clarice’s similarity to Bella makes Crawford sob in the street. Jeff lingers in an alley, knowing Crawford wouldn’t want anyone to see him vulnerable.

Chapter 49 Summary

Gumb returns from shopping with the final supplies for killing Catherine. He methodically lays out knives and prepares tanks of solution with anticipation. Gumb considers how to kill Catherine but keep her body unblemished; he knows that hanging and shooting can cause different kinds of damage to the skin and scalp. He won’t play games with her like he did with previous victims, but he will still lure her out of the oubliette with the promise of a shower. Giddily, Gumb changes into his robe and calls for Precious to watch the VHS tape. Unable to find her, he descends into the basement. Catherine yells that Precious is with her and injured, and she threatens to kill the dog if Gumb doesn’t bring her a telephone. Gumb tries to shoot Catherine, but she shields herself with the dog. Gumb stomps away upstairs and Catherine crumples to the floor, cuddling the warm dog.

Chapter 50 Summary

In Belvedere, Ohio, Clarice stands near the creek on the Bimmel property. She watches feathers swirling in the water and urges herself to not waste the time she bargained her career for. She meets Gustav Bimmel, Fredrica’s father, who tells Clarice that Fredrica went into Columbus for an interview the night she disappeared. He is upset about repeating his story over again, but he agrees to let Clarice see Frederica’s things.

Chapter 51 Summary

Crawford sits in his Washington office, calling various departments for updates on the case. John Golby, the new taskforce lead, expresses his sympathy to Crawford. Crawford thinks back to when he met Bella in Italy. The Italian boatmen all called her Bella for her beauty, which stuck as her nickname. Crawford brushes off Chilton’s request for protective custody and thinks about his forced retirement from the FBI.

Dr. Danielson calls with information about a rejected patient, making sure that Crawford will uphold the integrity of the clinic. The rejected patient, under the alias John Grant, passed the intelligence tests, but failed the personality tests and background checks. The man’s real name is Jame Gumb, and he is wanted by the Harrisburg, Pennsylvania police for assaulting two gay men. His House-Tree-Person test matches Crawford’s list exactly, and Danielson deduces that the file came from Lecter.

Chapters 46-51 Analysis

Gumb’s ritual of watching the VHS recording of his mother—and a woman who he thinks is his mother—further confirms Lecter and the Gender Clinic’s theory that Gumb experiences a feeling other than gender dysphoria. The narrative explains that Gumb aspires to transform into his mother and that he seeks acceptance from her. Gumb pretends he is with his mother at the beauty pageant, as “when she smiled at the young man [on the tape], Gumb smiled too” (282). When the tape finishes, he tells Precious, “Mommy’s gonna be so beautiful” (283), explicitly giving himself his mother’s identity. Gumb further connects his goals to the images of the tape when he envisions himself in his new body, “running up the ladder of a water slide as fast as you please” (288). Gumb shows that he holds an idealized version of his mother in his mind—an imago—which he reinforces with the ritualistic consumption of the VHS tape.

Through the nonchalance of Gumb’s perspective, Harris hints at Gumb’s long history of skinning victims before his current project. As Gumb prepares to flay Catherine, he reflects on the “heartbreaks” of his practice over the years. The narrative reveals that he would sit “crying [his] eyes out” when a method of tanning, stretching, or sewing would go awry (284). The narrative emphasizes that Gumb’s sadness at these mishaps starkly pales in comparison to the pain he inflicts upon his victims, and that his emotional response is misdirected. This disparity in pity shows the little value he places on human lives, as he sees his victims as experiments and discardable materials for his own use. Gumb’s meticulous construction of his garment further portrays his devaluation of life; he remains unmoved about the lives he’s taken to hone his tailoring skills on human skin.

Clarice’s meditations on her family’s genealogy descends into a spiral of self-pity about her disappointments on the case. Her internal monologue reveals another motivation which connects to the theme of repressed identity. Clarice’s family doesn’t have anyone who achieved anything of greatness, so she fears that her destiny is to have an unremarkable life. Clarice overworks herself to prove her worth and uses her intelligence as a weapon against a life of ordinariness. Clarice believes that with good schooling she can be “approved, included, chosen, and not sent away” (291). As Lecter guessed, Clarice fears that others will shun her lower-class upbringing and won’t take her seriously. These doubts follow her to Belvedere, where despite gambling her place in the Academy to investigate Fredrica, Clarice can’t help but feel her task is unimportant.

Clarice develops a new theory about the case that motivates her to assert the importance of her female perspective. Clarice notices that for an investigation about murdered women, there is a severe lack of feminine perspective: “Not one woman was hunting him full time. Not one woman investigator had looked at every one of his crimes” (292). Clarice believes crucial evidence was overlooked because male investigators don’t understand the intricacies of the female experience. Clarice emphasizes this area of lacking when she asks Crawford to send her to Belvedere. Clarice also has the unique perspective of trusting Lecter’s information, which Burroughs says new investigators are deliberately ignoring. Her belief in Lecter’s honesty coupled with her womanhood allow Clarice to follow the correct leads that bring her face-to-face with Gumb in Chapter 56.

Crawford finally receives confirmation from Dr. Danielson of a fact the audience already knows: Buffalo Bill is really Jame Gumb. Harris subtly compares Danielson to Lecter based on both characters’ knowledge of Gumb and their initial refusal to reveal the man’s identity. However, the narrative portrays Danielson and Lecter’s motives for secrecy in opposite ways. For Lecter, withholding Gumb’s identity affords him personal enjoyment, and he is indifferent to whether Gumb kills more victims or not. For Danielson, withholding Gumb’s identity is a matter of protecting other vulnerable people, and the decision to reveal these details causes his doctor’s conscience great conflict. Danielson’s altruistic motivations foil Lecter’s selfish ones, further emphasizing Danielson’s integrity and Lecter’s wickedness.

blurred text
blurred text
blurred text
blurred text