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Alan GratzA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Thirteen-year-old Michael, the son of the Irish ambassador to Germany, lives in Berlin with his parents in the midst of World War II. While Ireland is officially neutral, Michael’s ambassador father and spy mother are secretly working for the Allies, and they include young Michael in their missions. Forced to witness the atrocious actions of the Nazis around him, and to risk his own safety to fight on the side of freedom, Michael is already more mature than most boys of his age; however, by the end of the novel, he has progressed from viewing his spy missions as a “game” (230) and understands that real and terrible sacrifices are necessary for the greater good.
As a young boy growing up in a war zone, Michael focuses his energy more on fighting cruelty and injustice, rather than the personal goals and desire for an individual identity that would occupy the average 13-year-old boy. Since Michael and his parents witnessed the “horror” (3) of Kristallnacht in 1938, when Nazis began to round up, beat and kill innocent Jews, Michael has known the Nazis must be stopped at all costs; however, he is not fully able to comprehend why his parents refused to help one particular Jewish man on that night. As the novel continues, Michael will wrestle with the question he first asked on that night—when is it acceptable to sacrifice an individual life for a larger purpose?—and will do everything he can to “fight back against the Nazis,” and “make up for” the “helpless” way he felt on Kristallnacht (21).
In fact, Michael’s determination to stand up for himself and others, rather than giving in to helplessness, is a crucial part of his personality that predates his arrival in Germany. As the only Irish boy at an English school, Michael was the constant target of bullies until he decided to fight back—and when he kept getting knocked down, he simply “got up, wiped off the blood, and fought back the next day” (125). Eventually, Michael’s strength and confidence grew until he wasn’t a punching bag any longer; now in Germany, he holds on to the “brutal rage of a boy being bullied” (125) in order to fight back against the Nazis. However, Michael is not invincible: He has a fear of heights that prevents him from reaching his goals, as when he’s afraid he’ll be unable to complete a jump into a pool and pass the Hitler Youth initiation.
Michael receives help in overcoming his phobia from two friends, Simon and Fritz, who both contribute to Michael’s character development throughout the novel. Simon, a British pilot whom Michael rescues after he’s shot down outside of Berlin, encourages Michael to face his phobia of heights. Michael’s friendship with Simon, however, has a much greater impact than simply enabling Michael to face his fears. When Michael hides the pilot from the Nazis, his father observes that Michael’s involvement in the war effort has become much more serious—Michael is now “‘putting [his] life on the line’” (66). Michael’s role in the war effort becomes not only more dangerous, but more personal, as he and Simon trade frequent jokes and more serious discussions, and Michael comes to think of Simon as someone who could be “part of [his] family” (110). Simon forces Michael to think more maturely about the war and life in general, telling him the war “‘isn’t a game,’” and it’s “‘what you’re fighting for’” that matters most (71).
While Simon puts a face to the Allied forces Michael supports, adding an emotional element to Michael’s fight against the Nazis, Fritz provides a personality for the opposite side—the Germans. Initially, Michael befriends Fritz, a German boy who worships the Nazis, only to gain information, but over the course of the novel Michael realizes he’s truly “found a friend” in Fritz (53). While Simon is Michael’s more experienced mentor, Fritz and Michael meet as equals, supporting each other where they can: Michael teaches Fritz to stand up to bullies, and Fritz pushes Michael off a platform into a pool, forcing him to face his fear of heights head-on. However, while Michael and Simon’s relationship stays strong throughout the novel, the new confidence Michael has helped Fritz to develop causes the two to break apart. Fritz takes Michael’s advice too far and, encouraged by the ruthlessness of Nazi culture, becomes a bully himself; Michael has to acknowledge his part in turning Fritz “cold” and “hard” (201), and perhaps past saving.
