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53 pages 1 hour read

Daniel Defoe

Moll Flanders

Fiction | Novel | Adult | Published in 1722

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Pages 189-254Chapter Summaries & Analyses

Pages 189-206 Summary

Moll spends two years watching her fortune dwindle. Eventually, she turns to thievery to support herself. At first, she merely takes what opportunity presents, but then she reconnects with her governess, Mother Midnight. Moll contacts her because she can no longer support the child her governess placed with another family. Mother Midnight herself has fallen on hard times, having been sued by a man whose child she allegedly stole. The governess invites Moll to stay with her. Moll takes up some legitimate work sewing; however, the temptation of thievery, which is more lucrative, eventually lures her back to the streets.

This does not disappoint the governess; in fact, she encourages Moll’s exploits and serves as what Moll terms a pawnbroker to help her turn stolen goods into money. The governess teaches her how to be an even better thief amidst her troupe of pickpockets and thieves. Moll admits that she might earn a living honestly, through her sewing, but the habit of stealing hardens the heart, and the financial opportunities are much greater. Moll becomes both one of the best thieves under the auspices of the governess’s group and one of the luckiest. When one of the group is hanged, Moll is anxious but undeterred.

The governess pairs Moll with a couple, and they work together briefly. The couple plans a house invasion, in which Moll refuses to participate, and they are caught and hanged. Moll becomes even more cautious, but she still continues in the trade. She almost gets caught trying to take a gold watch off a woman’s arm, so she decides to learn another aspect of her work.

Pages 207-228 Summary

Moll becomes a skilled pickpocket, taught by her governess. She also inadvertently becomes quite famous among the other members of the trade, known by the alias of Moll Flanders. Thus, the governess decides Moll should dress up like a man when she goes out on her adventures. She is paired with another man, who does not know she is a woman; they even sleep in the same quarters without Moll being discovered. This only lasts a short time: the impulsive young man raids a warehouse and is caught by the crowd. When they come looking for his accomplice, Moll escapes any suspicion, as she was disguised as a man at the time. Again, another companion is hanged.

She is again almost caught while working as a pickpocket but convinces the authorities that it was another woman. Moll is relieved when the woman is hanged; she is then in the clear. She ventures out during Bartholomew’s Fair, a celebration of summer. Though she knows it will not provide much opportunity for thievery, she thinks she might meet a wealthy gentleman. Indeed, a man takes notice of her and invites her into a coach; he is quite drunk. He takes her to a house where they proceed to have sex. Back in the coach, he falls into a stupor, and Moll robs him of everything he has.

The governess knows who the gentleman is and proposes that they expose his actions and harm his reputation. Moll protests, but the governess convinces her that if they threaten to expose him, he will pay to keep them quiet. The governess approaches the gentleman and tells her what she knows. He is ashamed and concerned about the cleanliness of the woman with whom he slept. When the governess assures him that Moll is innocent, he wishes to see her. Instead, the governess brings back to him his stolen objects, one by one, and he pays her for the trouble. Finally, Moll acquiesces to seeing him; she even puts on makeup for the occasion. He takes her again to bed and pays her money for her services. This arrangement continues for some time, and Moll does not need to rely on thievery for her income.

Pages 229-254 Summary

After the arrangement is over, Moll returns to robbery. She happens upon opportunities as often as she devises them. She is also under suspicion at several turns. The one time she is actually innocent is the closest she comes to being accused: dressed in widow’s garb, like the actual thief, she is stopped by the mob in the street, then questioned by the shopkeeper, his servant, and the constable. She is treated rudely and roughly, and once she is cleared, she demands recompense.

When she returns to the governess, Mother Midnight is thrilled by the exploit. Moll is confused at first, but the governess explains that Moll will be able to take the mercer to court, extracting money from him legally for the false accusation and abuse. The governess finds an attorney to represent Moll, and he recommends she settle rather than take them to court. This serves Moll well because she is now well-known among the criminal community. He advises her to dress well for the meeting, and she is able to make a handsome settlement.

Between her larcenous escapades and her settlement, Moll becomes fairly wealthy. Still, she figures that she can always make more money with more schemes. She begins to dress like an impoverished beggar and, in this garb, happens upon other lawless opportunities. At one point, she even steals a horse; asked to hold it, she leads it away. She begins working with another gang of criminals, but when they ask her to help them make counterfeit money, she declines. She has to set aside her beggar disguise, lest the group confront her. She dons different disguises and has success stealing linen and lace, gold watches, and other valuables. She also spends a day in a gambling establishment, again showing her luck. She decides, however, that such endeavors are too risky: it is too easy to lose all that one might have gained.

