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111 pages 3 hours read

Matt de la Peña

Mexican WhiteBoy

Fiction | Novel | YA | Published in 2008

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Chapters 10-13Chapter Summaries & Analyses

Chapter 10 Summary: “Call from San Francisco”

Danny’s mom calls to check on him. She and Julia are enjoying their time in San Francisco and taking advantage of a world she never thought she would be able to. She tells Danny that Randy sends his Uncle Tommy a couple hundred dollars a month and that he plans to send Danny some, too. His mom applauds Randy’s generosity, but Danny doesn’t comment. His mom tells him how unlike San Diego, where Mexicans are treated like second-class citizens, in San Francisco, “everybody lives together” (92). She continues filling Danny in on her trip to Alcatraz, her yoga class, and Julia’s dance classes. She is truly excited, but Danny wonders “how could his mom do this to his dad?” (94). He is so angry, he vows not to have anything to do with her ever again.

Chapter 11 Summary: “Senior Explains Poverty”

Senior visits and, over lunch, illustrates to Uno the importance of seeing his circumstances through the eyes of an outsider. He lists what an “outsider” would see: basically, a broken-down city filled with poverty, “a forgotten slice of America’s finest city” (97). Uno is not sure what this has to do with him moving to Oxnard, but he acknowledges to himself the poverty by which he is surrounded. Senior goes on about the people living in National City being victims who are “programmed to hear what the rich white folks tell him [them] in the media…the white media” (99). He imparts some inspiring, non-racially related motivation about being a worker, not a wisher, and then heads home.

Uno wants to move to Oxnard but still cannot find a job. He is aware that he can no longer rely on Saturday derby winnings. Uno sees Sofia and they walk along together. He tells her the reason he is not getting hired is because he is black, but Sofia disagrees. They end up at Las Palmas, where Danny is practicing, and secretly watch him. Uno is incredulous to learn Danny works that hard every day. Uno apologizes to Sofe for beating up Danny and tries to justify his actions via Manny’s injuries. Sofia calls him out for feeling threatened by no longer being the best hitter in the neighborhood.

Uno then issues a sincere apology, Sofia accepts, and they continue watching Danny. Uno acknowledges how alone Danny must feel due to his parents’ absence. This reminds him of his dad saying, “how studying the Bible taught him to love himself […] to look inward for companionship” (104). Uno then asks Sofia: “You believe in that stuff?” (104). She acknowledges a belief in something but doesn’t know what. Sofia says her dad thinks Danny is antisocial, probably having “something to do with his own dad leavin’ so suddenly because of all this stuff that happened” (105). Uno inquires about Danny’s dad, and Sofia tells him it’s a long story. Uno spots the Mexican “scout” with the Padres hat and recognizes him from the fair. Sofia does not recognize him. They leave the field, but as soon as they part ways, Uno returns.

Chapter 12 Summary: “Uno Interrupts Danny’s Workout”

With no access to a gym, Danny begins a daily regimen of sit-ups and push-ups. As he’s running through his exercise routine, Uno shows up. Danny gives a nod but worries Uno might be there to fight. The two boys start talking and Uno recollects a time he played Little League on this field and took a foul ball to his mask. He bled and broke his nose, but his dad, high on drugs, yelled at him and told him, “Ain’t no son of mine gonna lay there cryin’!” (109). When his mom tried to defend him, his father went crazy, yelling and cursing at her in front of everyone. That incident ended baseball for Uno.

In a rare moment, Danny speaks—in English—but is not self-conscious about it. Uno tells Danny that his dad, Senior, is now clean and a “cool guy”(110). Danny tells Uno he can work in if he wants and Uno positions himself behind home plate. Danny has a moment where anger surfaces for the beating he took; he fires a fastball, despite Uno’s mitt not being adequate for catching such pitches. It burns Uno, sending him a message. Uno understands he has it coming and says, “All right, D. I got you. It’s cool” (112).

With the score even, the pitching session continues. Uno asks Danny if he’d be interested in “makin’ a little money” (113). Practice continues. The hawk that had been circling the field earlier is gone. Danny “pretends it had been sent all the way from Mexico by his dad. To look after him. And then it goes back to Mexico to report what it sees” (113). He wishes his dad could have seen him “finally punch somebody back” (113).