In fact, Michael’s relationships with both Fritz and Michael help him answer the question he’s wrestled with throughout the novel: When is it worth sacrificing an individual for the good of humanity? Simon suggests that Michael turn him in so Michael can appear patriotic enough to join a special team, and stop the Nazis from gaining knowledge of the atomic bomb. While Michael searches desperately for any other solution, he ends up realizing the “war had made [him a] m[a]n, and it was time to act like it” (238). In this case, that means sacrificing his friend to keep the world safe. Michael turns Simon in and witnesses the death of a “‘good man’” (297), one who chose to give up his own life to save many other innocent people.
From his relationship with Fritz, Michael also learns that some relationships, and some people, can’t be saved. Up until their last encounter on the roof of a cable car, where Fritz is determined to kill Michael, himself, and a scientist who holds the secrets to the atom bomb, Michael tries to find his former friend within the bully Fritz has become. Demonstrating his new maturity and understanding of the world—something he’s learned through Simon’s example—Michael tells Fritz “‘there’s honor in a fair fight, in not killing your enemies when they can’t fight back’” (287). However, when it becomes clear that Fritz won’t listen, Michael finds the inner strength to conquer his fear of heights and, on a cable car high in the Swiss Alps, fight back against Fritz. Fritz falls to his death—another sacrifice Michael must accept—and, no longer “the old Michael […] who thought all this was a game” (287), Michael now knows the war is “real” (287) and much bigger than one person, innocent or guilty.
On the final pages of the novel, Michael remembers both Simon and Fritz, willing to die for the causes they believed in, and he acknowledges the fact that he “risked” his own “life” (302) as well. Michael isn’t the boy he was at the beginning of the novel, the one who spied against the Nazis as though the war was a game he could play without true consequences. Michael ends the novel having endured the loss of people he cared about, and come out stronger on the other side; he’s proud of the fact that along with his family, he’s “fought for freedom too” (303).
Simon is a British, and Jewish, Royal Air Force pilot who is gunned down outside Berlin and discovered by Michael. When Michael’s parents hide Simon in their home and devise a plan to get him out of Germany, the O’Shaunesseys’ fight against the Nazis suddenly takes on much higher stakes. Simon plays an important role in the novel’s plot, as Michael works to help Simon recover the plans to the Germans’ Projekt 1065 so he can share them with the Allies. More importantly, Simon spurs Michael’s emotional development throughout the novel: As Michael grows to care for Simon, he views the fight against the Nazis on a deeper, more personal level. At the same time, Simon prompts Michael to understand the larger meaning and purpose of the war.
Michael and Simon are Irish and Englishmen, respectively, and thus are part of an ethnic feud going back generations. Michael and the pilot trade frequent jokes about the Irish and English, which helps to raise their spirits in the most dangerous of situations. The fact that an Irish boy and an English Jew can connect so quickly and strongly also points out how meaningless distinctions between nationality and race can be—and of course, these are the same distinctions the Nazis work so hard to emphasize. This is just one example of how Michael and Simon’s relationship challenges Nazi doctrine; another is the fact that they bond over English detective novels that the Germans have banned as threats to Nazi culture. While Michael is initially uninterested in the novels, Simon points out that the Allies are “‘fighting to give people everywhere the right […] to read what they want, to think for themselves’” (70). As a result, Simon pushes Michael to examine the greater mission behind the war.
Simon also helps Michael to grow on a more personal level, particularly by encouraging Michael to overcome his fear of heights. Simon reveals his own lifelong fear of birds to Michael, and tells the boy that “a real phobia” is a “serious thing” (92); by acknowledging the validity of Michael’s feelings, and sharing his own vulnerabilities, Simon helps Michael become stronger. Simon also prompts Michael to practice his already strong skills in retaining information, and in the end, these improved skills allow Michael to reconstruct the Projekt 1065 plans from memory.
