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38 pages 1 hour read

Thu Huong Duong

Novel Without a Name

Fiction | Novel | Adult | Published in 1991

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Pages 1-34Chapter Summaries & Analyses

Pages 1-34 Summary

Novel Without a Name opens with the main character, Quan, lying awake and contemplating spirits and death, particularly with regards to a recent incident in which his military unit stumbled across the dead bodies of six mutilated girls and had to bury them. After eventually falling asleep, Quan is awakened in the morning by Luy, one of the members of his platoon. Luy has seen an orangutan and wants to hunt it for meat. Quan remembers previous meals made from apes and expresses horror at the idea of eating anything that so closely resembles a human being. His platoon expresses no such disgust, as they are starving and care little about what they eat.

While hunting with Luy, Quan slips into remembering his mother giving birth to his little brother years ago. He distinctly remembers his brother’s “little hands,” similar to the hands of an orangutan. Luy shoots the orangutan, then discovers that the animal is actually one of his and Quan’s platoon-mates, Phien, who was out collecting parachutes. At first, Quan threatens to shoot Luy in retribution, then insists he cannot. As only the two of them know what has occurred, Quan decides to keep the accidental death a secret, in order to protect Luy.

Once the platoon notices Phien’s disappearance, Quan speaks with a liaison officer, Luong, who also happens to be a childhood friend. They briefly discuss their life prior to the war before Luong tells Quan that another childhood friend of theirs, Bien, has gone crazy. During this conversation, Quan reminisces about his mother dying and about what it was like to be a young recruit at the beginning of the war. Luong gives Quan leave in order for him to go see Bien and figure out what is happening with him. 

Pages 1-34 Analysis

The first pages of Novel Without a Name introduce the protagonist (who remains the only constant character throughout the novel), as well as all of the major themes, symbols, and motifs that become important as the novel goes on. Huong cycles among events in the present, remembered events, and events presently taking place in Quan’s unconscious mind, indicated by sections in italics. Huong conveys a sense of the horror of war, as the first pages detail Quan’s unease with the spirits of the dead and disgust at “how graceful, girlish bodies rotted, decomposing into swollen old corpses, puffy as dead toads” (3).

Other key themes that Huong sets up in this first section include: highlighting the presence of blood and the color red in general; the oppressiveness of nature, particularly the jungle; a fixation on starvation and food; the importance of mothers; a morbid yearning for death; and Quan’s complicated feelings about politics. Like many other classic novels of war, Novel Without a Name places strong emphasis on the hopelessness of war, the dichotomy between beauty and horror, and the sense of lost youth. 

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