65 pages • 2 hours read
Erica Armstrong DunbarA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Dunbar’s explorations of the black female experience in Never Caught often center on the vulnerabilities of the Black female body, which comes to symbolize the strength of a population endangered by both racism and misogyny.
Enslaved women working in the domestic sphere were required to carry heavy loads, often in extreme heat and cold, to spend hours over hot stoves, and to be on call at all times to handle their enslaver’s demands. They were often kept at the main house, which created a sense of alienation and class barrier between them and those living in enslaved quarters. Enslaved women could be raped or bred to produce enslaved children and were required to work for the duration of their pregnancies. Even free black women had to worry about rape and working while pregnant, as taking any time off meant losing what little money they could earn.
Dunbar notes that more enslaved men ran away simply because it was easier for men due to the types of work they performed and the greater ease they had of protecting themselves once they escaped. Nearly every chapter describes how an enslaved woman was at a particular disadvantage, and the text notes that even free Black women died before age 40 due to the difficulty of their situations. Whether free or enslaved, the Black female body undergoes significant hardship, a fact that has never received proper historical acknowledgment.
Clothing is an indicator of social status, and Never Caught provides meticulous descriptions of individuals’ clothes throughout the novel to illustrate their station and their ability to access social mobility. While enslaved, Judge makes many fineries for herself, and she can thus adopt a semblance of the secure social status her enslavers inhabit. Like others, she wishes to distinguish herself from those who wear cheap, worn-out, or second-hand clothing. Having clean, well-made clothing and even expensive clothing is one way Judge hoped to retain her humanity and dignity when all other forces in her life conspired to strip her of those essential rights. When she was free, these beautiful garments only attracted unwanted attention to her, thus illustrating the irony that the promise of social mobility and the trappings of wealth were elusive even for free Black people.
Throughout the book, Dunbar highlights the various aspects of Mount Vernon, including its architecture and vast scope as a household and business, to illustrate the Washingtons’ wealth and the extent of the enslaved labor necessary to keep the operation running. It shows how the Washingtons’ status and well-being depended on the work of their slaves, who received little or nothing in return, and symbolizes how this dynamic operated throughout the country, especially in the South, through the institution of slavery.
Mount Vernon also serves as a constant reminder of Martha and George Washingtons’ status as enslavers, highlighting the theme of Freedom and the Myth of the “Noble” Enslaver. Even though history remembers Washington as mainly a morally and politically righteous figure, the truth is more complicated when considering his legacy in light of the enslaved people who served him. In this way, Judge’s life and various duties at Mouth Vernon provide a detailed account of the true evils of slavery, even in what historical texts often consider benign conditions.
By Erica Armstrong Dunbar