Simon’s greatest lesson for Michael occurs at the end of the novel, when Simon sacrifices himself for the Allied cause. Simon not only devises a plan for Michael to turn him in and thus gain access to a special Nazi team; the pilot also intentionally causes himself to be shot and killed, ensuring he won’t be tortured and reveal information. As a result of Simon’s selfless act, Michael has seen “firsthand the sacrifices the Allies had made” (296) to stop the Nazis, and Michael understands why stopping the Nazis is so important. Michael tells Goldsmit, who will aid the Allies in developing the atomic bomb, that “‘a good man died to save you’” (297). By the end of the novel, Simon clearly comes across as a “‘good man’” whose memory will continue to inspire Michael, both in the war effort and beyond.
Michael’s classmate Fritz begins the novel as a target for bullies, with his short stature and arms and legs so thin they’re “like the wooden stick limbs of a marionette” (27). Michael teaches Fritz fighting skills and encourages him to stand up for himself, and for a while the two develop a true, meaningful friendship. However, Fritz goes beyond defending himself and transforms into one of the bullies, and his character arc becomes an example of how Nazi ideology corrupts young, impressionable minds.
At the opening of the novel, Michael is worried by Fritz’s near-worship of Hitler and his dream of joining the SS, the Nazi’s fiercest soldiers. However, when Michael learns that Fritz’s father has the blueprints for Projekt 1065, Michael decides to befriend the boy and learns that Fritz has many redeeming qualities. Fritz saves Michael from falling to his death and promises not to reveal Michael’s fear of heights to the other boys; Fritz also has a secret stash of English detective novels that he loves and refuses to burn, despite the Nazis’ penchant for book-burning. Clearly, Fritz can still think for himself and recognize free thinking as valuable when the Nazis do not, and Michael respects Fritz for his decision to trust Michael with “his deep dark secret” (147).
However, once Fritz is accepted into the SRD—the junior Gestapo—and the other boys look up to him for the fighting skills and confidence that Michael taught him, this new power begins to corrupt Fritz. Michael realizes how much Fritz has changed when Fritz spearheads the SRD’s decision to turn their teacher, Melcher, in to the Gestapo. Michael realizes that Fritz has become “colder” and “meaner” (168), viewing his teacher as an “‘old relic’” to “‘get rid of’” (172). As Fritz’s transformation continues, Michael sees how much Hitler’s propaganda has overtaken Fritz’s rationality: When Hitler delivers a rousing speech, promising the boys that they “‘will rule the world’” (226), Fritz appears ready to “kiss the ground Hitler walked on” (227). Soon after this incident, Michael catches Fritz burning the books he once loved, and Michael concludes that Fritz has “become the bully himself” (237). Thus, Fritz’s character arc illustrates how the Nazis managed to strip the humanity from a generation of boys, convincing these teenagers that they could possess power through “fierce cruelty” (236).
At the end of the novel, Fritz’s loyalty to the Nazis becomes his downfall, as he’s willing to die in his attempt to assassinate a scientist working for the Allies. Thinking back on Fritz’s death, Michael invokes the Hitler Youth motto: Fritz “lived faithfully and fought bravely. But he hadn’t died laughing” (301). With this appraisal, the author acknowledges Fritz’s admirable qualities—his strength and willingness to fight for what he believes in—but emphasizes how the Nazis turned Fritz’s strength against him. Like an entire generation of boy soldiers, Fritz lost his youth, his identity, and ultimately his life at the hands of a regime of “bull[ies]” (53).
Michael’s Da, Davin, is the Irish ambassador to Germany and a man who believes in freedom enough to risk his own life aiding the Allies. Da passes German info to the Allies and even harbors a Jewish pilot in the embassy, acts that would sentence him to death in a concentration camp if discovered. However, Da is the more practical and cautious of Michael’s parents, and he frequently disapproves of Michael putting himself in danger. Da is angry that Michael risked himself to save Simon, and he tells his son that a 13-year-old has “‘no business putting your life on the line for anything’” (66). As the novel progresses, Da does reluctantly support Michael in foiling an assassination plot, despite the danger involved. At the same time, Da condemns the ever “‘more abominable’” (231) Nazis for using children as soldiers, and he isn’t willing to sacrifice his own family for the war effort. Da requests a transfer, ensuring his wife and son will be safely out of Germany before Michael can become a soldier himself.