Chapter 13 Summary: “The Workouts, the Hustles, the Drive-in Theater”

Uno works out with Danny every day, just as hard, and never complains. He does all of the calisthenics and sprints and then catches all of his pitches. Danny is surprised by their arrangement. A week prior, Uno had explained his moneymaking idea: how they would hustle talented baseball players from all over San Diego with Danny’s pitching prowess. Uno will take care of everything, including being on call for Danny anytime he wants to practice. He’ll run the hustle and Danny is not to speak. Uno is excited and hopeful, but Danny feels pressure. If he can’t deliver the pitches, Uno will lose money and never be able to move to Oxnard. They acknowledge the “big Mexican dude up on the hill” watching them. Danny thinks he is the same scout who had been at Leucadia, scouting Kyle. Danny is in some disbelief that the “guy who scouted Kyle [could] now be scouting [me]” (117).

That night, Sofia and her friends go to the drive-in movie theater. It is run down and the screen is torn. Danny wonders if his dad has ever been to this drive-in, then his memories shift to times spent at home with his dad and how his dad hardly spoke to him. They would sit on the couch together and his dad would get high. Danny “already knew enough about being high to know not to mess up his dad’s high” (119).Danny resolved to hide in the bathroom. His thoughts are interrupted by the screams of Sofia and Carmen, who are reacting to the movie. They give Danny money and send him to the concession stand for popcorn, where they have arranged for him to “accidentally” run into Liberty. When Danny sees her, he almost turns around, but convinced his dad would talk to her and that his Uncle Ray would complement her, he decides that’s what he’ll do. Liberty turns and smiles at Danny. He is nervous and suddenly realizes he can’t compliment her in Spanish. They exchange smiles and a little wave as she walks back to her car. When Danny returns to his car, having not talked to Liberty, the girls good-naturedly give him a hard time. Carmen says, “You cute as hell, honey, but you ain’t got no game” (123). Sofia determines he’ll know how to talk to girls by the end of summer.

Chapters 10-13 Analysis

Wendy’s time in San Francisco has shown her a new world full of possibilities, the details of which she shares with Danny over the phone. It’s as though she sees the city through the eyes of a child; she’s never had the opportunity to travel or to explore interests like photography, much less be appreciated for them. Randy hangs her art in his dining room. Julia has embraced the experience as well, taking advantage of several dance classes.

Wendy also tells Danny ow in San Francisco whites and Mexicans live and work together; the groups are not so separate, like in San Diego. Wendy knows Danny struggles with being Mexican in a “white” school. She is white, but being his mom, Danny’s struggle is likely painful for her. Not only is he trying to find his identity without his father, but he is her son too, and he sees himself as unlike her, rejecting her whiteness and her language. His mom supports and provides for Danny and his sister; beyond that, she has enabled him to attend an elite school. Danny’s rejection of his mom, her language and her whiteness are perhaps the pain responsible for Wendy’s bouts of depression. She is excited to tell Danny that Randy is sending him spending money so even though he is not with them, he can still have some fun over summer, but Danny won’t acknowledge Randy’s generosity. He projects the betrayal he feels onto his mother, vowing to have nothing to do with her after their phone call.

Senior has changed dramatically from his violent, drug-using younger self. Uno has not forgotten that Senior, but like Danny, he needs a relationship with his father, and, luckily, Senior has returned to be a consistent force in Uno’s life. He actively engages Uno in conversation and teaches him about important aspects of life. This relationship provides a sharp contrast to Danny’s lack of a father and suggests that a future relationship with his own father, while unclear how, is possible.

Both boys’ fathers have operated in worlds where poverty, drugs and violence are commonplace, and they also both illustrate the effects of those things on fathers and their sons. Though Senior has a chip on his shoulder, his self-awareness has enabled him to rise above his former circumstance and to be a father to Uno, perhaps breaking the cycle of violence in their family. Senior imparts many universally-important lessons to Uno, one of the most important being the need to look at one’s self with the objectivity of an outsider. Senior has educated himself through extensive reading, showing the value of education, and has also become a man of faith. Senior explicitly tells Uno that he does not have to live in the way or under the conditions he currently does. Senior actively tries to give Uno the tools to build his identity, highlighting the absence of such mentoring in Danny’s life. Uno considers his dad’s words. He asks Sofia about church and God.

Ideas of institutionalized racism and classism are introduced through Senior’s discussion of the white media and its agenda. These ideas provide strong insight into Senior’s thinking. Regardless of how readers receive Senior’s societal critique, it is indisputable that Senior’s return to Uno’s life is anything less than positive, and that his teachings, regardless of their basis, are messages that empower Uno to see himself as able to affect change in his own life.

Danny’s self-doubt is highlighted when Uno presents Danny with the plan for their hustles. Uno wholeheartedly believes in Danny’s talent and knows how they can both capitalize from it. Uno acts as coach, manager and agent for Danny. He has street smarts and will take care of everything. This opportunity gives Uno hope, but it also elicits Danny’s feelings self-doubt.

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