logo

45 pages 1 hour read

David Sedaris

Naked

Nonfiction | Essay Collection | Adult | Published in 1997

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 15-17Chapter Summaries & Analyses

Chapter 15 Summary: “Something for Everyone”

As a recent college graduate in Chicago, David struggles to find work. He takes a job stripping and refinishing woodwork for a Lithuanian landlord named Uta, because he has prior experience with this type of labor. Although it involves using harsh chemicals and David promised himself he would never refinish wood again, he has few options.

Uta is a boorish chatterbox who openly detests Jewish people. Due to cowardice, David never contradicts her antisemitic comments. She hires David and Dupont Charles, a Black man to whom Uta refers as “the colored guy” (168).

Dupont speaks to Uta in a “Stepin Fetchit” accent, presenting himself as a humble simpleton:

“I sho’ will. Lord, I must be doin’ somethin’ right to have got me this fine job workin’ fah a nice lady such as yo’self. I waked up dis moanin’ jus’ prayin’ you be haf as nice as you already is. Now here I bees workin’ longside you and this tiny little man — oh, you done made me one happy fella, Miz Uta. One happy, happy man” (170).

When Uta leaves, he drops this act and speaks exclusively about his sexual conquests. David realizes that everything Dupont says is tailored to his audience: “To the landowning business-woman, he was the grinning minstrel, standing upon an overturned bucket to deliver his hopeless State of the Union Address. To what he considered a sex-crazy homosexual, he was the indefatigable stud […]” (173).

Dupont flatters Uta excessively. He pretends to agree with her antisemitic comments, despite telling David that he has a Jewish girlfriend. Within a few days, David overhears him explaining to Uta that David is “sick,” referring to his being gay. Uta admonishes him for his nosiness, and he falls out of her favor. Later, he attempts to scam her out of an extra paycheck. Uta gives it to him, and he leaves. She tells David that she considers it his severance pay because she doesn’t expect to see him again. When Uta’s friend Griggs comes to visit, they openly chat about women. David realizes she is accepting of his homosexuality because she is a lesbian.

One day, David is working alone in the house. Dupont arrives, steals money from Uta’s purse, and leaves. Out of cowardice rather than kindheartedness, David attempts to replace the cash with his own money. The essay ends with Uta returning to find David rummaging through her purse.

Chapter 16 Summary: “Ashes”

As a teenager, David begged his siblings not to get married. However, as an adult, Lisa gets engaged to her boyfriend of 10 years, an “unapologetic” man. David likes Bob, but he is still uneasy with the wedding, writing, “‘My sister’s wedding’ was right up there with ‘my recent colostomy’ in terms of three-word phrases I hoped never to use” (187). He is particularly irritated that Bob and Lisa choose to hold their wedding ceremony on a mountaintop.

Three weeks before the wedding, Sharon informs her children that she has late-stage, inoperable lung cancer. David and his siblings are grief-stricken and attempt to convince themselves that their mother will be cured. Sharon accepts her imminent death and prefers to behave as if nothing has changed. She continues to drink and smoke whenever possible.

At Lisa’s wedding, David and his mother awkwardly struggle to communicate with one another. They have both always struggled with discomfort around sick people, so they are unable to find common ground for conversation after Sharon’s illness is revealed: “If she were to complain, she risked being seen as a sick complainer, the worst kind of all. If I were to do it, I might come off sounding even more selfish than I actually was. This sudden turn of events had robbed us of our common language” (192). Now that a serious health crisis has altered their relationship dynamic and the mother and son can’t revert to their habit of making petty complaints to each other, they don’t know how to communicate or what to talk about.

After the wedding, David’s parents bicker about where to get dinner. He regards his parents’ clash over their meal as a microcosm for their marriage. During the drive back to the hotel, Sharon states that she wants to be cremated. David and his siblings leave her alone in the hotel to walk in a nearby graveyard. At the time, they assume she wants to be alone, but Sedaris regrets this at the time of writing.

Chapter 17 Summary: “Naked”

David takes to teasing his brother Paul after he has an embarrassing wardrobe malfunction. He plans to send Paul a brochure for a nudist park but starts to consider vacationing there himself in an effort to get more comfortable with his body.

