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John MiltonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The action of Paradise Regained occurs in two different regions of the cosmos: the airy domain of God, Gabriel, and Satan, and the earthly domain of Jesus, Mary, and Jesus’s first disciples. Distinct though these regions are, there is meaningful interaction between the inhabitants of Heaven and those of Earth. The plan that God formulates, for instance, is meant to change the course of earthly history, while Satan—though technically an inhabitant of a “mid air” region with “thick clouds” (I.39-41)—values earthly displays of military might. Yet the intersection of Heaven and Earth is most memorably manifested in the figure of Jesus. Both fully the Son of God and fully human, he is attended by angels and makes heavenly pronouncements, and yet reenters earthly settings at the end of Paradise Regained in order to begin his ministry.
From his first few lines forward, Milton situates Jesus’s achievements in the context of Old Testament scripture. Jesus will bring about a new “Eden” in “the waste wilderness” (I.7): he will thus atone for the sins of Adam and Eve, whose disobedience to God warranted their exile from Eden and brought suffering upon humankind. Yet, there are other references to biblical history that situate Jesus’s work in relation to the larger story of Israel. Referencing the biblical King David, Satan indicates that Jesus is meant “To sit upon thy father David’s throne” (III.153); however, Jesus’s virtues of endurance and humility make him more like the long-suffering Job, another biblical figure of virtue who is referenced in Paradise Regained.
Although Milton has set out to write a Christian short epic, he nonetheless alludes to the pagan history and theology that preceded Jesus—and that, with the Roman Empire, persisted well into Jesus’s own time. Satan, for instance, rebukes Belial by referencing to a large number of mythological figures, both male and female (II.186-191). Moreover, Jesus explains that he is unimpressed with the bulk of pagan philosophy: instead of the subtleties of Greece and Rome, he prefers the lucid and powerful thinking of the Hebrew tradition. Pagan history can produce men of virtue (such as Socrates, whom Jesus does praise), but on the whole, pagan civilization is of questionable value. No less a villain than Satan values such pagan culture, and no less a savior than Jesus has been sent to overturn it.
Paradise Regained begins with a scene that proclaims Jesus’s exalted status and ends in much the same manner. As the poem opens, Jesus has sought out his cousin John the Baptist and been recognized as the Son of God. In the final segments of the epic, Jesus successfully resists Satan’s last temptation and is borne away in triumph by a troupe of angels. Sequences such as these are not true turning points, instead serving as dramatic re-affirmations of acknowledged items of Christian faith: Jesus’s divinity and moral perfection. Even baptism, normally understood as a washing away of sin or as an introduction to a life of virtue, does not serve its expected symbolic function. Instead, Jesus’s baptism is a sign of the unique status that Jesus enjoys as both a humble man and a figure of heavenly power—an indication of glories to come, not a washing away of the past.
By John Milton