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89 pages 2 hours read

William Shakespeare

Romeo and Juliet

Fiction | Play | Adult | Published in 1595

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Acts IV-V

Act IV, Scene 1 Summary

Friar Lawrence is speaking to Paris, who thinks that Lord Capulet wants him to marry Juliet quickly to stop her mourning Tybalt. Friar Lawrence is considering what to do when Juliet appears. She puts Paris off, telling him that she’s here to make her confession to Friar Lawrence, and Paris withdraws.

The despairing Juliet asks Friar Lawrence to provide her with some alternative to suicide; she’s ready to stab herself if the marriage to Paris can’t be prevented. Friar Lawrence comes up with an idea: If Juliet has the strength of will to die by suicide, she might also have the strength of will to go through with a dangerous plan. Juliet eagerly agrees:

O, bid me leap, rather than marry Paris,
From off the battlements of any tower,
Or walk in thievish ways, or bid me lurk
Where serpents are. Chain me with roaring bears,
Or hide me nightly in a charnel house,
O’ercovered quite with dead men’s rattling bones,
With reeky shanks and yellow chapless skulls.
Or bid me go into a new-made grave
And hide me with a dead man in his shroud (IV.1.78-86).

Friar Lawrence explains the plan: Juliet will go home, agree to the marriage, and then take a drug he’ll provide. This drug will induce a deathlike coma. Believing Juliet to be dead, her family will bury her in the family tomb. Meanwhile, Friar Lawrence will send a messenger to Mantua, calling Romeo to come and rescue his bride. Juliet will awake in the tomb, Romeo will be there to collect her, and the two can run away to Mantua together. Juliet eagerly agrees, grasping for the drug: “Give me, give me! O, tell me not of fear!” (IV.1.123).

Act IV, Scene 2 Summary

Juliet returns to her father and tells him that in her discussion with Friar Lawrence, she has seen the error of her ways. She agrees to marry Paris. Her father is delighted: “My heart is wondrous light / Since this same wayward girl is so reclaimed” (IV.2.48-49).

Act IV, Scene 3 Summary

Juliet absently looks over wedding clothes with the Nurse, but her mind is elsewhere. She tells the Nurse that she wants to sleep alone tonight (in the past the two have shared a bed). Lady Capulet comes to wish her goodnight as well. Juliet bids the two goodnight, knowing that it’s a permanent goodbye. She longs to call them back but at last steels herself:

Farewell.—God knows when we shall meet again.
I have a faint cold fear thrills through my veins
That almost freezes up the heat of life.
I’ll call them back again to comfort me.
Nurse!—What should she do here?
My dismal scene I needs must act alone.
Come, vial (IV.3.15-21).

She thinks aloud, wondering if Friar Lawrence is poisoning her to keep from being dishonored. She talks herself out of this paranoia and instead imagines the horrors she may encounter in the tomb, worrying she may suffocate or the gruesome sight and smell of the corpses will cause her to lose control of her actions. At last, she overcomes her terror and drains the vial: “Romeo, Romeo, Romeo! Here’s drink. I drink to thee” (IV.3.60).

Act IV, Scene 4 Summary

Lady Capulet, Lord Capulet, and the Nurse are bustling around preparing for Juliet’s wedding morning. The Nurse warns Lord Capulet that he’ll make himself sick staying by up all night. Lord Capulet, waving her off, tells her to go and wake Juliet so she can start getting ready.

Act IV, Scene 5 Summary

The Nurse arrives in Juliet’s bedroom and tries to wake her with jokes about her wedding night: “Sleep for a week, for the next night, I warrant, / The county Paris hath set up his rest / That you shall rest but little” (IV.5.6-8). Of course, Juliet doesn’t wake. The screaming Nurse summons Lord and Lady Capulet, who fall into shock.

Friar Lawrence arrives to conduct the marriage, bringing Paris with him. The family and the bridegroom all mourn violently over Juliet’s body. Friar Lawrence scolds them for their excesses:

Your part in her you could not keep from death,
But heaven keeps his part in eternal life.
The most you sought was her promotion,
For ’twas your heaven she should be advanced;
And weep you now, seeing she is advanced
Above the clouds, as high as heaven itself? (IV.5.75-80)

Lord Capulet turns all the wedding preparations into funeral preparations. The scene ends with bickering musicians making musical puns—less worried about a child’s death than getting paid.

Act V, Scene 1 Summary

Romeo, in Mantua, has had another dream, but this time it is a good one: “If I may trust the flattering truth of sleep, / My dreams presage some joyful news at hand” (V.1.1-2). He recalls his dream, in which Juliet found him dead, kissed him, and revived him to joy. However, his hopeful thoughts are interrupted when his servant, Balthazar, delivers news from Verona: Juliet is dead. Romeo bewails his fate, railing against the stars. He tells Balthazar to fetch him a horse. Balthazar tries to calm him down, telling him not to do anything rash, but Romeo insists. Left to himself, he begins to plan his suicide.