If Michael’s Da is the “‘legit side’” (72) of the O’Shaunessey family, his Ma, Megan, is “‘the clandestine part’” (72). Michael’s Ma trained with Irish Intelligence from the age of 16, so she’s more encouraging of Michael’s own spying, especially because she believes women and children are often the best spies—“‘people always underestimate us’” (73), she tells her son. Ma has taught Michael how to lie and sneak into places where he’s not welcome, which leads to frequent arguments with her more cautious husband. However, by the end of the novel, even Ma agrees that Germany has become too dangerous for Michael and the rest of the family, and she supports Da’s plan to move the family to a safer country.
Melcher is Michael’s bad-tempered teacher who has “too many titles” (28), including titles for his doctorate and his service in World War I. Despite the professor’s gruff demeanor, Michael has “a soft spot for the old codger” (29), as Michael suspects his teacher doesn’t approve of the Nazis. As the novel continues, Melcher’s criticism of the Nazis grows clearer: He points out that Hitler is a hypocrite who espouses an Aryan ideal while he himself has a dark complexion, and he questions the Nazis’ definition of cultural purity. Michael later notices a telegram informing Melcher that his son died on the Russian front, and the boy now knows for sure that Melcher has been “faking his loyalty” (176) to the Nazis all along. However, Fritz and the other SRD members also pick up on Melcher’s lack of patriotism, and they attack their teacher and turn him in to the Gestapo, likely condemning him to death. Therefore, Melcher’s fate illustrates the disaster that befalls any German who refuses to conform to the party line, and explains why so many Germans are afraid to speak up for what they believe.
Melcher’s fate also forces Michael to wrestle with the larger dilemma of when to save an individual, and when to act in favor of the greater good. Michael wants to stand up for Melcher but realizes if he does so, his family might be targeted next, and he would certainly lose the chance to get the Projekt 1065 plans from Fritz. When the SRD boys take Melcher away, Michael and Melcher exchange a look in which both understand the other’s hatred for Nazis, and the reason Michael can’t defend his teacher. As Michael says, the professor, “to his own shame,” had “been silent too” (177). Nazi Germany has forced good people like Michael and Melcher to accept and even participate in the atrocities around them, but Michael hopes that despite his choice to sacrifice Melcher, he can still fight for the larger cause and help the Allies win the war.
While Hitler is a real historical figure, he also functions as a character within the novel, one who is portrayed as a hypocrite and a bully, and a symbol for the Nazi movement he helped create. Michael’s professor points out that while Hitler helped establish the Aryan ideal of blond hair, blue eyes, physical strength, and height, Hitler himself is the physical opposite of this profile, and has never revealed his likely Eastern European ethnicity. Killing everyone who dares to disagree with him, forcing ever younger Germans to fight for the Nazis, Hitler—and the Nazis as a whole—is like “the bully who found your most painful wound and poked at it with a stick” (53).
At one point, Hitler actually appears in the novel to speak to Michael and the other Hitler Youth. Noting that Hitler is shorter than his guards, with a “ratlike nose” and “tired-looking” eyes (224), the author emphasizes that Hitler must compensate for his natural weakness through bullying and intimidation. However, when Hitler speaks—words that, as the author explains in an afternote, are taken from the man’s historical speeches—Michael sees another side to the Führer, with his voice that’s “captivating” and “impossible to ignore” (226). As Hitler tells teenage boys that they are “‘man-god[s]’” who will “‘rule the world’” (226), the author reveals how Hitler’s charisma and promises of power helped him to control an entire generation of Germans.
By Alan Gratz