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58 pages 1 hour read

Dennis Lehane

Shutter Island

Fiction | Novel | Adult | Published in 2003

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Chapters 4-6 (Day 1: Rachel)Chapter Summaries & Analyses

Chapter 4 Summary

The investigation of Rachel’s room brings more questions than answers, so Teddy and Chuck try to trace Rachel’s escape route instead. The marshals quickly realize that Rachel would have to have slipped by the on-duty orderly, the staffed nurse’s station, and a group of poker-playing employees to leave the ward, which seems almost impossible.

Teddy and Chuck then join McPherson and a group of orderlies for another search of the island. They march to the shore, where Teddy notices some caves along a cliff face. When he asks whether the caves have been checked, McPherson tells him they have not. He reminds Teddy that Rachel left without taking her shoes, which only intensifies Teddy’s suspicion that Rachel’s disappearance was an inside job.

Teddy and Chuck return to the hospital to regroup and question the staff. The marshals leave no stone unturned: they ask the staff members about their whereabouts, verify timelines, and double-check to make sure Rachel did not have a window of opportunity to escape unseen. During questioning, Teddy discovers that Dr. Lester Sheehan, the doctor who led group therapy the evening before, left the island earlier that morning on vacation. Teddy demands a contact number and a telephone to verify Sheehan’s whereabouts, only to find that the worsening weather has knocked out the island’s communications systems.

The mysterious absence of Sheehan piques Teddy and Chuck’s interest, and after the staff go back to work, they begin hypothesizing about Rachel’s disappearance in a quick back-and-forth brainstorm. Chuck posits that Rachel and Sheehan ran away together and paid the staff to turn a blind eye. Teddy does not buy it, though. If it really “‘is a cover up,’” he asks, “‘why not make it easier for us to sign off on the reports and go home’” (72). Chuck offers no answer and adds that the situation is starting to make him nervous. 

Chapter 5 Summary

Cawley has invited Teddy and Chuck to his house, and when the marshals arrive, they realize another of Cawley’s colleagues is also in attendance. Dr. Jeremiah Naehring is the chief liaison to Asheville Hospital’s board of overseers, and Cawley has invited him to meet the marshals and further discuss Rachel’s case.

When Teddy asks for a soda and water, Naehring asks why Teddy does not drink. Teddy deflects Naehring’s questions and the doctor compliments his evasiveness, but when Naehring remarks that he is “‘fascinated by men of violence,’” the comment hits home (77). Naehring’s offhanded statement, coupled with the classical music Cawley has put on for the evening, remind Teddy of the liberation of Dachau. He remembers walking into the office of a Nazi subcommandant who had shot himself in the mouth but was still alive. The man had been clutching a picture of his family, but “Teddy took it away from him” and watched the Nazi grasp for it until he died (76).

Naehring continues to psychoanalyze Teddy and Chuck. He asks them whether they were schoolyard brawlers—they were—before correctly guessing that both men had lost their fathers at a young age. Frustrated with the doctor’s analyses, Teddy pushes once again for the hospital’s personnel files. Naehring refuses to turn them over, and Teddy responds by calling off the investigation. He tells the doctors they will leave in the morning and file reports when they return to the mainland, but otherwise, their work on Shutter Island is done.

Teddy and Chuck return to their bunks where they play poker with a few of the orderlies before going to bed. Teddy wins some cigarettes, but Chuck cleans the table because he can read each player’s tell, including Teddy’s. Before the marshals go to sleep, however, Chuck asks Teddy whether they are really leaving the island with the Solando disappearance unsolved. Teddy does not give a definitive answer, but he tells Chuck that they “‘haven’t heard the truth once’” and have no leverage “‘to make these people talk’” (85). Chuck calls Teddy’s bluff before the two drift to sleep. 

Chapter 6 Summary

That night, Teddy dreams of Dolores. When he sees her, she is angrily waving an empty whisky bottle at him, asking him if he is ever sober anymore. Teddy notices her back is charred, but by the time he reaches her at the living room window, she’s become soaking wet. Teddy asks her what she has done and why she is wet, but Dolores’ only response is to keep staring out the window. Teddy suddenly realizes they are not in their apartment, as he imagined; instead, they are in a cabin they stayed in once that had a small pond and a gazebo in the backyard. He and Dolores are looking at “small logs floating” in the pond, and Teddy “notices how smooth they are, turning almost imperceptibly” in the moonlight (88).

Dolores asks Teddy if he drinks because of all the people he killed in the war before abruptly telling him that Rachel is still on the island. She tells Teddy he cannot leave the island, but Teddy thinks she means that she does not want him to leave her behind. Teddy wraps his arms around her in a desperate attempt to keep her with him, but a hole appears in Dolores’ stomach and water starts pouring out. Teddy begins crying and begs Dolores not to go, telling her he needs to hold her just a little longer (89). Teddy “holds her and holds her” until he wakes up and realizes once again that Dolores is gone (89).

Teddy is emotionally hungover from his dream, and he cannot help but wonder if “this was the day that missing her would finally be too much for him” (90). But he instead turns his attention to Rachel’s code, and by the time Chuck wakes up a few hours later, Teddy has it solved.

Chapters 4-6 Analysis

The suspense starts to build as Teddy and Chuck’s first day on Shutter Island draws to a close. The mystery surrounding Rachel Solando’s disappearance only gets more confusing: there does not seem to be a reasonable explanation for how Rachel could escape her room by herself. Every employee of Asheville Hospital becomes a suspect when Chuck and Teddy start to believe that Rachel’s disappearance is an inside job, and readers begin to realize just how isolated the two marshals really are.

The tension of the novel is heightened by moments where events or actions are strange or out of place. A good example of this is when Cawley begins playing a record in the background as he, Teddy, Chuck, and Naehring meet over drinks. Teddy describes how “the scratch of the needle was followed by stray pops and hisses that reminded Teddy of the phones he’d tried to use. Then a balm of strings and piano replaced the hisses,” (76). The pops and hisses of the record obscure the music in much the same way that the truth surrounding Rachel Solando seems to be obscured at every turn. Likewise, Naehring’s ability to read Teddy and Chuck in what Chuck refers to as a “‘parlor trick’” further confuses the narrative (78). Is Naehring just a particularly good psychiatrist, or has he collected information on the marshals from some other source? The sense that Teddy and Chuck are in danger increases proportionally to the weather beating on the windows of Cawley’s home. By the time Chuck—easygoing, charming, likable Chuck—mentions that he is “‘starting to get nervous,’” readers are, too (72).

This section of Shutter Island also contains the first of Teddy’s dream sequences. The events of Teddy’s dream have symbolic value—for instance, the “smoldering” on Dolores’ back is a nod to her death in a fire, and Dolores’ “belly spring[ing] a leak” points back to Teddy’s fear of water (87, 88). But the dream reveals truths to Teddy that his conscious mind cannot. Dolores tells Teddy that he “‘almost saw’” the truth of Rachel’s disappearance, and it is her encouragement that makes Teddy redouble his efforts to crack Rachel’s code. This stands in direct contrast to Teddy’s other experiences on the island. Whereas Teddy tells Chuck that they “‘haven’t heard the truth once,’” Teddy’s dream is full of truths that neither the readers nor Teddy have the tools to access (85). This initial dream sequence sets up the motif of dreaming in Shutter Island, where dreams allow the subconscious mind to wrestle with both reality and the truth.

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