58 pages • 1 hour read
Dennis LehaneA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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It is now Teddy’s third day on Shutter Island, and the storm has finally passed through. Unfortunately, it has left considerable damage in its wake. When Teddy and Chuck hear staff members talking about how the back-up generator to Ward C has failed, they realize they have the perfect opportunity to see what Cawley has hidden there. Teddy and Chuck are still wearing their borrowed orderly scrubs, so they also have the perfect disguise to slip in the building unnoticed and search for information about Ashecliffe’s experiments.
When Teddy enters Ward C, he is first struck by the underlying smell of “vomit, feces, sweat, and most of all, urine” (218). The next thing he notices is the chaos. With the back-up generator down, the cell doors have opened, and orderlies are working to find escaped patients and return them to their beds.
Teddy and Chuck take advantage of the disorder to start exploring the building, and one room catches Teddy’s attention. He recognizes it from one of his dreams—it is the room where Rachel killed three children with a cleaver. The images of the dream overlay the scene until Chuck’s conversation snaps him out of it. The pair keep moving, but they are stopped short by a commotion on the stairwell. One of the patients is attacking a guard, and Chuck and Teddy intervene to help subdue the patient, who they learn killed his brother’s wife and children while his brother was serving in the military. The guard is shaken up but alive, and he agrees to let Teddy and Chuck continue to explore Ward C.
The guard helps Chuck and Teddy drop the patient off in an empty room. The guard then explains that one of the patients has a key and keeps reopening the secured rooms. The guard needs to find the patient before the patient with the key makes his way to the basement and starts releasing Ward C’s most dangerous residents.
With the guard gone, Teddy and Chuck decide to split up. Chuck goes to look for patient files while Teddy searches for Laeddis. It is not long before Teddy hears a voice whispering Laeddis’ name from the dark. Teddy pulls out his box of matches and lights them one by one as he follows the voice to another cell, and it takes him a few minutes to realize the man speaking to him is none other than George Noyce. Noyce accuses Teddy of lying to him, saying “‘you told me I’d be free of this place. You promised’” (235). When Teddy tells him that he is here searching for the truth, Noyce snaps, “‘this is about you. And Laeddis…I was incidental. I was a way in’” (236).
Noyce tells Teddy that this whole situation is a set-up and a “‘handsomely mounted stage play’” just for Teddy (238). When Teddy denies it, Noyce asks him if he has ever been alone on the island. Teddy realizes he has not, and Noyce starts talking about Chuck, asking “You’ve never worked with him before, have you?” (239). Teddy tries to ignore Noyce’s questioning by reassuring him that he will get Noyce out of Ashecliffe. Noyce knows that he has no hope for escape, and he tells Teddy that the only way Teddy can get off Shutter Island is to forget his vendetta with Laeddis and let Dolores go. Teddy tells Noyce he cannot and asks where he can find Laeddis. Noyce tells him to check the lighthouse, and as Teddy leaves Noyce behind, Noyce shouts one thing after him: “God help you” (243).
Teddy leaves Noyce behind, but Noyce’s words stay with him. Teddy mulls over Chuck’s actions; he wants to trust his new partner, but a voice in the back of his head keeps asking, “How do you know?” (246). When Teddy and Chuck reunite, Chuck tells him that Cawley and the warden are in Ward C. They make a quick escape into the nearby woods, where Teddy tells Chuck about meeting Noyce, giving him all the details except Noyce’s suggestion that Chuck is working for Cawley.
Teddy cannot shake his suspicions and starts asking Chuck about his time in the U.S. Marshals’ Portland office. Chuck tells Teddy he was in Seattle, so Teddy asks whether Chuck knew another marshal named Joe Fairfield. Chuck says no, but Teddy notices Chuck is now checking his pockets nervously. It reminds Teddy of their first day on the island. Chuck had struggled to unholster his gun, which is “‘not something your average marshal had trouble with’” (254). When Chuck tries to hand Teddy a paper he found, Teddy tells Chuck to keep it as he realizes “‘he was now completely alone on this’” mission (257).
Instead of returning to Ashecliffe, Teddy leads Chuck toward the lighthouse. He wants to see if Noyce is right about the lighthouse being a top-secret surgical laboratory, and the walk there is tense with Teddy’s suspicions. He and Chuck emerge from the woods and find themselves on the edge of a rocky cliff, and Teddy sees piles of rocks on the scrub plain below. Chuck stays behind as Teddy climbs down to the beach to see if the rocks are another of Rachel’s messages. He counts each rock pile and writes the code in his notebook:
13(M)–21(U)–25(Y)–18(R)–1(A)–5(E)–8(H)–15(O)–9(I) (258).
As Teddy makes his way back up the cliff face, he wonders if there is any more he can do. He tells Dolores that while Laeddis and Ashecliffe might live on, they will content themselves “‘knowing we’ve begun a process, a process [that] could, ultimately, bring the whole thing tumbling down’” (259). But Teddy’s satisfaction is short-lived: when he returns to the clifftop, Chuck is gone.
This section marks the beginning of Shutter Island’s third section, titled “Day 3: Patient Sixty-Seven,” and Teddy is starting to feel the effects of his sleepless nights. Teddy’s last nightmare, where he watched Rachel kill her children, has had a profound effect on him, and he begins to confuse his dream with reality. One of the rooms in Ward C reminds him of the “room in his dream,” and he believes that he sees Rachel running “through the room with a cleaver” (220). The line between truth and fiction has begun to blur, and Teddy struggles to differentiate between his dreams and reality.
Teddy is also starting to become paranoid. Lehane gives Teddy’s paranoia a literal voice through the character of George Noyce. Noyce articulates all the concerns that readers have accumulated over the course of the book so far, including, and especially, that there is something deeply wrong about Teddy’s situation and Ashecliffe Hospital. The fact that the exchange between Teddy and Noyce happens in almost total darkness adds two more symbolic layers to this scene. First, the darkness itself represents the obscurity of the truth. Teddy might be searching for the truth of Ashecliffe Hospital, but actually finding it is akin to lighting a match against the darkness. The darkness also represents Teddy’s own subconscious. Whether Noyce tells the truth matters less than the fact that Noyce’s stories resonate with Teddy. Noyce plays on Teddy’s own subconscious fears of loss, violence, and failure, which is why Teddy is so affected by the conversation. Noyce forces Teddy to confront his subconscious suspicions and take conscious action based on his conclusions.
Consequently, Lehane introduces one of the major themes of Shutter Island in this section: the idea that individual perception affects one’s understanding of the truth. Up until this point, readers have trusted that they are following one story with one reality: Teddy and Chuck are on Shutter Island to investigate the disappearance of Rachel Solando and the experiments at Ashecliffe Hospital. But by the end of Chapter Sixteen, readers are presented with another possible (and credible) scenario: Teddy has been lured to Ashecliffe because he is hell-bent on revenge, and he has walked into a set-up designed to trap him and protect whatever research is happening at Ashecliffe. Now everything is thrown into a different light. Is Chuck really Teddy’s partner, or is he one of Ashecliffe’s agents trying to throw Teddy off the scent? Was Rachel Solando ever really missing, or was her disappearance a convenient decoy? Lehane presents readers with two very different scenarios, both of which now seem equally plausible. Which version is the ‘truth’ depends on a combination of the readers’ perspective and interpretation of the facts.
By Dennis Lehane