She becomes so well-known in London that she decides to try her luck in more provincial towns. She goes to Cambridge, where she scores some linen, then on to Ipswich, where she steals a trunk from a drunken man at her hotel. Again, she almost gets caught; the trunk is searched, but she had already removed any identifying valuables. She returns to Colchester where she began her adventures so many years ago, only to find that most of her former companions have left or were dead. She finally returns to London. Her narrative reflects upon the dubious morality of this chapter of her life.

Pages 189-254 Analysis

One of the recurring themes of the book is The Interplay of Circumstance, Opportunity, and Morality, exploring the question of whether Moll turns to crime because of innate immorality or because she is forced to by her social and financial circumstances. As she herself notes, when “poverty presses, the soul is made desperate by distress” (189). Again and again, her fear of poverty overcomes the moral objections she may have. Moll becomes a thief because she can get more money more quickly that way than through honest work, alleviating her financial anxiety. When she turns for a time to sex work, she insists that she did not seek it out; it was mere happenstance. However, it is also significant that, while Moll and the gentleman engage in such agreement, Moll quits thieving. While sex work carries more moral stigma than thievery, it can also present fewer risks, especially in Moll’s situation. After watching so many of her fellow thieves hang for their crimes, her choice is logical.

The agency Moll asserts over herself and her actions, however, undermines her claims that she acts only out of necessity. Moll believes herself to be exceptional. This is concomitant to her frequent references to her good luck: “I had the best luck when I ventured by myself” (213). She does not need a partner to be successful; in fact, when she is paired with another thief, she almost always comes very close to being caught. She believes most firmly in herself. She also expresses pride in her exploits: “I grew [into] the greatest artist of my time” (208). This kind of arrogance belies her protestations that, essentially, “the devil made me do it.” Furthermore, even Moll admits that her criminal behavior “hardened my heart” (191). She becomes inured to the consequences of her actions, both practical (being caught and hanged) and spiritual (damaging her soul through sin). She continues to take risks, even after other thieves she knows are hanged. Indeed, she is relieved when some of them are hanged; without their testimony, Moll herself cannot be implicated in the crimes. She expresses no remorse. Though she argues repeatedly that she is brought into temptation by necessity and wicked forces, she takes pride in her work, frequently refuses to help others, and declines to quit the trade even when she has amassed a small fortune.

This section of the novel also brings to the forefront the motif of Disguise and Performance. Moll also becomes an expert in disguise, dressing as a wealthy widow, a destitute beggar, and a man. Her attorney advises her to dress nicely for the hearing; the more respectable she appears, the more likely it is that she will come out well. These various disguises, and the performances that attend them, make Moll a chameleon-like character. Moll’s outer disguises reflect the way she has always disguised her identity and intentions from those around her, including the reader. By this point in the novel, she has become so skilled in disguise and dissembling, that it behooves the reader to question the veracity of the narrative, at least in part. Perhaps her greatest disguise becomes her name, Moll Flanders. Nobody, not even the reader, is privy to her real name. Yet Moll’s disguises and dissembling are not unusual in the world she inhabits. Several of her lovers and husbands were as dishonest about themselves as she was. Likewise, Moll’s “governess,” Mother Midnight, manipulates Moll by concealing her mercenary intentions. The fact that Moll becomes a thief under her tutelage is partly due to Moll’s opportunism, but also partly due to Mother Midnight’s grooming:  “she conquered all my modesty, and all my fears; and in a little time, by the help of this confederate, I grew as impudent as a thief, and as dexterous as ever Moll Cutpurse was” (197). Moll may be a master of disguise and performance, but she is not immune to it either, and her mastery is in part due to her observations of those around her.

Finally, at the end of this section, Moll reflects upon the reason for telling her story. While it has been a rollicking tale of risky thieving, thrilling near-escapes, and sexual encounters, Moll insists that this is all for the greater good: “On the other hand, every branch of my story, if duly considered, may be useful to honest people” so they may protect themselves from the same fate (254). In this way, Moll, and by extension the author, justifies the telling of such unethical and bawdy exploits.

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