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57 pages 1 hour read

Freida McFadden

Never Lie

Fiction | Novel | Adult | Published in 2022

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Character Analysis

Tricia (“PL,” Patricia Lawton)

Tricia is the book’s protagonist and main character. It is through her perspective that most of the story is told. Tricia’s voice also sets the tone of the book. She creates a sense of anxiety with her convictions that there is a third person in the house along with her and Ethan. She also heightens the reader’s worry and suspicion through her speculation that “[s]omething terrible has happened in this house” (13). Tricia’s voice is the one the reader comes to rely on to not only set the mood but also drive the action, since it is through Tricia that the reader encounters the tape recordings.

Tricia first comes across as subservient and meek, a follower to Ethan’s leader. The reader therefore develops concern and empathy for her and trusts her voice as the book opens. Tricia loves it when her husband takes the lead and likes to put him on a “white knight” pedestal. Take these words, for instance: “‘Thank you.’ I smile at him, giddy with affection for my strong, handsome husband. ‘You’re my hero’” (16). A few pages later, she says this to Ethan: “‘You did it!’ My hero. Swoon” (19). Later, she reflects to herself: “That’s how Ethan is. He’s always so confident. I love that about him. So I follow my new husband to the kitchen” (28). Tricia portrays herself as a damsel being saved by her husband at every turn.

However, she ultimately proves to be the book’s primary power player. While Patricia may seem like she is subservient to Ethan, she is the one in charge in the relationship. She orchestrates the entire weekend at Adrienne’s house on purpose, bringing Ethan along with the express intent of getting him to confess to his mother’s murder. In this way, Tricia’s character speaks to the theme of The False Nature of Stereotypical Gender Roles in relationships, effectively debunking the myth of polarities of male/female, white knight/damsel in distress, or leader/follower. It is through Tricia’s character that it becomes clear that these are social constructs. Even at the book’s end, when Tricia is a happy wife and mother, she keeps her guard up opposite Ethan. She is willing to kill him if needed to save herself from any blame in Luke’s murder.

Dr. Adrienne Hale

Adrienne is the other narrator in the book, taking the reader back to the past. Adrienne’s character speaks to many of the same themes as Tricia’s—such as the inversion of traditional gender roles. Adrienne is an independent woman who lives in a remote house alone, something that multiple people—her literary agent and the receptionist at the public health clinic—comment on early in the book. Adrienne expresses annoyance with the way people seem to see her as helpless out in the country on her own. However, when it serves her, she leans in to the damsel-in-distress role—especially with Luke. Adrienne describes how she manipulates Luke with the word “love”: “It’s a cheap trick. He told me he loved me, and I’m only saying it back now that I need something from him. I do love him, I really do, but the timing of my declaration is more than suspicious” (204). Later, when Adrienne fails to convince Luke to help her with EJ’s killing, she takes care of it on her own, proving that she does not need a white knight—and again throwing the stereotypical conceit of male protector and female in need of protecting on its head.

Adrienne’s character also speaks to another central theme, that of The Burden of Keeping Up Appearances. Adrienne is a renowned psychiatrist and seeks to preserve this image at all costs. Other characters label her as arrogant—such as Ethan, here: “What kind of arrogant, self-obsessed person would put a gigantic painting of herself over the fireplace?” (22). Adrienne has little capacity for self-critique. When someone criticizes her, even implicitly, Adrienne reacts in the extreme; for example, when she discerns that Paige does not respect her word, Adrienne fires her. Adrienne’s mindset is epitomized in this moment: “I am perfectly fine the way I am” (111). The only time Adrienne admits to a mistake is in her misdiagnosis of EJ: “Even though I never liked EJ, I always thought he was harmless. I am ashamed that even as a psychiatrist, I completely misdiagnosed him, which may have been the most costly mistake I have made in my career. But now I know the truth. The man is a psychopath” (243). The irony here is that Adrienne, Trisha, Ethan, and all the main characters besides Luke—the only character to arouse suspicion by authorities—are less than virtuous and fit the erroneous pop-culture understanding of psychopathy.

Adrienne’s need to preserve her self-image leads to her downfall. If she had come clean when EJ first showed her the videotape and gone to the police, she may have experienced some career downfall, but the results may not have been as disastrous as she anticipated. At one point, Luke tells her, “Accept the consequences” (253), to which Adrienne replies, “So I should let him wreck my life?” (253). Adrienne’s life may not be actually destroyed if the video is leaked, but her image as the polished, professional psychiatrist certainly would be. It is Adrienne’s insistence on preserving her image that leads to her demise.

Ethan

The male characters in the book function as cogs in the plot machine—the women, Tricia and Adrienne, drive the narrative. Ethan’s character exemplifies this fact. While Tricia lets him believe he is in charge, he never is. In this way, Ethan’s character helps elucidate the theme regarding The False Nature of Stereotypical Gender Roles. Tricia is never really in the danger that she first seems to be around Ethan, as she’s consistently calling the shots and knows more about the situation than him.

Beyond this, Ethan serves as a plot device. His main purpose is as a red herring. The reader becomes convinced that Ethan and EJ/Edward Jamison are the same person, thanks to carefully planted clues. One example is his height. Adrienne thinks: “EJ is handsome—that is undeniable, although he’s on the shorter side, which gives him a bit of a Napoleon complex” (130). Meanwhile, Tricia notes that Ethan is “on the short side” (71). There is also the fact that Ethan and EJ both love a South African cabernet sauvignon. The two men even share the fact that they both killed their parents. Nonetheless, the Ethan-EJ connection is a red herring meant to distract readers while leaning on expectations of gender as they relate to the true identity of killers within thriller novels.

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