66 pages • 2 hours read
Rajani LaRoccaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Amma’s first name is Punam; she is named after the moon. She is like the moon in that she is “always gentle / always changing, but / predictable” (126). She only ever shows people “one face. / The strong one” (126).
Reha’s weekend is spent waiting for doctors to figure out what kind of leukemia Amma has. Her mother and father stay at the hospital while Reha goes to Sunny’s house. On Sunday, Reha and her father go to visit Amma. Reha stays with Sunny and her family for a few days “so Daddy doesn’t need to worry / about getting [her] to and from school / on top of working and visiting the hospital” (128). The women in their local Indian community have already started bringing them food.
On the first day back at school, Reha is late to class. Rachel tells Reha that she was worried and tried to call over the weekend, but no one answered. Reha explains what happened. All of Reha’s classmates learn about her mother and offer their love. With their unexpected support, Reha realizes that she has “yet another family, / one [she] never thought to call [her] own” (130).
Reha and her parents meet Amma’s new doctor, Dr. Andrews. She tells them that Amma has acute myeloid leukemia and will need chemotherapy. Chemotherapy will make her sick and will mean that she has to stay in the hospital. Dr. Andrews is very kind and answers all of the questions that Reha and her parents have. Reha thinks of Dr. Andrews as another kind of hero.
In Savitri, Part 3, Lord Yama tries again to take Satyavan’s soul. Savitri once again pleads with Yama to spare him. Because Lord Yama sees Savitri’s virtue, he tells her that she may ask for “anything / but the life of [her] husband” (134). This time, Savitri asks Lord Yama to give her “mother-in-law and father-in-law more sons / so their kingdom will have heirs” (134). Lord Yama complies.
Reha’s father calls their family in India to tell them what has happened. When Prema Auntie learns of Amma’s illness, she tells the family that she will come to America to help take care of her. Reha’s father tells Prema Auntie that he will pay for her plane ticket.
With Amma in the hospital, Reha’s father is lost. He does not cry, but Reha thinks that “his pursed lips / tired eyes / ceaseless pacing / are worse to see than tears” (137). Reha realizes how much her mother “held together in [their] home / especially Daddy” (137), and she also realizes that her parents love each other very much.
Reha reflects on her two lives: her life in the hospital and her life outside. She goes to the hospital and sees the toll that the chemotherapy is taking on Amma, whose hair has begun to fall out. Amma assures her that “it is just hair” and “it will grow back” (139).
Thanksgiving arrives. Reha and her parents usually celebrate with their Indian friends. They do not eat American Thanksgiving foods; instead, they eat things like “spicy pulao and tart cranberry chutney, / samosas, stuffed parathas, / aloo chole” (141) and tandoori turkey for the non-vegetarians. Reha and her father bring food from their feast to Amma, but Amma is too nauseous to eat.
Reha feels a lot of guilt about her mother’s illness. She feels guilty for being caught up in her own worries and for writing the aerogramme, which she destroys. She thinks about Savitri, who tried to “save the one she loved / with courage and cleverness” and “how she was able to bargain with / the Lord of Death” (144). In an effort to help her mother recover, Reha resolves to be more virtuous and to become the daughter that her “parents want [her] to be” (144).
Prema Auntie is not allowed to come to America because her visa request has been denied. Dr. Andrews writes a letter to the embassy explaining why Prema needs to come, describing Amma as “gravely ill” (150).
Reha and her father try to adjust to the new routine of their lives. Her father must now leave work early to pick her up from school, and he is tired all the time. They visit Amma often and eat food that the women in their community have brought them for dinner.
Reha is determined that she and her father will learn to cook for themselves. They try to recreate Amma’s recipes but fail miserably when they burn the mustard seeds. Reha feels like “everything is ruined” (155).
Two weeks after Amma starts chemotherapy, all her hair is gone. She has a bone marrow biopsy to see if the chemotherapy worked, but they find out that it has not; “the cancer cells are still there” (156).