David books a week-long stay at the nudist park, although he is uncomfortable with the whole enterprise. When he arrives, he finds the park’s culture to be aggressively candid. “We don’t lock our doors because, unlike certain other people, we have nothing to hide” (204). David initially walks the grounds fully dressed. After getting drunk in his assigned trailer, he is able to strip naked privately.

The next day, David leaves his trailer wearing a t-shirt and sneakers. He plays pétanque with a group of elderly nudists. Over the course of the game, he gets more comfortable with partial nudity. “At first, I’d hung around the outer edges of the court and retrieved my balls like a white-wigged countess, twisting my way toward the ground as if the queen were passing through the gardens” (211). Once he determines that no one cares what he looks like naked, he feels more empowered to go nude.

After this experience, he challenges himself to go out completely naked. He chats with an elderly woman in the sauna. She is fully nude, but the way she talks about the human body is surprisingly conservative: “With sweat pooling just south of her shaved vagina, this grandmother could sit naked with a strange man but not for the life of her use the words breast or penis” (214). Over the course of several days, David learns that swearing, drinking, and overt sexuality are against park policy. Many of the residents are Christians who leave the grounds to attend church clothed.

After returning home, he finds that he misses frequent nudity. He feels that he is able to see other people more clearly now. He compares this feeling to what he thought X-ray glasses would do when he was child.

Chapters 15-17 Analysis

Naked’s final paragraphs are a multivalent reversal of its introductory sequence. The beginning of “Chipped Beef” describes a fantasy in which young David describes an idealized version of himself. This daydream reveals his lifelong desire to love himself, to be handsome, and to be able to “see through people as if they were made of hard, clear plastic” (6). This fantasy is abruptly interrupted by his no-nonsense mother, and the rest of the book is dedicated to David’s search for an identity and lifestyle he can be proud of.

In “Naked,” Sedaris reluctantly spends a week at a nudist park in the hopes that it will improve his body image and thus quell his self-loathing: “While I long to see naked people, I’m not so sure I’m ready to be naked myself. Perhaps the anxiety will cause me to drop a few pounds and I’ll come out a double winner. The less I have to accept of myself, the easier it will be” (200). The results of his stay at the park are positive, but they are not so dramatic as a “cure” for his problems: “Nudism didn’t cause me to love my body, it simply allowed me to accept my position in what is clearly the scheme of things” (227). He reports a sanguine feeling of acceptance of himself after his time at the park, rather than the aggressive self-adoration he fantasied about as a child.

Sedaris’s experiences with practicing nudism among other nudists quell his self-consciousness, because he realizes no one cares what he looks like naked. Total immersion in nudism means that, after a while, he can’t help but get accustomed to practicing and witnessing casual nudity. Upon returning to clothed society, he finds he has developed an ability to “see through” others without trying. He catches himself “thinking, I know what you look like naked. I can tell by your ankles and the tightness of your belt. The flush of your face, the hair sprouting from your collar, the way your shirts hang off those bony hips: you can’t hide it from me” (229).

Sedaris relates his newfound powers of observation to his childhood wish to understand others, this time by describing the fake X-ray glasses he ordered from an ad in a comic book:

The glasses, when worn, gave me the look of someone both enthused and exhausted by what he saw. They suggested the manic weariness inherent in their promise, capturing the moment when the sheen wears off and your newfound gift becomes something more clearly resembling a burden (229).

The glasses he ordered did not work, but the “manic weariness” he recalls resembles his childhood neuroticism around sex (as in “Next of Kin” and “I Like Guys”); nudity (his terror at the thought of seeing his mother’s breasts); and knowledge (many of his childhood tics revolved around checking things and being certain of facts). Instead of experiencing the horrific shock his X-ray fantasy would have granted, Sedaris comes to terms with nakedness peacefully as an adult. His anxieties related to sexuality and nakedness ease as he learns to view his own body in a matter-of-fact way, accepting it as it is, without a need for weight loss or clothing to conceal parts of himself. Now that he sees others more clearly, having attuned his eyes to the range of body types and effects of aging that others are no longer able to conceal from him, he becomes less controlled by the fear of revealing himself.

blurred text
blurred text
blurred text
blurred text