52 pages • 1 hour read
Michael MorpurgoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Birds appear in Private Peaceful as a recurring symbol of freedom. Swallows and larks are associated with happier memories and moments of solace. For Thomas, the swallow he sees during his father’s funeral symbolizes his father’s spirit breaking free. The bird imagery also reflects the soldier’s longing for freedom: “I’ve even seen larks over no-man’s-land. I always found hope in that” (61). This symbol of freedom resonates throughout the novel, underscoring the characters’ desires for a brighter and less tumultuous future amidst the chaos of war.
As he imagines his brother’s execution, Thomas longs for there to be birds. He believes that their presence will calm Charlie and make the event more bearable. In this context, birds symbolize the possibility of hope and redemption for Charlie, suggesting his spirit can find solace and freedom after death.
Initially, the motif of “Oranges and Lemons” appears in relation to Big Joe, as it is his favorite song. Throughout the boys’ childhood, the tune usually accompanies his laughter and joy. When Big Joe goes missing, the joy of finding him is celebrated by ringing the church bell and singing it with the village. Big Joe’s song represents the innocence and happiness of youth, a time before the weight of war and its harsh realities descends upon the Peaceful brothers.
As the characters face challenges, the song also comes to symbolize strength and unity for the Peaceful family, as well as normalcy and familiarity. Charlie sings “Oranges and Lemons” to Thomas in the trenches when he is distressed, comforting him with the memory of their lives before the conflict. Serving as a means for them to feel bonded, the song is sung by the brothers together one last time in their meeting before Charlie’s execution. As Charlie walks to his tragic fate, he also sings the song as both an act of defiance and unity in the face of impending tragedy. The changing environment in which this motif appears reflects the lyrics of the song itself. It shifts from a simple rhyme about English church bells to an image of a man dying: “Chip chop chip chop, the last man is dead.” The song therefore traces the novel’s movement from the innocence of youth to the realities of war.
Death is an ever-present motif in Private Peaceful, woven into the fabric of the narrative. It serves as a catalyst for introspection throughout the story. In his childhood, Thomas witnesses the tragic death of his father, an event that profoundly impacts him. This early encounter with death lingers in his psyche, and memories of the event haunt him in his nightmares, making facing his guilt inescapable.
Symbolism further enhances the motif’s prevalence, such as in Thomas’s encounters with crows: both the dead crow on his way to school and the crows flying over No Man’s Land. The former represents his father’s tragic passing, while the latter embodies the pervasive specter of death that looms over the soldiers in the trenches. Similarly, the title of each chapter states the remaining hours and minutes before Charlie’s execution. Charlie’s impending execution, revealed gradually throughout the narrative, is a manifestation of the motif.
The motif also extends beyond physical mortality to encompass the loss of innocence. As the Peaceful brothers transition from an idyllic countryside upbringing to the brutal realities of war, the loss of their innocence is akin to a symbolic death, marking a profound change in their lives. Still young men themselves, their adolescence is cut short after they serve in the war: “Pete and Nipper Martin and I were old soldiers now, and we behaved like it” (151). This transformation serves as a testament to the far-reaching impact of war on the characters whose innocence and youth is lost to the conflict.
By Michael Morpurgo
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