Amma gets sicker. She has pneumonia and cannot breathe on her own, so she is put in the hospital’s Intensive Care Unit (ICU). Again, Reha thinks about Savitri and prays that she can be virtuous enough to save her mother.
In the first half of the book, Reha deals with many different challenges. She worries about fitting in with her peers, getting good grades, and balancing her two cultures. After her mother gets sick, Reha’s focus narrows. Although Amma is still alive, Reha already feels a profound sense of Grief and Loss, for the rhythm and stability of her family life has been severely shaken. Thus, she grieves the loss of the life that she used to have when her mother was well, realizing that it may have vanished forever. In this portion of the book, Reha and her father must both adjust to their grim new lifestyle of visiting Amma in the hospital, worrying about her treatment, and doing what little they can to improve the situation. Throughout their ordeal, they realize the extent to which Amma’s presence and daily efforts have influenced their lives over the years; in her absence from the home, it becomes all the more apparent that in cooking their food, sewing their clothes, and keeping up with their various needs, she was the glue that held everything together.
Faced with these unexpected and serious difficulties, Reha matures quickly in these chapters as she reframes her priorities and realizes what is really important in life. Things that once felt essential, such as belonging in America and connecting with Pete, become the very last things on her mind. Confronted with the reality of a problem she cannot solve, she nonetheless bargains with the situation by trying to be as virtuous as possible, as though her good behavior might somehow help her mother to overcome the cancer. In this way, she models her behavior on the Familial Expectations she is familiar with, even though, as Pete points out, being a good daughter will not do anything to change the trajectory of her mother’s cancer treatment.
As before, Reha feels as though she has two lives, but they are no longer divided by culture. Instead, one life takes place at the hospital, while the other life takes place outside of it. The distinction between being Indian and being American is no longer the central focus of Reha’s life as she realizes what is really important: her mother’s life and her family structure. Even though her cultural belonging is no longer of the utmost importance, Reha still does not feel as though she has one coherent life; instead, she still lives in two disjointed worlds. Notably, in these chapters after her mother’s diagnosis, Reha does not talk about listening to pop music at all. The things that used to bring her joy and a sense of unity are not on her mind.
In the chapters leading up to the school dance, Reha’s struggle with Alienation and Belonging pushed her to emulate American norms and stray from the Familial Expectations of her parents. In these chapters, however, she switches direction and deliberately tries to connect with Indian cultural values in her attempts to be a good daughter for her parents. Although her efforts are an important part of her ability to cope with her feelings, they have the unwanted side effect of pulling her away from her American friends. For example, Pete clearly cares about her and wants to support her, but in her attempts to conform to model behavior by Indian standards, she will not let him. Rachel is still there for her, but the two of them no longer pass notes in class because Reha is only willing to focus on her academic work. As before, Reha has yet to strike the right balance between the two parts of her life; she has instead swung from one extreme to the other.
The story of Savitri continues to provide an abstract, philosophical framework for the real-life events depicted in this part of the book. Reha explicitly models her behavior not just on what she thinks her parents expect of her, but also on Savitri’s heroic traits. In some ways, she takes the message of the story a little too far, for just as Lord Yama grants Savitri’s requests because she is such a virtuous and dutiful wife, Reha believes that conforming to Indian standards of virtue will help to improve her family’s situation. This belief further fuels the shift in Reha’s priorities. In addition to focusing on her schoolwork, Reha tries to fill her mother’s shoes by learning how to cook and to replicate her favorite recipes. Although Reha acknowledges and appreciates the help that other members of the community give both her and her father, she tries to take on extra responsibilities instead of passively accepting that help during a difficult time. Although Amma is clearly suffering through her cancer treatment, she also remains strong and tries to reassure Reha at every step of the way. Just as Reha is inspired by Savitri’s story, she also models her behavior on her mother’s strength.