An apothecary wandering around town looks to have fallen on hard times; it’s illegal to sell poison, but Romeo bets he can persuade this man to do it. Romeo asks him for “a dram of poison, such soon-speeding gear / As will disperse itself through all the veins, / That the life-weary taker may fall dead” (V.1.64-66). The desperate apothecary agrees to sell him poison. Romeo takes his deadly vial and hurries to Verona.

Act V, Scene 2 Summary

Friar Lawrence is hailed by another monk, Friar John—the man whom he sent to Mantua to deliver the details of his plan to Romeo. Friar John was held up by an anti-plague quarantine and could not deliver the message. Friar Lawrence, in a panic, tells Friar John to get him a crowbar: He’s going to break into the Capulet tomb, rescue Juliet when she wakes, and intercept Romeo.

Act V, Scene 3 Summary

Paris arrives at the Capulet family tomb to pay his respects to Juliet. He scatters flowers over the tomb and vows to mourn there. However, at the sound of approaching footsteps, he hides himself. Romeo arrives with Balthazar, and the two break into the tomb. Romeo tells Balthazar that he’s just there to look at Juliet’s face and to take an important ring from her finger; he warns Balthazar to go away and never speak of what he’s seen. Balthazar, frightened, agrees, but quietly plans to stay and watch; he’s worried for Romeo.

Paris steps out from the shadows and challenges Romeo, believing him to be here to desecrate the Capulet grave. Romeo tries to peacefully send him away, but Paris resists. The two men fight, and Romeo kills Paris; Paris’s last wish is to be buried next to Juliet. Romeo drags the body into the tomb. There, he finds Juliet. He mourns over her body, noting that death does not seem to effect on her beauty:

Death, that has sucked the honey of thy breath,
Hath had no power yet upon thy beauty.
Thou art not conquered. Beauty’s ensign yet
Is crimson in thy lips and in thy cheeks (V.3.92-95).

Vowing to stay here with Juliet forever, he gives her a last kiss, toasts her with poison, and falls: “Here’s to my love. O true apothecary, / Thy drugs are quick. Thus with a kiss I die” (V.3.119-20).

Friar Lawrence arrives and finds Balthazar outside the tomb. Balthazar tells him as much as he knows, and Friar Lawrence descends into the tomb. There he finds the bodies of Paris and Romeo, as well as Juliet, who is just waking up. Friar Lawrence tries to hurry Juliet away. He can hear the night watch approaching and insists that they get out of there as quickly as possible:

Come, come away.
Thy husband in thy bosom there lies dead,
And Paris, too. Come, I’ll dispose of thee
Among a sisterhood of holy nuns (V.3.159-62).

However, Juliet refuses to leave. Friar Lawrence, panicking, abandons her. Juliet, alone, examines Romeo’s dead body, finding the poison vial and discovering that his lips are still warm. The watch is at the door of the tomb now. She takes Romeo’s dagger and stabs herself.

The watch arrives and discovers all the bodies. They summon the Prince and the Montague and Capulet families, though Lady Montague has died of grief over Romeo’s exile. Friar Lawrence, with the corroboration of Balthazar, explains what has happened to the assembled crowd. The grieving Lord Capulet and Lord Montague take each other’s hands and vow to end their feud and erect statues of Romeo and Juliet in Verona. The Prince ends the play, promising that “Some shall be pardoned, and some punished. / For never was a story of more woe / Than this of Juliet and her Romeo” (V.3.319-21).

Acts IV-V Analysis

As the conclusion draws nearer, the relationship between love and death becomes more pronounced. The play uses celestial imagery throughout to suggest love’s majesty, but it now takes on a darker tone: The night that brings the lovers together, as in Juliet’s plea to “gentle night […] loving black-browed night” (III.2.11), has a lot in common with the blackness of a tomb populated with horrors. As Juliet prepares to go through with the plan that she believes will lead to her reunion with Romeo, she has queasy visions of those horrors: She vividly imagines “loathsome smells” and Tybalt “festering in his shroud” (IV.3.44-47). However, Juliet ultimately suppresses her fears long enough to drink the drug Friar Lawrence has given her.

This does not mitigate the tragedy that the play locates in the couple’s deaths. The dramatic irony of Romeo’s musings over Juliet’s body—his reflection that she does not truly look dead—deepens the scene’s pathos. The timing of Juliet’s awakening and Friar Lawrence’s arrival has a similar effect; both occur just moments too late, heightening the sense that events could have turned out more happily. Acts IV and V also drive the reality of mortality home through the youth of the characters who die (not only Romeo and Juliet but also Paris). In a world founded on the power of fancy and imagination, death comes as the ultimate rejoinder, containing both the mystery of dreams and the power of finality: Whatever death is, it isn’t a fantasy.

Faced with that reality, the Montagues and Capulets recognize their Empty Rivalry and Feud. However, their plans to build statues of Romeo and Juliet introduce a note of uncertainty into their reconciliation; when Lord Montague announces that he will raise a monument to Juliet, Capulet is quick to rejoin that Romeo’s statue will be “as rich,” suggesting that their competitiveness is not entirely extinguished.

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