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46 pages 1 hour read

Lisa See

Shanghai Girls

Fiction | Novel | Adult | Published in 2009

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Part 2, Chapters 11-15Chapter Summaries & Analyses

Part 2: “Fortune”

Part 2, Chapter 11 Summary: “A Single Rice Kernel”

After their release from Angel Island, the sisters travel to Los Angeles, where Sam meets them. Everyone thought they died when the Japanese attacked Shanghai, so no explanations for their delay are required. Old Man Louie grumbles that Joy is a girl instead of a grandson but doesn’t question her presence. The sisters are forced into a cramped apartment with Sam, Vernon, Old Man Louie, and his wife, who insists they call her Yen-yen (a diminutive for grandmother). There are also two other uncles who frequently eat with the family. The modest living arrangement indicates that Old Man Louie is hardly as wealthy as Pearl and May thought.

In terms of sleeping accommodations, May shares a room with Vern, who seems to have an intellectual disability, as he learns slowly and rarely speaks. Pearl and Joy share a room with Sam, but Pearl is still so traumatized by her gang rape experience that she avoids doing the “husband-wife thing” (137) with Sam. During the day, everyone works long hours in one of Old Man Louie’s various shops in the Chinese district.

Part 2, Chapter 12 Summary: “Dreams of Oriental Romance”

A few months after her arrival, Pearl is toiling away in one of Old Man Louie’s many businesses in China City. As the weeks pass, she becomes depressed with the daily grind, while May spends more time outside of Chinatown getting to know the city. She rebukes her older sister for not joining her. If they plan to escape one day, they will need to know the lay of the land.

Later in the summer, the city sponsors a grand opening for the New Chinatown. Pearl thinks, “People say that the opening of these two Chinatowns is the beginning of good times for Chinese in Los Angeles. I say it’s the beginning of hard feelings” (151). There will be more business competition now. Pearl worries that the sisters will never be able to scrape together enough money to get away.

Part 2, Chapter 13 Summary: “Scents of Home”

Pearl begins to long for authentic Chinese cuisine, but Yen-yen is a terrible cook. During her restaurant shifts, Pearl asks the uncles to teach her some simple dishes, and she begins preparing meals for the family. Though he won’t admit it, Old Man Louie likes her cooking. On Christmas Day, everyone gets a day off, and Vern announces that he wants to go to the beach. He displays a wad of cash as a gift for May, Pearl, and Sam, so they take the baby and spend the day at the ocean.

Part 2, Chapter 14 Summary: “Eating Bitterness to Find Gold”

When Chinese New Year arrives, Old Man Louie demands that Sam pull a rickshaw. The old man’s Golden Rickshaw rides are popular with tourists, and he usually hires Mexican pullers, but he is short-staffed. The competition with New Chinatown has grown fiercer, and Old Man Louie is determined to attract more business. Sam refuses to pull a cart. The two men get into an argument, and Sam rebels. He abruptly leaves for home, with Pearl following.

In their cramped bedroom, Sam explains that he isn’t really Old Man Louie’s son. He is a paper son, referring to a workaround that Chinese Americans use to evade immigration laws. When an American-born Chinese person goes back to China and returns to America, he claims that a son was born in China. American Immigration issues an identity paper for the child because he is technically an American citizen. The birth is a lie, but the paper holder can sell this citizen status to someone in China years later. This is how Sam arrived. He really comes from a family of rickshaw pullers, which is a lowly occupation in China.

After Sam recounts the story of his real family’s many tragedies, Pearl feels sorry for him and confesses her own gang rape incident. She decides never to tell Sam that Joy isn’t his daughter. He doesn’t seem to mind that they can never have a son of their own because of Pearl’s internal injuries. Instead, he suggests that they can arrange for a paper son later. Feeling united in grief, the two finally make love, though Pearl confesses that she will never be particularly fond of the “husband-wife thing.”

Part 2, Chapter 15 Summary: “Even the Best of Moons”

Later that night, the family learns that a fire has started in China City that burns many businesses, including Old Man Louie’s shops. It takes months for repairs to be made. In the meantime, the sisters have more free time. May talks Old Man Louie into letting her become a movie extra. She idolizes film star Anna May Wong and aspires to be like her. Later, this movie job evolves into May acting as a translator for other Chinese film extras. She is even able to get small parts in pictures for baby Joy. Although Old Man Louie protests, he doesn’t object to receiving a cut of her pay.

One day, Yen-yen accidentally tells Pearl that Old Man Louie wasn’t born in America. This means that everyone’s immigration status is at risk. Pearl, May, and Sam confront the old man, and he admits the deception, but he also is aware that the young people are planning to run away. He says that everybody now knows each other’s secrets. He convinces Sam, Pearl, and May to stay, promising to leave everything he has to Sam if the latter will take care of his real son Vernon after he dies. By the time this incident occurs, the sisters have been in America for 20 months and are adjusting to their changed circumstances.

Part 2, Chapters 11-15 Analysis

The book’s third segment yet again emphasizes how the sisters are Trapped by Circumstance. Even though they have escaped confinement on Angel Island and succeeded in passing Joy off as Pearl’s baby, their life in Old Man Louie’s household is still a trap. The girls are now constrained by two sets of circumstances. They have been conditioned to be dutiful wives, so they don’t challenge the rules that the family patriarch lays down for them to follow. The sisters also soon realize that Los Angeles doesn’t constitute a source of liberation. Their Chinese nationality immediately identifies them as foreigners who are only safe if they remain within the confines of Chinese neighborhoods. Pearl is quick to note that Old Man Louie isn’t the big businessman that he appeared to be in Shanghai. In America, he’s merely a small fish in the confined pond of Chinatown.

In this segment, the lives of Pearl and May begin to diverge. Pearl toils endlessly at home and in various shops to serve the family’s needs while May wanders around the city. She even lands work as a Hollywood extra. The Bond of Sisterhood is strained when Pearl expresses jealousy of May’s freedom. May counters that opportunities abound, but Pearl doesn’t take them. Pearl even confesses this to herself during a sibling argument: “[I]t’s easier not to do anything, because I’m scared” (150). May summarizes the effect of their differing attitudes and Pearl’s internalized fear on their relationship when, in the same argument, she tells Pearl, “You’re my sister, but I don’t know where you’ve gone in your mind. You’re so far away from me now’” (150).

Since Pearl is the book’s narrator, the reader is likely to see the constrictive Chinese American experience through her eyes. However, the reader gets a rare glimpse into a more complicated dynamic through May’s interpretation of Pearl’s actions. Though circumstances have certainly limited her options, Pearl limits them further by her own fearful attitude.

This segment also highlights the Cultural Identity Crisis felt by the Chinese characters in their new surroundings. Old Man Louie constantly dreams of returning to his homeland, but Pearl shrewdly notes that his motives are not Chinese: “Like so many men, Old Man Louie wants to […] and return a rich man to his ancestral village. [… and] be recognized as a ‘big man,’ which can’t be more American (153).

May has already demonstrated her ambivalence about her cultural origins by adopting Western attitudes and finding work in the Hollywood film industry. To some extent, Old Man Louie’s various enterprises show the same tendencies. His restaurants only feature Asian dishes that will appeal to the American palate. His curio shops only feature cheap reproductions that Americans will buy.

Even China City itself is a cultural mash-up of architecture, food, and trinkets that Americans have come to view as authentic only because this is how China has been portrayed in American films. Old Man Louie usually hires Mexicans to pull his rickshaws, but Americans can’t tell the difference between an Asian and a Hispanic man. Both Chinese immigrants and white Americans have come to view the Chinese American experience in a distorted way.

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